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" I don't believe in hope. I believe in action, if I'm an apostle of anything: There are always going to be complications, but to a large degree, everything is in your hands. "
Kerry James Marshall
Hands
Action
Hope
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" There are fewer representations of black figures in the historical record. "
Kerry James Marshall
Historical
Record
Black
" You have to recover the capacity to imagine yourself as an ideal and figure out how to project that into the world. "
Kerry James Marshall
World
Yourself
You
" My dream was always to be in museums. It's a big and important milestone and a fulfillment of one of my primary ambitions. "
Kerry James Marshall
Dream
Museums
Important
" If you walk into any magazine store, I guarantee that nine out of 10 covers will feature white, blonde, blue-eyed, slim women because that's still the ideal of beauty. When a black or Asian figure shows up in a fashion magazine, she's the exception, not the rule. "
Kerry James Marshall
You
Women
Walk
" In Western Catholicism, darkness was evil. In the colonial and imperial context, dark skin was always weak, powerless, subjugated. If you see these images all the time, they become commonplace, and they no longer become a spectacular or sensational thing. "
Kerry James Marshall
Darkness
You
Time
" A close friend of mine described me as a radical pragmatist. I embrace this no-nonsense distinction wholeheartedly. It is a character trait that matches the sense of myself I've had from as far back as I can remember. I am not one who goes in much for magical thinking. I don't believe in destiny, fate, or things like divine guidance, either. "
Kerry James Marshall
Destiny
I Am
Myself
" Artwork operates on two different levels: On one level, there's artwork as a mode of expressivity, and then there's the other side, where the image is a construction that is meant to engage in a discursive field in order to perform a particular function. "
Kerry James Marshall
Construction
Two
Side
" I stumbled upon Charles White purely by chance while looking through a book 'Great Negroes, Past and Present' in the library at Forty-Ninth Street Elementary School in South-Central Los Angeles. I was in the fifth grade. "
Kerry James Marshall
School
Great
Book
" When art works travel from place to place, what you have is the opportunity to engage with the intellect of another person who has made a thing that should have enough information in it in the way it's constructed to start thinking about why that picture got made - not why it is relevant to you. "
Kerry James Marshall
Travel
Opportunity
Art
" Paintings don't just happen. I am not a proponent of the idea of an artist as someone who kind of magically makes things and has no real control or isn't willfully producing a certain kind of thing. It is labor-intensive, and it is research-intensive. You are making one decision after another, trying to get at something you think is important. "
Kerry James Marshall
Decision
You
I Am
" When I started, I was aware of using the black as a rhetorical device. It's understanding that black people come in a wide range of colors, but you find instances in a lot of black literature in which the blackness is used as a metaphor. In some places, you can find an extreme blackness used as a descriptive. "
Kerry James Marshall
Black
People
Understanding
" For black people, everything we do has to be ratified and endorsed by a power structure that is white. And that reinforces a kind of racial hierarchy where whiteness is the privileged position to be in, and ethnicity is problematic. "
Kerry James Marshall
White
Kind
People
" If people keep telling you you can't do a thing, then you need to find a really good reason to continue. If someone tells you you can't do something, how will you know? If someone tells you something is impossible, how will you know? "
Kerry James Marshall
People
Know
You
" Working from live models is too much trouble; it takes too much time. "
Kerry James Marshall
Live
Time
Trouble
" You can't be born in Birmingham, Alabama, in 1955 and grow up in South Central near the Black Panthers headquarters and not feel like you've got some kind of social responsibility. "
Kerry James Marshall
Responsibility
Black
Feel
" My first black-on-black picture was 'The Portrait of an Artist as a Shadow of His Former Self.' I started using it as an emblem of this undercurrent of wickedness, malevolence, and irony - all of that. "
Kerry James Marshall
Self
Artist
Picture
" The invention of the African American, or the Haitian or Jamaican, is a consequence of the transatlantic slave trade. "
Kerry James Marshall
Invention
Trade
Slave
" For black people who are really dark - and a lot of black people were averse to be dark skinned - it was believed that you'd be so dark that you couldn't see them at night unless they were smiling or you could see the whites of their eyes. At one time, it was a sharp comic barb that got levelled at some people. "
Kerry James Marshall
Black
Dark
Night
" One of the reasons I paint black people is because I am a black person. "
Kerry James Marshall
People
Black
Am
" Clarity is important. Part of what I'm trying to do with some of these pictures is eliminate as much of the potential, as many kind of readings as people might want to make, as possible. "
Kerry James Marshall
People
Trying
Important
" If you think about the way we experience art, the paradigm is still Western European. If I go to the National Gallery, what am I going to see the most of? I'm not going to see a whole lot of black figures in pictures. "
Kerry James Marshall
See
You
Think
" At a certain point, you have to decide whether you'd be satisfied always acknowledging the beauty and the greatness of what other people create or if you want to be in the same arena. "
Kerry James Marshall
Beauty
You
People
" I have been a stalwart advocate for the legacy of Charles White. I have said it so often, it could go without saying. I have always believed that his work should be seen wherever great pictures are collected and made available to art-loving audiences. "
Kerry James Marshall
White
Great
Legacy
" If I go to the museum and see white bodies, black bodies, Asian bodies, Latino bodies, then I will expect to see those things every time I go. That matters a lot. "
Kerry James Marshall
Matters
White
Time
" Too often, if you look back through the history of representation and you take the work of African-American artists, the work is on such a modest scale that it becomes sort of inconsequential. "
Kerry James Marshall
Look
You
Work
" The U.S. was founded as a white supremacist nation; that's just what it is. "
Kerry James Marshall
Founded
Nation
White
" I see life and the world simply as an arena for competition. That's just what people do, and there are always going to be winners and losers. "
Kerry James Marshall
World
Competition
Life
" The history of political movements in the African diaspora is that the solution to the problem is never in the hands of people who are advancing the movement. I try and operate on my own terms. "
Kerry James Marshall
Problem
Political
History
" Progress has always been understood to be driven by exceptional white men. Whether it's the military victories we've achieved, the philosophical foundations that are the underpinnings of the nation, or our economic ingenuity, all this has been articulated through narratives of exceptional white men. "
Kerry James Marshall
Nation
Always
Men
" The National Gallery is the place that means to represent everything that's good and important in art and show what it believes everyone who is a citizen should recognize and engage. "
Kerry James Marshall
Place
Good
Citizen