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" I'm a very open person, very self-deprecating. I accept my flaws. "
Lynsey Addario
Accept
Flaws
Open
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" In so many countries, Western journalists are viewed simply as dollar signs. We're ransom objects. "
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Countries
Dollar
Many
" With photography, I always think that it's not good enough. "
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Good
Enough
Not Good Enough
" Every story takes its toll on me and leaves an impression on me. "
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Story
Every
" If publications want to publish images and stories from a certain person, they should put that person on assignment, cover his or her expenses, make sure they have access to security briefings and experts, someone to administer first aid, etc. "
Lynsey Addario
Want
Person
Security
" Sometimes when I am photographing a major news event, I am suddenly overwhelmed by helplessness. "
Lynsey Addario
News
Am
I Am
" I've worked for over 11 years in the Muslim world, and the one thing that I feel like I've learned - who's to say if it's true or not true, it's just my experience - is that men don't like to see really strong, aggressive women in that area of the world. "
Lynsey Addario
Strong
Women
Men
" Look, I would say that anyone who does this work and doesn't have a strain of idealism is an adrenaline junkie or completely narcissistic. There is no other justification. You're risking your life, and if anything happens, it's our families who suffer tremendously. "
Lynsey Addario
Life
You
Look
" The truth is, the difference between a studio photographer and a photojournalist is the same as the difference between a political cartoonist and an abstract painter; the only thing the two have in common is the blank page. The jobs entail different talents and different desires. "
Lynsey Addario
Two
Page
Political
" I wanted the ideal personal life, but I also wanted to keep rushing off, and that doesn't work, not unless you've got an incredibly understanding partner. "
Lynsey Addario
Partner
Life
You
" I think when I started going to war zones and started covering humanitarian issues, it became a calling because I realized I had a voice, and I can give people without a voice a voice... and now it is something that sits inside of me every day. "
Lynsey Addario
War
People
Day
" I think that more often than not, people underestimate me. "
Lynsey Addario
Underestimate
Think
Me
" I try not to get caught up in how our society is so inundated with images, and stay very focused on the work that I'm doing. "
Lynsey Addario
Focused
Society
Work
" I was kidnapped by Sunni insurgents near Fallujah, in Iraq, ambushed by the Taliban in the Korengal Valley in Afghanistan, and injured in a car accident that killed my driver while covering the Taliban occupation of the Swat Valley in Pakistan. "
Lynsey Addario
Valley
Car
Car Accident
" I've always wanted to do a photo book, but I've never done one because I've never felt ready; I just didn't feel my work was good enough. "
Lynsey Addario
Work
Enough
Feel
" As a photographer who is constantly in violent, bloody situations where the instinct is to turn away, I am always trying to figure out how to make people not turn away. "
Lynsey Addario
Always
Turn
Trying
" My strength is looking for composition and light, and I think those things come in the quieter times of war or photographing people affected on the margins of war - civilians, refugees; that is where I really excel. "
Lynsey Addario
Strength
Light
War
" I wanted to continue doing my work, but I had to figure out how. And so what I have basically come up with is that I still go to Afghanistan and Iraq and South Sudan and many of these places that are rife with war, but I don't go directly to the front line. "
Lynsey Addario
Line
Doing
War
" The possibility to mobilize the international community to act on human suffering is what drives me every day as a photojournalist. "
Lynsey Addario
Day
Every Day
Me
" A lot of women act like it's the easiest decision, and I'm just going to have a baby and put my life on hold and not be worried about it. Well, I was worried. "
Lynsey Addario
My Life
Life
Baby
" Don't expect things to happen fast. Be empathetic with the people you are photographing. Don't be concerned about money. "
Lynsey Addario
Expect
Fast
Happen
" It's very hard to turn your back once you're aware of what's going on, and you're aware of the injustices, and you're aware of the civilian casualties. It's much easier if you have no idea and you've never seen it. "
Lynsey Addario
Turn
Never
Hard
" Most people, when they meet me, one of the first things they say is, 'Why would you voluntarily subject yourself to war? Why would you go into these places where you know there's a risk of getting killed?' "
Lynsey Addario
Yourself
Me
Know
" As a Western woman in the Middle East, I am often put in a different category. I am sort of like the third sex. I am not treated like a man. I am not treated like a woman. I am just treated like a journalist. That is usually really helpful. "
Lynsey Addario
Different
Woman
Sex
" When I'm documenting, for example, a story on women in Afghanistan, I will do a huge amount of research and a lot of time on the ground just getting to know the women before I even start shooting. "
Lynsey Addario
Start
Women
Time
" I had first visited Kurdistan in 2003 before the invasion of Iraq, camping out in Erbil and Sulaimaniya while waiting for Saddam Hussein's fall. "
Lynsey Addario
Before
Waiting
First
" Let's get one thing straight: I am not an adrenaline junkie. Just because you cover conflict doesn't mean you thrive on adrenaline. It means you have a purpose, and you feel it is very important for people back home to see what is happening on the front line, especially if we are sending American soldiers there. "
Lynsey Addario
People
Purpose
I Am
" I was undeterred by the danger of traveling as a single American woman through Taliban-governed land. I believed in the stories I wanted to tell, the stories I felt were underreported, and I was convinced that that belief would keep me alive. "
Lynsey Addario
Belief
Woman
Me
" Since Sept. 11, many of the wars of our generation are in the Muslim world. So as a woman, I have access to 50 percent of the population that my male colleagues don't. "
Lynsey Addario
World
Colleagues
Woman
" If people really saw what was happening in Iraq and Afghanistan, then they might be marching in the streets to end wars. But you know, I think that no one ever sees because we're not allowed to see, and we're not allowed to publish what we do see. So it's quite difficult. "
Lynsey Addario
See
People
Think
" I interviewed dozens and dozens of African women who had endured more hardship and trauma than most Westerners even read about, and they ploughed on. I often openly cried during interviews, unable to process this violence and hatred towards women I was witnessing. "
Lynsey Addario
Violence
Hatred
Process