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" I was born at a bad time for Spain, but a really good one for cinema. "
Pedro Almodovar
Spain
Time
Cinema
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" Yes, women are stronger than us. They face more directly the problems that confront them, and for that reason they are much more spectacular to talk about. I don't know why I am more interested in women, because I don't go to any psychiatrists, and I don't want to know why. "
Pedro Almodovar
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" My first memory is of the eyes of my brother; he was looking at me all the time. "
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" Even though I love my mother, I didn't want to make an idealized portrait of her. I'm fascinated more by her defects - they are funnier than her other qualities. "
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" Hospitals are places that you have to stay in for a long time, even if you are a visitor. Time doesn't seem to pass in the same way in hospitals as it does in other places. Time seems to almost not exist in the same way as it does in other places. "
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" My mother was an extremely creative woman, despite the fact that she lived the life of a rural housewife. "
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" I think that there is always a part of utopia in any romantic relationship. "
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" In fact, it was the women in our house who were in the saddle. If men are the gods, women are not only the presidents but all the ministers of the government. "
Pedro Almodovar
House
Fact
Government
" It's a pity that I can never really enjoy my movies because, after the mixing, your capacity as a spectator just disappears. I have to think about what I felt just before the mixing. "
Pedro Almodovar
Just
I Can
Never
" I'm an artist, and I'm part of every decision in a movie. "
Pedro Almodovar
Part
Movie
Every
" I am partly not conscious of structure with my movies, but this is when I am writing. I leave my mind very free, and then I correct it after. "
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Leave
Mind
Movies
" I remember myself at 10 years old telling stories to my sisters and brother. This is something I did through my adolescence and even through my twenties. "
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Remember
Myself
Brother
" The Flower of My Secret is definitely more based in true emotions. I also wanted to make something more realistic, but not naturalistic or simple. "
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True
More
" Of course I want my films to look really good, but every single element is chosen for a reason. It's telling something in the story. "
Pedro Almodovar
Want
Story
Single
" I ask myself questions that journalists don't dare to ask or don't know how to ask. "
Pedro Almodovar
Questions
Myself
Know
" If I had not been successful as a director, then I'm sure I would still be telling stories. I would have continued on 16mm or found a different medium through which to tell them. "
Pedro Almodovar
Tell
Successful
Director
" For there to be communication within a couple, it is enough for there to be only one person who communicates or who really wants to communicate. Even though a couple consists of two people, if one of the people in a couple puts all their effort into moving a couple along they will move along. "
Pedro Almodovar
Effort
Communication
People
" Before shooting, I prepare with the actors much more like it's a theater play than a movie. Apparently, that way of working is very unusual. "
Pedro Almodovar
Working
Prepare
Play
" If I make a movie in English, the money will come from Europe, so that I can keep my independence and freedom. The way they produce in Hollywood doesn't fit me. "
Pedro Almodovar
Freedom
Money
Me
" I think that the consciousness of passion makes you act very differently. "
Pedro Almodovar
Think
You
Passion
" I used this line to demonstrate how important colors are in movies: It's not a caprice. "
Pedro Almodovar
Important
Line
Movies
" I think it's a change that I did not intend at the time but it is clear that, from The Flower of My Secret on, there is a change in my films. A lot of the journalists have very generously attributed this to my growing maturity. "
Pedro Almodovar
Flower
Change
Time
" You can make a thousand different movies about the same subject. "
Pedro Almodovar
Different
Thousand
You
" The silent film has a lot of meanings. The first part of the film is comic. It represents the burlesque feel of those silent films. But I think that the second part of the film is full of tenderness and emotion. "
Pedro Almodovar
Film
Emotion
Feel
" I don't want to imitate life in movies; I want to represent it. And in that representation, you use the colors you feel, and sometimes they are fake colors. But always it's to show one emotion. "
Pedro Almodovar
Feel
Colors
Fake
" La Mancha is a very macho, chauvinistic society. I saw very clearly that my life had to be in Madrid, and I liberated myself from my mum and dad after high school. "
Pedro Almodovar
School
Society
Life
" All my movies have an autobiographical dimension, but that is indirectly, through the personages. In fact, I am behind everything that happens and that is said, but I am never talking about myself in first person singular. "
Pedro Almodovar
Myself
Movies
I Am
" The life I live due to my work is difficult to share. "
Pedro Almodovar
Difficult
Work
Share
" Whenever I arrive on a real location, I have to move around and work out what the best angles are going to be. When I was moving around with the lens, I discovered things that the naked eye would not have. "
Pedro Almodovar
Lens
Work
Naked
" After the enormous success of All About my Mother, all the awards and everything, I wanted to start a movie in exactly the same place that I used to be before. I wanted to show that all of the success had not changed my perception. "
Pedro Almodovar
Perception
Start
Success
" With this silent film, I wanted to hide what was going on in the clinic. I wanted to cover it up in the best cinematic way and in an entertaining manner. "
Pedro Almodovar
Best
Going
Hide