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" My ideas come, wh-pheww. And I draw. Just recently, when I'm searching for ideas for paintings and sculptures, I wait for ideas, and it's always visual. "

Ellsworth Kelly

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" I like to be able to get swift curves in the plant drawings that are usually drawn in five to ten minutes. "

Ellsworth Kelly

" I have trained my eye over and over ever since I was a kid. I was a bird watcher when I was a little boy. My grandmother gave me a bird book, and I got to like their colors. "

Ellsworth Kelly

" My ideas I can find anywhere. And I draw because I have to note down my ideas or flashes - I call them flashes, because they come to me, like that. Not so much in the plant drawings. I have to see them. "

Ellsworth Kelly

" I have a sort of inner sense for scale. "

Ellsworth Kelly

" All my work comes from perceiving. I kept seeing things that were brooding in me. I'm not a geometric artist. "

Ellsworth Kelly

" Geometry is moribund. I want a lilt and joy to art. "

Ellsworth Kelly

" I did not want windows, only skylights. I chose my painting wall as it has the best morning light. "

Ellsworth Kelly

" Time has always been very important in my work. "

Ellsworth Kelly

" In Boston, I developed my eye from the drawing. In Paris, I was fascinated by what my eye saw in the way that Paris is built, its 'measure.' "

Ellsworth Kelly

" I don't labor over my drawings. I want to get freedom in the line. "

Ellsworth Kelly

" I don't like mixed colors that much, like plum color or deep, deep colors that are hard to define. "

Ellsworth Kelly

" The negative is just as important as the positive. "

Ellsworth Kelly

" In Paris in the late '40s, I started making my first reliefs. They are separate panels. I wanted to do something coming out of the wall, almost like a collage. I did a lot of white reliefs when I started because I liked antique reliefs, really old stuff. "

Ellsworth Kelly

" One of the first drawings I did in Paris - I wasn't thinking of doing drawings, but somehow or other, I kept drawing - I bought a hyacinth flower with a lot of leaves, just to make me feel like spring. "

Ellsworth Kelly

" My drawings have to be quick. If they don't happen in 20 minutes or a half hour, then they're no good. "

Ellsworth Kelly

" I was taught to draw very well when I was in school at Boston. And I grew to enjoy drawing so much that I never stopped. "

Ellsworth Kelly

" I said, I don't want to paint things like Picasso's women and Matisse's odalisques lying on couches with pillows. I don't want to paint people. I want to paint something I have never seen before. I don't want to make what I'm looking at. I want the fragments. "

Ellsworth Kelly

" I've always wanted... I wanted to give people joy. "

Ellsworth Kelly

" The paintings to me are always canvas; sculpture has always been metal, though I have made sculpture in wood, also. "

Ellsworth Kelly

" Gray goes with gold. Gray goes with all colors. I've done gray-and-red paintings, and gray and orange go so well together. It takes a long time to make gray because gray has a little bit of color in it. "

Ellsworth Kelly

" I started doing sculpture in 1959. I had no commissions then. They were painted, similar in style to the paintings... At a certain point, I decided I didn't want an edge between two colors, I wanted color differences in literal space. "

Ellsworth Kelly

" Shading is more like copying. And certainly I do copy, but I'm making drawings, and I'm not trying to make them with the shading. "

Ellsworth Kelly

" I just feel like I can live on. I hope I can reach 100. I think today if you just keep doing, keep working, that - maybe that's possible. "

Ellsworth Kelly

" I'm constantly investigating nature - nature, meaning everything. "

Ellsworth Kelly

" All my paintings are usually done in drawing form, very small. I make notations in drawings first, and then I make a collage for color. But drawing is always my notation. "

Ellsworth Kelly

" My forms are geometric, but they don't interact in a geometric sense. They're just forms that exist everywhere, even if you don't see them. "

Ellsworth Kelly

" I'm interested in the space between the viewer and the surface of the painting - the forms and the way they work in their surroundings. I'm interested in how they react to a room. "

Ellsworth Kelly

" My earliest drawing is a supposed Carracci. It wasn't very expensive, I guess, because they don't know if it's a real Carracci. But it has all these seals on it of people who've owned it, and one of the great portrait painters of England, Reynolds, had owned it, so that's the earliest. "

Ellsworth Kelly

" I learned my color in Europe. I've always been a colorist, I think. I started when I was very young, being a bird-watcher, fascinated by the bird colors. "

Ellsworth Kelly

" I always felt that a painted edge between two colors was a depiction somehow. "

Ellsworth Kelly