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" I try not to get caught up in how our society is so inundated with images, and stay very focused on the work that I'm doing. "
Lynsey Addario
Focused
Society
Work
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" Nothing seemed more important to me than to make the world aware of the senseless death and starvation in South Sudan. I wanted people to see through the eyes of the suffering so my photos might motivate the international community to act. "
Lynsey Addario
World
Eyes
Death
" I interviewed dozens and dozens of African women who had endured more hardship and trauma than most Westerners even read about, and they ploughed on. I often openly cried during interviews, unable to process this violence and hatred towards women I was witnessing. "
Lynsey Addario
Violence
Hatred
Process
" Americans are really lovely people - friendly, kind and willing to help you out. "
Lynsey Addario
You
People
Out
" To me, it's so much about doing your homework, going into a situation, getting to know the subject, making them feel comfortable, getting intimate access, getting access to all different aspects of people's lives so that I am essentially telling an entire story and not just a single image. "
Lynsey Addario
Story
People
Me
" I think it's important to have perspective and to look at what you don't necessarily want to see. "
Lynsey Addario
Important
Perspective
Think
" The first time I visited Afghanistan in May 2000, I was 26 years old, and the country was under Taliban rule. I went there to document Afghan women and landmine victims. "
Lynsey Addario
Old
Time
First Time
" I didn't want my gender to determine whether or not I could cover breaking news. "
Lynsey Addario
Gender
News
Want
" Every story takes its toll on me and leaves an impression on me. "
Lynsey Addario
Me
Story
Every
" Photography of any living being, according to Taliban rule, was illegal. So when I went to Afghanistan, immediately I was worried about photographing people. But it was what I wanted: to show what life was like under the Taliban, specifically for women. "
Lynsey Addario
Photography
Women
Life
" As a photographer who is constantly in violent, bloody situations where the instinct is to turn away, I am always trying to figure out how to make people not turn away. "
Lynsey Addario
Always
Turn
Trying
" I just immediately connect everything to the wars I have been covering overseas, and that's not the case back home. I wrongly assumed all Americans at home were as consumed with our troops in Afghanistan as I was abroad. "
Lynsey Addario
Home
Everything
Connect
" A lot of women act like it's the easiest decision, and I'm just going to have a baby and put my life on hold and not be worried about it. Well, I was worried. "
Lynsey Addario
My Life
Life
Baby
" Becoming a mother hasn't necessarily changed how I shoot, but it certainly has made me more sensitive, and it certainly makes it much harder for me to photograph dying children. "
Lynsey Addario
Mother
More
Shoot
" Since Sept. 11, many of the wars of our generation are in the Muslim world. So as a woman, I have access to 50 percent of the population that my male colleagues don't. "
Lynsey Addario
World
Colleagues
Woman
" When I first started out, I really felt like, 'I'm a journalist; I will be respected as a neutral observer.' And I don't feel like that holds true anymore. I don't think people respect journalists the same way they once did. "
Lynsey Addario
Way
People
Respect
" For me, taking photographs is such a tortured process. I'm always feeling like I'm not getting enough: I'm in the wrong place, the light isn't good, the subject's not comfortable. "
Lynsey Addario
Good
Process
Place
" I've always wanted to do a photo book, but I've never done one because I've never felt ready; I just didn't feel my work was good enough. "
Lynsey Addario
Work
Enough
Feel
" I wanted the ideal personal life, but I also wanted to keep rushing off, and that doesn't work, not unless you've got an incredibly understanding partner. "
Lynsey Addario
Partner
Life
You
" When I'm documenting, for example, a story on women in Afghanistan, I will do a huge amount of research and a lot of time on the ground just getting to know the women before I even start shooting. "
Lynsey Addario
Start
Women
Time
" I'm not very religious at all - I was raised Catholic, but probably haven't gone to church since my Holy Communion when I was about 6 or 7. "
Lynsey Addario
Religious
Holy
Gone
" Family is such a fundamental part of Islam, and women run the family. I had to force myself not to impose my own definition of political and social freedom on women in Islam, and approach each story objectively. "
Lynsey Addario
Story
Myself
Freedom
" Don't expect things to happen fast. Be empathetic with the people you are photographing. Don't be concerned about money. "
Lynsey Addario
Expect
Fast
Happen
" The truth is, the difference between a studio photographer and a photojournalist is the same as the difference between a political cartoonist and an abstract painter; the only thing the two have in common is the blank page. The jobs entail different talents and different desires. "
Lynsey Addario
Two
Page
Political
" If people really saw what was happening in Iraq and Afghanistan, then they might be marching in the streets to end wars. But you know, I think that no one ever sees because we're not allowed to see, and we're not allowed to publish what we do see. So it's quite difficult. "
Lynsey Addario
See
People
Think
" If I'm doing a story on how a single mother copes in a refugee camp, I'll go to her tent; I'll follow her when she's working, see what her daily life is like, and try to pack that into one composition, with nice light, in one frame. "
Lynsey Addario
Mother
Daily
Daily Life
" I come from a big family of hairdressers; they didn't read newspapers. I would say, 'I'm off to Afghanistan...' and they would say, 'Have fun!' "
Lynsey Addario
Have Fun
Off
Say
" I had imposed unspeakable worry on my husband, Paul de Bendern, on more occasions than I could count. "
Lynsey Addario
Than
Count
Worry
" My strength is looking for composition and light, and I think those things come in the quieter times of war or photographing people affected on the margins of war - civilians, refugees; that is where I really excel. "
Lynsey Addario
Strength
Light
War
" The Taliban rose to power in 1996, vowing stability and an end to the violence raging across the country between warring mujahedeen factions, and to implement rule by Sharia law, or strict Islamic rule. "
Lynsey Addario
Violence
Power
End
" I've seen so many photographers rush to do books the minute they start shooting, but one great thing about photography is that the images don't go away, so the more I sit with these images, the more I learn which ones have had the most impact. "
Lynsey Addario
Great
Impact
Start