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" Americans are really lovely people - friendly, kind and willing to help you out. "
Lynsey Addario
You
People
Out
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" For me, taking photographs is such a tortured process. I'm always feeling like I'm not getting enough: I'm in the wrong place, the light isn't good, the subject's not comfortable. "
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" It seems like, yeah, of course - I always think my work is important, or I wouldn't risk my life for it. "
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" I knew that my interest lied in international stories. I was interested in how women were living under the Taliban, for example. "
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" In a place like Afghanistan where the society is completely segregated, women have access to women. Men cannot always photograph women and cannot get the access that I get. "
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" Since Sept. 11, many of the wars of our generation are in the Muslim world. So as a woman, I have access to 50 percent of the population that my male colleagues don't. "
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" Where in the world would I rather be than on the front line of history? "
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" I didn't want my gender to determine whether or not I could cover breaking news. "
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" When I first started out, I really felt like, 'I'm a journalist; I will be respected as a neutral observer.' And I don't feel like that holds true anymore. I don't think people respect journalists the same way they once did. "
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Way
People
Respect
" I was lucky because I had parents who have enabled me to do whatever I was passionate about and never held my siblings and me back from anything. But I think a lot of people don't have that experience. "
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Experience
Think
Parents
" I think it's important to have perspective and to look at what you don't necessarily want to see. "
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Important
Perspective
Think
" With each assignment, I weigh the looming possibility of being killed, and I chastise myself for allowing fear to hinder me. War photographers aren't supposed to get scared. "
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Myself
War
Fear
" I was undeterred by the danger of traveling as a single American woman through Taliban-governed land. I believed in the stories I wanted to tell, the stories I felt were underreported, and I was convinced that that belief would keep me alive. "
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Belief
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Me
" My life isn't always at risk, even if I'm in a war zone. A lot of these places have areas of calm, so covering war doesn't necessarily mean being shot at all the time. "
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War
Calm
Risk
" If people really saw what was happening in Iraq and Afghanistan, then they might be marching in the streets to end wars. But you know, I think that no one ever sees because we're not allowed to see, and we're not allowed to publish what we do see. So it's quite difficult. "
Lynsey Addario
See
People
Think
" My strength is looking for composition and light, and I think those things come in the quieter times of war or photographing people affected on the margins of war - civilians, refugees; that is where I really excel. "
Lynsey Addario
Strength
Light
War
" For me personally, I'm constantly trying to really re-negotiate how I'm going to make a living because I can't make a living solely off editorial. And I'm also still trying to tell long feature stories that are harder and harder to get assigned, you know. "
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Know
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Trying
" Family is such a fundamental part of Islam, and women run the family. I had to force myself not to impose my own definition of political and social freedom on women in Islam, and approach each story objectively. "
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Story
Myself
Freedom
" I had first visited Kurdistan in 2003 before the invasion of Iraq, camping out in Erbil and Sulaimaniya while waiting for Saddam Hussein's fall. "
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Before
Waiting
First
" I was kidnapped by Sunni insurgents near Fallujah, in Iraq, ambushed by the Taliban in the Korengal Valley in Afghanistan, and injured in a car accident that killed my driver while covering the Taliban occupation of the Swat Valley in Pakistan. "
Lynsey Addario
Valley
Car
Car Accident
" With photography, I always think that it's not good enough. "
Lynsey Addario
Good
Enough
Not Good Enough
" Look, I would say that anyone who does this work and doesn't have a strain of idealism is an adrenaline junkie or completely narcissistic. There is no other justification. You're risking your life, and if anything happens, it's our families who suffer tremendously. "
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" I've seen so many photographers rush to do books the minute they start shooting, but one great thing about photography is that the images don't go away, so the more I sit with these images, the more I learn which ones have had the most impact. "
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Great
Impact
Start
" As a photographer who is constantly in violent, bloody situations where the instinct is to turn away, I am always trying to figure out how to make people not turn away. "
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Always
Turn
Trying
" I try not to get caught up in how our society is so inundated with images, and stay very focused on the work that I'm doing. "
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" If I'm doing a story on how a single mother copes in a refugee camp, I'll go to her tent; I'll follow her when she's working, see what her daily life is like, and try to pack that into one composition, with nice light, in one frame. "
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Mother
Daily
Daily Life
" I got rejected from journalism school! "
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Got
Journalism
Rejected
" As a Western woman in the Middle East, I am often put in a different category. I am sort of like the third sex. I am not treated like a man. I am not treated like a woman. I am just treated like a journalist. That is usually really helpful. "
Lynsey Addario
Different
Woman
Sex
" I generally don't follow domestic news that much aside from how it relates to the stories I'm covering abroad, like what Americans think of the War in Afghanistan. "
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War
Think
Stories
" It was nice to be in my own country, where I didn't need a translator or a driver. Where I didn't need to figure out cultural references or what hijab I needed to wear to cover my hair. "
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Hair
Country
Own
" By the time the United States went to war with Afghanistan in the fall of 2001, I had made three trips to the country. I covered the fall of the Taliban in Kandahar and have been returning routinely for the past 14 years. "
Lynsey Addario
Time
Country
Fall