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" I'm a big fan of martial arts films, novels and radio programs. "
Wong Kar-wai
Radio
Arts
Big
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" The reason it takes me so long to make a film, the reason it gets so difficult, is that I'm trying to think of every film as the last one I will ever make so it can be the best it can possibly be. I don't want to have regrets or excuses or think, 'I can do better next time.' "
Wong Kar-wai
Think
Best
Better
" During shooting, you have the idea, like, of this certain dress on this actress, but it's not to fit, so you have to make all of these alterations and modifications. So in a way, I build the characters with the cast, and it's sort of custom-made, the whole process, and then you have to make all of these adjustments. "
Wong Kar-wai
You
Build
Dress
" Each production has certain circumstances that will bring you to a certain way of making it. It is not intentional, it is not an artistic decision, the way we make films, it is the way we address to our problems. "
Wong Kar-wai
Circumstances
Decision
Problems
" Ip Man was an extraordinary man who lived during extraordinary times. He was born to a rich family when the country was still a monarchy and lived through various civil wars, revolutions, the Japanese invasion, and the establishment of the Republic. "
Wong Kar-wai
Rich
Born
Country
" For 'Chungking Express,' the way we shot the film was all handheld and with all this existing light, and that became very popular. Everybody thought it was cool. "
Wong Kar-wai
Cool
Way
Shot
" I am just the band leader, and I just keep everything in tune. "
Wong Kar-wai
Band
Am
Everything
" I started out my career as a screenwriter and quickly discovered that adhering to a script isn't always the best way to make a film. You have to take into consideration the nuances of the characters and what the actors bring to their roles. "
Wong Kar-wai
Film
Always
Best
" The industry and support in China has really matured because there are so many productions there. At the same time, there's been a lot of changes in the market, which I think also has enabled productions like 'The Grandmaster' to happen and to be possible to shoot in China. "
Wong Kar-wai
Support
Possible
Think
" My films are never about what Hong Kong is like, or anything approaching a realistic portrait, but what I think about Hong Kong and what I want it to be. "
Wong Kar-wai
Never
Think
Want
" After the Revolution in '49, all the films were propaganda. They serviced the government and carried the message that the government wants to relay to the people. But I think, in the last 10 years, because the film market is opening and there's an expansion of all the cinemas in China, it's now a lot like Hollywood productions. "
Wong Kar-wai
Government
Revolution
People
" Americans always see China through the looking glass, and I think it's about time - with technology and of the growing economic relationship between these two countries - I think it's natural and better for all of us to have a better understanding of each other. "
Wong Kar-wai
Time
Technology
Relationship
" The original title for 'In the Mood for Love' was called 'A Story About Food.' The idea was to tell a love story through different courses. "
Wong Kar-wai
Love
Mood
Original
" When you look at martial arts films, the later ones became more and more exaggerated. It's like, wow, is martial arts only a show? "
Wong Kar-wai
Arts
Look
Like
" The laboratory where we stored all our negatives went bankrupt overnight following the Asian economic crisis in 1997. So, on short notice, we had to retrieve all the materials in the middle of the night before the debtor-receiver took over the laboratory the next morning. "
Wong Kar-wai
Night
Morning
Crisis
" In my first film, we always tried to have a script and work in a normal way, but I was constantly changing things during shooting. Because I worked as a scriptwriter for 10 years, I understood that directors always wanted to change what was originally written, to improve on it. "
Wong Kar-wai
Normal
Film
Change
" 'Ashes of Time' was my third film, and as a young director at that point, it's not very often that you have the chance to make a big martial arts film, so of course I jumped at this opportunity. "
Wong Kar-wai
Time
You
Young
" I came to Hong Kong when I was five, but we didn't have any relatives in Hong Kong. My mom is a big movie fan, and she watched all kinds of movies, so when I was a kid, basically, we went to watch a movie every day. "
Wong Kar-wai
Mom
Watch
Day
" One's memories aren't what actually happened - they're very subjective. You can always make it much better, right? "
Wong Kar-wai
Memories
You
Right
" To make a film like 'The Grandmaster,' I know I'm not going to make just a standard kung-fu film; it's not going to be just tricks or like wire works. So I spent seven years on the road interviewing different schools and a lot of real grandmasters from Chinese martial arts. "
Wong Kar-wai
Arts
Know
Like
" Somehow, we fall in love with the films and don't want to let go, but financially and physically, we cannot afford it. "
Wong Kar-wai
Let Go
Love
Go
" I was born in Shanghai and moved to Hong Kong the year I was five. "
Wong Kar-wai
Hong Kong
Five
Year
" I've always wanted to make a film about the Tong Wars, the rioting and the crime factions in San Francisco's Chinatown in the early part of the last century. "
Wong Kar-wai
Last
Wanted
Early
" To me, romantic means, um, you follow your heart more than your mind. Sometimes when you're shooting a film, you have to follow your heart. "
Wong Kar-wai
Heart
Follow
Mind
" I have an image of Shanghai, which is quite different from other directors, I think. The story of Shanghai should happen in back alleys. "
Wong Kar-wai
Story
Image
Different
" In much the same way Ip Man embodied the struggles of the Chinese people, I wanted Gong Er to represent the changing role of women. "
Wong Kar-wai
People
Struggles
Way
" I never studied film formally at school, but as a kid, I spent most of my time in cinemas. "
Wong Kar-wai
Film
Most
School
" This is what the difference is between Hong Kong and Chinese cinema - Chinese cinema was made for their own communities. It was for propaganda. But Hong Kong made films to entertain, and they know how to communicate with international audiences. "
Wong Kar-wai
Difference
Own
Know
" At film festivals, I put on my sunglasses and go to sleep because I don't want to see my films again. "
Wong Kar-wai
Sunglasses
Festivals
See
" It is always good to work with a very regular group of people because we know how high we can fly and what are the parameters, and it becomes very enjoyable. "
Wong Kar-wai
Good
Fly
Group
" When I look at 'Fallen Angels,' I realize it is not a film that is truly about Hong Kong. It's more like my Hong Kong fantasy. I want Hong Kong to be quiet, with less people. "
Wong Kar-wai
Realize
Angels
Look