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" I'm the most democratic fascist you'll ever meet. I listen to everybody, and then I make a decision. "
George C. Wolfe
You
Listen
Then
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" There is a strange kind of parental pride when 'Topdog' ends up on Broadway, or 'Elaine Stritch.' "
George C. Wolfe
Pride
Broadway
Ends
" When I was little, I remember rehearsing starving so that when I got to New York I would know how to do it. "
George C. Wolfe
Remember
Got
How
" My first play, 'The Colored Museum,' was done in '86 at the Public Theater. "
George C. Wolfe
First
Museum
Play
" I'm convinced whenever something opens on Broadway, it's a miracle. It's a miracle that people survived. "
George C. Wolfe
Broadway
People
Something
" The Public Theater requires one to be very public, and writing requires one to be very private. "
George C. Wolfe
Private
Theater
Very
" When I came to New York, I told everyone I was a writer/director, and they said, 'No.' There was a rule. You could be one or the other. They ordained me writer. But then I won the Obie for directing 'Spunk,' and the rules changed. "
George C. Wolfe
Said
New York
Rules
" I love and I'm intrigued by what history does to people and to subjects that matter. "
George C. Wolfe
Matter
People
Subjects
" If you love theatre, do theatre wherever you can, because theatre is theatre, and you can experience it anywhere. "
George C. Wolfe
Theatre
Love
Experience
" The wonderful thing about theater is that it has so many people involved in the creation of it. The worst thing about theater is that it has so many people involved in the creation of it. That dynamic is thrilling and challenging every time you make a show. "
George C. Wolfe
Worst
Show
Time
" I feel like I'm edgy and I'm funny and I got this bite, this outrageousness. "
George C. Wolfe
Feel
Bite
Edgy
" Anytime you create art, you create a mess. I mean, 'Hamlet' is a mess! "
George C. Wolfe
Hamlet
Mess
Create
" There is a real affection for these human beings on these stage that O'Neill really had. Out of that affection comes a lot of humor, which is unexpected when you think of 'The Iceman Cometh.' "
George C. Wolfe
Unexpected
Affection
Humor
" To me, 'Show Boat' was the first American musical, the first to have the real texture of this country. "
George C. Wolfe
American
Boat
Country
" Theater, at the end of the day, is about ideas. It's about very large ideas. And if the play is beautifully written or smartly written and has incredible characters you follow on the journey, you take home these larger ideas. Whether it's 'Angels in America' or 'Lucky Guy' or 'Normal Heart,' you follow this moment-to-moment journey as an audience. "
George C. Wolfe
America
Journey
End
" 'You Gotta Have Heart' is one of the most ridiculously perfect, amazing musical comedy songs ever. "
George C. Wolfe
Heart
You
Comedy
" In the early '90s or so, I drove my father to Providence, Ky., his hometown, and he was pointing out, 'That's where the doctor's office was,' and 'That's where we bought ice cream.' And he was pointing to empty lots. When you lose communities, what do you have? We often survive by remembering the stories. "
George C. Wolfe
Early
Father
You
" I love Kabuki, Noh theater and bunraku. "
George C. Wolfe
I Love
Love
Theater
" I absolutely love working on musicals, but anytime I finish a project, I want to move on to something completely different. "
George C. Wolfe
Finish
Love
Want
" Confidence comes in going on personal journeys in a public arena and feeling as though you have a right to do that. You have to give yourself permission to discover what you need to discover and not worry about how pretty the journey is. If you're aware of the pretty, you're not going to dig into the mess. "
George C. Wolfe
Yourself
Journey
Confidence
" Certain things come to me; I just become intrigued by them and want to live inside them. "
George C. Wolfe
Inside
Become
Live
" The black experience, which has nothing to do with my play 'Angels in America,' allowed me to understand the Mormon character. He was the character that couldn't come out to his mother. It allowed me to understand emotional and closeted behavior, because you're so acutely aware of how you're perceived. "
George C. Wolfe
Mother
Character
America
" I love working with actors who will just go, 'Oh O.K., let's try it and see where it goes,' and 'Let's see what we can discover.' "
George C. Wolfe
See
Working
Will
" I love working with a set designer because, in many respects, you meet the set designer before you meet the actors. So it's a chance for me as a director to figure out what I'm thinking and to explore how the space is going to actually be activated. "
George C. Wolfe
Chance
You
Me
" Musicals spring forth from minstrelsy, vaudeville, melodramas; it was all these things combined to create the form. "
George C. Wolfe
Spring
Things
Create
" Surviving failure is one thing. Surviving success is... is challenging, with the consequences and what you lose along the way. "
George C. Wolfe
You
Way
Success
" I think I am the first person of color to direct a major white play on Broadway. In 1993? That's astounding to me. And horrifying to me. "
George C. Wolfe
White
Color
I Am
" I think there's an aspect of my soul, of my personality, that's very suited to directing. I like being in the room with actors; I love creating a safe space and a chaotic space for the discovery to take place. I love creating a sense of community. "
George C. Wolfe
Personality
Community
Love
" I don't go, like, 'Hmm, I'm now going to create something for the black community.' I just feel this compelling urge. I just feel myself drawn to stories that I feel have a potency and immediacy. "
George C. Wolfe
Community
Feel
Myself
" The world doesn't see a lot of gray. The world sees black and white, and then it understands. "
George C. Wolfe
Black And White
White
Black
" I think we all have a primal desire to know as much as we can to find out about where we come from. "
George C. Wolfe
Out
Come
Desire