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" I used this line to demonstrate how important colors are in movies: It's not a caprice. "
Pedro Almodovar
Important
Line
Movies
Related Quotes:
" Whenever I arrive on a real location, I have to move around and work out what the best angles are going to be. When I was moving around with the lens, I discovered things that the naked eye would not have. "
Pedro Almodovar
Lens
Work
Naked
" I'm an artist, and I'm part of every decision in a movie. "
Pedro Almodovar
Part
Movie
Every
" My first memory is of the eyes of my brother; he was looking at me all the time. "
Pedro Almodovar
Memory
Me
Looking
" Of course I want my films to look really good, but every single element is chosen for a reason. It's telling something in the story. "
Pedro Almodovar
Want
Story
Single
" You can make a thousand different movies about the same subject. "
Pedro Almodovar
Different
Thousand
You
" I think my films are always political, even if I don't put explicitly political things in them. "
Pedro Almodovar
Even
Always
Think
" I think that there is always a part of utopia in any romantic relationship. "
Pedro Almodovar
Think
Relationship
Romantic
" Yes, women are stronger than us. They face more directly the problems that confront them, and for that reason they are much more spectacular to talk about. I don't know why I am more interested in women, because I don't go to any psychiatrists, and I don't want to know why. "
Pedro Almodovar
Face
Problems
Talk
" My mother was an extremely creative woman, despite the fact that she lived the life of a rural housewife. "
Pedro Almodovar
She
Woman
Creative
" I am partly not conscious of structure with my movies, but this is when I am writing. I leave my mind very free, and then I correct it after. "
Pedro Almodovar
Leave
Mind
Movies
" With this silent film, I wanted to hide what was going on in the clinic. I wanted to cover it up in the best cinematic way and in an entertaining manner. "
Pedro Almodovar
Best
Going
Hide
" I ask myself questions that journalists don't dare to ask or don't know how to ask. "
Pedro Almodovar
Questions
Myself
Know
" Broadway musicals, where you sing the whole time, I really don't like; I like alternating dialogue and music. "
Pedro Almodovar
Dialogue
Broadway
You
" The 1980s really ended for me in 1992 with the film Kika. "
Pedro Almodovar
Really
1980s
Ended
" There's something about uninterrupted singing that just doesn't work for me, because at some point, I need my characters to talk. Without meaning to offend anyone, a musical like 'Les Miserables' would be the last thing I'd ever be interested in. "
Pedro Almodovar
Singing
Work
Need
" Hospitals are places that you have to stay in for a long time, even if you are a visitor. Time doesn't seem to pass in the same way in hospitals as it does in other places. Time seems to almost not exist in the same way as it does in other places. "
Pedro Almodovar
Long Time
Places
Long
" La Mancha is a very macho, chauvinistic society. I saw very clearly that my life had to be in Madrid, and I liberated myself from my mum and dad after high school. "
Pedro Almodovar
School
Society
Life
" The challenge to me as a director was for the audience to see the film as going on in a straight line, so that they did not sense all of these break-ups. I did not want a film to be a collage of all these images. "
Pedro Almodovar
See
Film
Me
" I remember myself at 10 years old telling stories to my sisters and brother. This is something I did through my adolescence and even through my twenties. "
Pedro Almodovar
Remember
Myself
Brother
" Already when I was very young, I was a fabulador. I loved to give my own version of stories that everybody already knew. "
Pedro Almodovar
Loved
Give
My Own
" Cinema can fill in the empty spaces of your life and your loneliness. "
Pedro Almodovar
Cinema
Your
Life
" The Flower of My Secret is definitely more based in true emotions. I also wanted to make something more realistic, but not naturalistic or simple. "
Pedro Almodovar
Simple
True
More
" I think decor says a lot about someone's social position, their taste, their sensibility, their work - and also about the aesthetic way I have chosen to tell their story. "
Pedro Almodovar
Think
Work
Story
" My directors of photography light my films, but the colours of the sets, furnishings, clothes, hairstyles - that's me. Everything that's in front of the camera, I bring you. "
Pedro Almodovar
Me
Light
Photography
" Even though I love my mother, I didn't want to make an idealized portrait of her. I'm fascinated more by her defects - they are funnier than her other qualities. "
Pedro Almodovar
Her
More
Mother
" After the enormous success of All About my Mother, all the awards and everything, I wanted to start a movie in exactly the same place that I used to be before. I wanted to show that all of the success had not changed my perception. "
Pedro Almodovar
Perception
Start
Success
" It's a pity that I can never really enjoy my movies because, after the mixing, your capacity as a spectator just disappears. I have to think about what I felt just before the mixing. "
Pedro Almodovar
Just
I Can
Never
" I don't want to imitate life in movies; I want to represent it. And in that representation, you use the colors you feel, and sometimes they are fake colors. But always it's to show one emotion. "
Pedro Almodovar
Feel
Colors
Fake
" I think it's a change that I did not intend at the time but it is clear that, from The Flower of My Secret on, there is a change in my films. A lot of the journalists have very generously attributed this to my growing maturity. "
Pedro Almodovar
Flower
Change
Time
" Cukor is one of my favorite directors. He was a master at directing women. "
Pedro Almodovar
He
Women
Directing