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" I'm kind of a mash-up of taste - Graham Greene and Jane Austen; W.G. Sebald and Alice Munro. "
Amy Waldman
Alice
Jane Austen
Kind
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" Imagination, it turns out, is a great deal like reporting in your own head. Here is a paradox of fiction-writing. You are crafting something from nothing, which means, in one sense, that none of it is true. Yet in the writing, and perhaps in the reading, some of a character's actions or lines are truer than others. "
Amy Waldman
Imagination
Great
Character
" As a novelist, you deepen your characters as you go, adding layers. As a reporter, you try to peel layers away: observing subjects enough to get beneath the surface, re-questioning a source to find the facts. But these processes aren't so different. "
Amy Waldman
You
Enough
Try
" Work less than you think you should. It took me a while to realise there was a point each day when my creativity ran out and I was just producing words - usually lousy ones - for their own sake. And nap: it helps to refresh the brain, at least mine. "
Amy Waldman
Creativity
Work
Words
" I read Claire Messud's 'The Emperor's Children,' I read Joseph O'Neill's 'Netherland' - but to me, they're not 9/11 novels. In 'The Emperor's Children,' 9/11 felt to me like a piece of the plot; the novel wasn't wrestling with what 9/11 meant. And 'Netherland' felt the same way. I liked both books a lot but I don't see them as 9/11 novels. "
Amy Waldman
Wrestling
Like
Children
" I found 'The Twin' sitting on a coffee table at a writers' colony in 2009. It carried praise from J.M. Coetzee. That seemed ample justification for using it to avoid my own writing. I finished it - weeping - a day later, and I've been puzzling over its powerful hold on me ever since. "
Amy Waldman
Coffee
Own
Powerful
" My parents are aging and there are difficult issues. It's strange to have children at the beginning of life and parents nearing the end. "
Amy Waldman
Children
Beginning
Parents
" History is the history of human behavior, and human behavior is the raw material of fiction. Most people recognize that novelists do research to get the facts right - how a glove factory works, for example, or how courtesans in imperial Japan dressed. "
Amy Waldman
Research
Facts
History
" And as journalists we look for differences - differences between countries, cultures, classes, and communities. We're very sensitized to difference, but it's much harder to write about similarities across countries, cultures, classes, and communities. "
Amy Waldman
Differences
Difference
Look
" Fiction just has a lot more room for ambivalence and internal conflict, contradiction, and for me that sums up so much of what people felt after 9/11 - confusion even. And I think that's hard to capture in journalism. "
Amy Waldman
Journalism
People
Me
" The September 11, 2001, attacks on the World Trade Center and the Pentagon prompted a fundamental shift in the American government's approach to Islamic terrorism. "
Amy Waldman
Terrorism
Government
American
" As a reporter you tend to seek coherence from your subject or your source - it all needs to add up and make sense. In truth, in reality, there's often a great deal of murkiness and muddiness, confusion and contradiction. "
Amy Waldman
Reality
Confusion
You
" I had been a reporter for 15 years when I set out to write my first novel. I knew how to research an article or profile a subject - skills that I assumed would be useless when it came to fiction. It was from my imagination that the characters in my story would emerge. "
Amy Waldman
Research
Imagination
Story
" While researching 'The Submission,' I went to a protest against the Ground Zero mosque in New York when I was about to give birth to twins. It was about 100 degrees. People thought I was very dedicated. "
Amy Waldman
Thought
Birth
Twins
" I think in the wake of 9/11, like a lot of Americans, you know, we were all very traumatized by the attacks, traumatized in a totally different way by some of what happened afterward in response. And I think there have been these questions hovering in the past decade of, what kind of country are we? Who are we? "
Amy Waldman
You
Think
Questions
" So the premise of 'The Submission' is that there's an anonymous competition to design a 9/11 memorial and it's won by an American Muslim, an architect born and raised in Virginia, and his name is Mohammad Khan. "
Amy Waldman
Won
Competition
American
" In Germany, you have a huge official memorial to the murdered Jews and then you have this artist who's been putting these stumbling blocks, these brass cobblestones, outside the houses Jews were taken away from. It's somewhat controversial and has met some resistance. "
Amy Waldman
Artist
Resistance
Away
" I wasted years worrying about what other people thought. "
Amy Waldman
Other
Years
People
" Religious speech is extreme, emotional, and motivational. It is anti-literal, relying on metaphor, allusion, and other rhetorical devices, and it assumes knowledge within a community of believers. "
Amy Waldman
Motivational
Community
Knowledge
" Over the centuries, and even today, the Bible and Christian theology have helped justify the Crusades, slavery, violence against gays, and the murder of doctors who perform abortions. The words themselves are latent, inert, harmless - until they aren't. "
Amy Waldman
Words
Bible
Violence
" My children, who are almost two: watching them develop has made me pay much closer attention to how we become who we are. "
Amy Waldman
Children
Me
Two