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" In most kung fu films, they want to create a hero who's always fighting a bad guy. In the story of Ip Man, he's not fighting physical opponents. He's fighting the ups and downs of his life. "
Wong Kar-wai
Life
Create
Fighting
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" When it's time to let go, I don't look back, and I start another project as soon as possible. One thing I remind myself is that I don't want to Photoshop my past. "
Wong Kar-wai
Time
Back
Past
" The Chinese government promised Hong Kong '50 years, and change.' And 50 years later, after 1997, will be 2046; I think, 'Well, that's a very interesting promise.' So I want to make a film about promise. "
Wong Kar-wai
Change
Think
Interesting
" I've always wanted to make a film about the Tong Wars, the rioting and the crime factions in San Francisco's Chinatown in the early part of the last century. "
Wong Kar-wai
Last
Wanted
Early
" I never studied film formally at school, but as a kid, I spent most of my time in cinemas. "
Wong Kar-wai
Film
Most
School
" This is what the difference is between Hong Kong and Chinese cinema - Chinese cinema was made for their own communities. It was for propaganda. But Hong Kong made films to entertain, and they know how to communicate with international audiences. "
Wong Kar-wai
Difference
Own
Know
" My films are never about what Hong Kong is like, or anything approaching a realistic portrait, but what I think about Hong Kong and what I want it to be. "
Wong Kar-wai
Never
Think
Want
" I sometimes compare making a film to cooking. Some dishes need to be stewed, while others need to be fried. "
Wong Kar-wai
Others
Film
Cooking
" I was born in Shanghai and moved to Hong Kong the year I was five. "
Wong Kar-wai
Hong Kong
Five
Year
" When you look at martial arts films, the later ones became more and more exaggerated. It's like, wow, is martial arts only a show? "
Wong Kar-wai
Arts
Look
Like
" I didn't know anything about martial arts. I'm a big fan, but I never practiced martial arts. "
Wong Kar-wai
Know
Anything
Arts
" 'Ashes of Time' was my third film, and as a young director at that point, it's not very often that you have the chance to make a big martial arts film, so of course I jumped at this opportunity. "
Wong Kar-wai
Time
You
Young
" I have an image of Shanghai, which is quite different from other directors, I think. The story of Shanghai should happen in back alleys. "
Wong Kar-wai
Story
Image
Different
" I think of action as a dance. It's a riddle; it should have emotion in it. "
Wong Kar-wai
Dance
Action
Riddle
" In our case, we have no script. So the only people we can work with are people who have been working with us in the past, and they know we are going to do something; it's kind of a trust. "
Wong Kar-wai
Trust
People
Past
" The laboratory where we stored all our negatives went bankrupt overnight following the Asian economic crisis in 1997. So, on short notice, we had to retrieve all the materials in the middle of the night before the debtor-receiver took over the laboratory the next morning. "
Wong Kar-wai
Night
Morning
Crisis
" Because we don't have a lot of light, because we have a very low budget, we have to adjust the speed of our camera to get the effect that we want. So sometimes this is the way we work, and the result of the filming becomes a kind of a style. "
Wong Kar-wai
Work
Style
Speed
" I'm not coming from film school. I learned cinema in the cinema watching films, so you always have a curiosity. I say, 'Well, what if I make a film in this genre? What if I make this film like this?' "
Wong Kar-wai
Say
You
School
" During shooting, you have the idea, like, of this certain dress on this actress, but it's not to fit, so you have to make all of these alterations and modifications. So in a way, I build the characters with the cast, and it's sort of custom-made, the whole process, and then you have to make all of these adjustments. "
Wong Kar-wai
You
Build
Dress
" The original title for 'In the Mood for Love' was called 'A Story About Food.' The idea was to tell a love story through different courses. "
Wong Kar-wai
Love
Mood
Original
" When I look at 'Fallen Angels,' I realize it is not a film that is truly about Hong Kong. It's more like my Hong Kong fantasy. I want Hong Kong to be quiet, with less people. "
Wong Kar-wai
Realize
Angels
Look
" The industry and support in China has really matured because there are so many productions there. At the same time, there's been a lot of changes in the market, which I think also has enabled productions like 'The Grandmaster' to happen and to be possible to shoot in China. "
Wong Kar-wai
Support
Possible
Think
" To make a film like 'The Grandmaster,' I know I'm not going to make just a standard kung-fu film; it's not going to be just tricks or like wire works. So I spent seven years on the road interviewing different schools and a lot of real grandmasters from Chinese martial arts. "
Wong Kar-wai
Arts
Know
Like
" I came to Hong Kong when I was five, but we didn't have any relatives in Hong Kong. My mom is a big movie fan, and she watched all kinds of movies, so when I was a kid, basically, we went to watch a movie every day. "
Wong Kar-wai
Mom
Watch
Day
" I am just the band leader, and I just keep everything in tune. "
Wong Kar-wai
Band
Am
Everything
" Some actors like encouragement. Some actors prefer to have pressure. And sometimes, for some actors, its better to give your comment by silence, because they are so skillful, so gifted, that they understand without talking too much. "
Wong Kar-wai
Encouragement
Better
Silence
" In much the same way Ip Man embodied the struggles of the Chinese people, I wanted Gong Er to represent the changing role of women. "
Wong Kar-wai
People
Struggles
Way
" I don't want to be a grumpy old man or too pessimistic, because if I have a chance, I would prefer to watch a film in the cinema with an audience on a big screen instead of watching it on a cell phone. It's a very different experience, but somehow I think this form will have its own future and life. "
Wong Kar-wai
Experience
Think
Future
" After the Revolution in '49, all the films were propaganda. They serviced the government and carried the message that the government wants to relay to the people. But I think, in the last 10 years, because the film market is opening and there's an expansion of all the cinemas in China, it's now a lot like Hollywood productions. "
Wong Kar-wai
Government
Revolution
People
" I think one day I can make a book about coffee shops in Hong Kong. I spent almost most of my time in coffee shops, in different coffee shops. "
Wong Kar-wai
Coffee
Day
I Can
" I don't do rehearsal. Some directors prefer to do rehearsal - readings before the actual shooting - but I don't like this process because I think there are certain things that are so spontaneous, and they cannot happen twice. "
Wong Kar-wai
Like
Twice
Think