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" I was taught to draw very well when I was in school at Boston. And I grew to enjoy drawing so much that I never stopped. "

Ellsworth Kelly

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" All my paintings are usually done in drawing form, very small. I make notations in drawings first, and then I make a collage for color. But drawing is always my notation. "

Ellsworth Kelly

" Shape and color are my two strong things. And by doing this, drawing plants has always led me into my paintings and my sculptures. "

Ellsworth Kelly

" Geometry is moribund. I want a lilt and joy to art. "

Ellsworth Kelly

" I don't labor over my drawings. I want to get freedom in the line. "

Ellsworth Kelly

" I like silence. "

Ellsworth Kelly

" My earliest drawing is a supposed Carracci. It wasn't very expensive, I guess, because they don't know if it's a real Carracci. But it has all these seals on it of people who've owned it, and one of the great portrait painters of England, Reynolds, had owned it, so that's the earliest. "

Ellsworth Kelly

" I've always wanted... I wanted to give people joy. "

Ellsworth Kelly

" My forms are geometric, but they don't interact in a geometric sense. They're just forms that exist everywhere, even if you don't see them. "

Ellsworth Kelly

" The paintings to me are always canvas; sculpture has always been metal, though I have made sculpture in wood, also. "

Ellsworth Kelly

" I have a sort of inner sense for scale. "

Ellsworth Kelly

" I started doing sculpture in 1959. I had no commissions then. They were painted, similar in style to the paintings... At a certain point, I decided I didn't want an edge between two colors, I wanted color differences in literal space. "

Ellsworth Kelly

" Matisse draws what I call the essence of the plants. He leaves a shape open. He'll do a leaf and not close it. Everybody used to say, oh, I got it all from Matisse, and I said, 'Not really.' "

Ellsworth Kelly

" Gray goes with gold. Gray goes with all colors. I've done gray-and-red paintings, and gray and orange go so well together. It takes a long time to make gray because gray has a little bit of color in it. "

Ellsworth Kelly

" Shading is more like copying. And certainly I do copy, but I'm making drawings, and I'm not trying to make them with the shading. "

Ellsworth Kelly

" I'm interested in the space between the viewer and the surface of the painting - the forms and the way they work in their surroundings. I'm interested in how they react to a room. "

Ellsworth Kelly

" My ideas come, wh-pheww. And I draw. Just recently, when I'm searching for ideas for paintings and sculptures, I wait for ideas, and it's always visual. "

Ellsworth Kelly

" All my work begins with drawings. "

Ellsworth Kelly

" I said, I don't want to paint things like Picasso's women and Matisse's odalisques lying on couches with pillows. I don't want to paint people. I want to paint something I have never seen before. I don't want to make what I'm looking at. I want the fragments. "

Ellsworth Kelly

" When I see a white piece of paper, I feel I've got to draw. And drawing, for me, is the beginning of everything. "

Ellsworth Kelly

" In Boston, I developed my eye from the drawing. In Paris, I was fascinated by what my eye saw in the way that Paris is built, its 'measure.' "

Ellsworth Kelly

" In Paris in the late '40s, I started making my first reliefs. They are separate panels. I wanted to do something coming out of the wall, almost like a collage. I did a lot of white reliefs when I started because I liked antique reliefs, really old stuff. "

Ellsworth Kelly

" Time has always been very important in my work. "

Ellsworth Kelly

" I just feel like I can live on. I hope I can reach 100. I think today if you just keep doing, keep working, that - maybe that's possible. "

Ellsworth Kelly

" Each drawing that I've done, I have found. Meaning, I see a plant I want to draw. "

Ellsworth Kelly

" I have trained my eye over and over ever since I was a kid. I was a bird watcher when I was a little boy. My grandmother gave me a bird book, and I got to like their colors. "

Ellsworth Kelly

" I always felt that a painted edge between two colors was a depiction somehow. "

Ellsworth Kelly

" One of the first drawings I did in Paris - I wasn't thinking of doing drawings, but somehow or other, I kept drawing - I bought a hyacinth flower with a lot of leaves, just to make me feel like spring. "

Ellsworth Kelly

" All my work comes from perceiving. I kept seeing things that were brooding in me. I'm not a geometric artist. "

Ellsworth Kelly

" The negative is just as important as the positive. "

Ellsworth Kelly

" My ideas I can find anywhere. And I draw because I have to note down my ideas or flashes - I call them flashes, because they come to me, like that. Not so much in the plant drawings. I have to see them. "

Ellsworth Kelly