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" When you look at martial arts films, the later ones became more and more exaggerated. It's like, wow, is martial arts only a show? "
Wong Kar-wai
Arts
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" My mother has a very big family in Shanghai, so I have, like, almost 40 cousins, so we stayed together all the time. So by the time I get to Hong Kong, I become the only child and the only one surrounded by adults, you know. "
Wong Kar-wai
Family
Child
Time
" I was born in Shanghai and moved to Hong Kong the year I was five. "
Wong Kar-wai
Hong Kong
Five
Year
" I sometimes compare making a film to cooking. Some dishes need to be stewed, while others need to be fried. "
Wong Kar-wai
Others
Film
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" I think one day I can make a book about coffee shops in Hong Kong. I spent almost most of my time in coffee shops, in different coffee shops. "
Wong Kar-wai
Coffee
Day
I Can
" Some actors like encouragement. Some actors prefer to have pressure. And sometimes, for some actors, its better to give your comment by silence, because they are so skillful, so gifted, that they understand without talking too much. "
Wong Kar-wai
Encouragement
Better
Silence
" Chinese martial artists consider themselves to be gardeners, and it's an honor for them to take care of this garden, to better it and hand it over to the generations that follow. I think that's a very important message in a time when personal achievement seems to be the only criteria of success. "
Wong Kar-wai
Time
Think
Success
" My films are never about what Hong Kong is like, or anything approaching a realistic portrait, but what I think about Hong Kong and what I want it to be. "
Wong Kar-wai
Never
Think
Want
" I am just the band leader, and I just keep everything in tune. "
Wong Kar-wai
Band
Am
Everything
" In much the same way Ip Man embodied the struggles of the Chinese people, I wanted Gong Er to represent the changing role of women. "
Wong Kar-wai
People
Struggles
Way
" I think, to be a director, sometimes you need to have certain hunches - you have to believe in some gut feeling. "
Wong Kar-wai
Feeling
Gut
Need
" I'm a big fan of martial arts films, novels and radio programs. "
Wong Kar-wai
Radio
Arts
Big
" At film festivals, I put on my sunglasses and go to sleep because I don't want to see my films again. "
Wong Kar-wai
Sunglasses
Festivals
See
" Each production has certain circumstances that will bring you to a certain way of making it. It is not intentional, it is not an artistic decision, the way we make films, it is the way we address to our problems. "
Wong Kar-wai
Circumstances
Decision
Problems
" To me, romantic means, um, you follow your heart more than your mind. Sometimes when you're shooting a film, you have to follow your heart. "
Wong Kar-wai
Heart
Follow
Mind
" Somehow, we fall in love with the films and don't want to let go, but financially and physically, we cannot afford it. "
Wong Kar-wai
Let Go
Love
Go
" Because we don't have a lot of light, because we have a very low budget, we have to adjust the speed of our camera to get the effect that we want. So sometimes this is the way we work, and the result of the filming becomes a kind of a style. "
Wong Kar-wai
Work
Style
Speed
" The industry and support in China has really matured because there are so many productions there. At the same time, there's been a lot of changes in the market, which I think also has enabled productions like 'The Grandmaster' to happen and to be possible to shoot in China. "
Wong Kar-wai
Support
Possible
Think
" During shooting, you have the idea, like, of this certain dress on this actress, but it's not to fit, so you have to make all of these alterations and modifications. So in a way, I build the characters with the cast, and it's sort of custom-made, the whole process, and then you have to make all of these adjustments. "
Wong Kar-wai
You
Build
Dress
" I don't want to be a grumpy old man or too pessimistic, because if I have a chance, I would prefer to watch a film in the cinema with an audience on a big screen instead of watching it on a cell phone. It's a very different experience, but somehow I think this form will have its own future and life. "
Wong Kar-wai
Experience
Think
Future
" I'm not coming from film school. I learned cinema in the cinema watching films, so you always have a curiosity. I say, 'Well, what if I make a film in this genre? What if I make this film like this?' "
Wong Kar-wai
Say
You
School
" What makes international cinema so interesting is that each territory has its own sensibility. When you look at an Indian or French film, there's a certain flavor. And even though the language is different, if the film is successful, it has something very common and understandable. "
Wong Kar-wai
Look
You
Cinema
" Sometimes, we have to turn our camera to a mirror to shoot something, and people think, 'Oh, that's very stylish.' Yes it is, but at the same time, we did it because we are shooting in a very small space, and that was our only option. "
Wong Kar-wai
Time
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Space
" Americans always see China through the looking glass, and I think it's about time - with technology and of the growing economic relationship between these two countries - I think it's natural and better for all of us to have a better understanding of each other. "
Wong Kar-wai
Time
Technology
Relationship
" I didn't know anything about martial arts. I'm a big fan, but I never practiced martial arts. "
Wong Kar-wai
Know
Anything
Arts
" In our case, we have no script. So the only people we can work with are people who have been working with us in the past, and they know we are going to do something; it's kind of a trust. "
Wong Kar-wai
Trust
People
Past
" I never studied film formally at school, but as a kid, I spent most of my time in cinemas. "
Wong Kar-wai
Film
Most
School
" One's memories aren't what actually happened - they're very subjective. You can always make it much better, right? "
Wong Kar-wai
Memories
You
Right
" I'm not very aware of styles. We never talk about styles before we start shooting, or even during shooting, because I think the film will bring you there. "
Wong Kar-wai
Start
Never
Film
" In my first film, we always tried to have a script and work in a normal way, but I was constantly changing things during shooting. Because I worked as a scriptwriter for 10 years, I understood that directors always wanted to change what was originally written, to improve on it. "
Wong Kar-wai
Normal
Film
Change
" For 'Chungking Express,' the way we shot the film was all handheld and with all this existing light, and that became very popular. Everybody thought it was cool. "
Wong Kar-wai
Cool
Way
Shot