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" It's better to live a world where you can hear different languages and sensibilities. "
Rithy Panh
You
Live
Different
Related Quotes:
" In all of my films, there is a desire to testify, to interrogate the past. "
Rithy Panh
Testify
Films
Past
" I am lucky to be a film director. I can create, express. It proves that I am still alive and the Khmer Rouge did not succeed in destroying me. "
Rithy Panh
I Can
Lucky
Me
" To find money to make a film, you have to write maybe 50 pages to explain what you'd like to do, what the film will be, but everybody lies. Because he doesn't know what the film will be. Everybody writes 50 pages and sends it to a TV channel, a producer, to get money, but everybody lies. Or else your film is not interesting. "
Rithy Panh
Know
Interesting
You
" Pain is handed down from one generation to the next. "
Rithy Panh
Next
Pain
Down
" It is only by reflecting on the past that one can create a better future. "
Rithy Panh
Better
Create
Future
" I'm not someone who has to make a film at any cost. I have to find the right way to make it or not at all. "
Rithy Panh
Find
Way
Someone
" People of my generation did not like very much to tell what we lived through during the Khmer Rouge regime. "
Rithy Panh
Tell
Generation
Like
" If you can keep something very personal, like a song, like a color, like a story, deep in your heart, then nobody can destroy that. Nobody can destroy your imagination; nobody can destroy your love. "
Rithy Panh
Love
Imagination
Heart
" Totalitarians always want to kill culture. But imagine life without football, Faulkner, or Bob Dylan. It's not life. "
Rithy Panh
Want
Football
Culture
" Art is giving to what you create a soul. "
Rithy Panh
Soul
Art
You
" Evil has always been there; it's always a part of us. Evil is no big surprise. But what about the people who gave freely, who stood up for human dignity? Even in the most extreme and terrible situations, these acts of dignity existed. And for me, that is the banality of good. "
Rithy Panh
Always
Evil
Good
" Art is freedom. If you defend art, you defend freedom. "
Rithy Panh
Art
Freedom
Defend
" I left Cambodia when I was 12 or 13. I didn't really escape, but I needed to go away. "
Rithy Panh
Away
Escape
Go
" What I like to do with every film is to bring a form, like a cinematographic proposal. If you watch 'S21,' it's a form; 'Duch, Master of the Gates of Hell' is a different proposal. "
Rithy Panh
Hell
Film
Bring
" I think that, as a filmmaker, you're always making the same film, regardless of how many different stories you tell. This is the case for me, whether I'm making documentaries or fiction films. "
Rithy Panh
Me
Tell
Always
" There is no book-learning culture in Cambodia. People do not read. The children do not read in school. Educators must come up with a policy that meets the great need for knowledge: using modern audiovisual methods that the young can connect with. "
Rithy Panh
Children
Great
Knowledge
" Every day, do small gestures of generosity! It does not mean go to Cambodia. Do it at home. If you do nothing at home, evil becomes normal. "
Rithy Panh
Evil
Home
Small
" Of course, when you're making a documentary, you don't have actors, but nonetheless, there is a writing process that does take place in the editing room. "
Rithy Panh
Editing
You
Writing
" Clay is a very interesting and fundamental material: it's earth, it's water, and - with fire - it takes on form and life. "
Rithy Panh
Earth
Interesting
Life
" I never want to be a film director - I want to be a teacher. "
Rithy Panh
Director
Never
Teacher
" Film is subjective, and we must be careful with that. The kinds of films I love are those that observe, and I give possibility for people to talk. No need for me to tell people what to think - even when I make a film like 'S-21.' It's only one point of view. It's still a film; it's not a tribunal. "
Rithy Panh
Love
Me
Need
" I wasn't predestined to be a filmmaker; this wasn't an obvious choice to me. "
Rithy Panh
Filmmaker
Obvious
Me
" With 'The Missing Picture,' we'd shot for a year and a half already when this idea of the clay figurine, the life that comes from the earth, came to me, and I changed everything. "
Rithy Panh
Year
Picture
Life
" For the young generation, when they see that there is a film director from Cambodia to go on to be nominated, for them, a lot can change. I don't know another way to restore our identity if it's not art. "
Rithy Panh
Art
Change
Generation
" The Khmer Rouge tried to delete everything. They tried to erase our past, our personality, our land, our sentiment. What we tried to do in 'The Missing Picture' was to reconstruct our identity, to bring it back to the people through cinema. "
Rithy Panh
Past
Identity
Personality
" When the Khmer Rouge reached Phnom Penh, the first thing they did was to evacuate the population. Then they took over. The point of a revolution is to bring justice to the people, so even if you don't have proof of sabotage, you manufacture it. "
Rithy Panh
Revolution
Over
People
" Sometimes if you can tell one personal story with a lot of sincerity, it can become a universal story. "
Rithy Panh
You
Tell
Sometimes
" Filming, for me, is a way of approaching, little by little - of getting closer and closer to my subject. And that subject itself can transform, or it can remain the same. "
Rithy Panh
Me
Transform
Way
" When I do feature films, I usually have a very strong sense of what I want to do. I have topics and subjects, so I go for it. I even know technically what I want to. But in the case of documentary, the story comes to me. "
Rithy Panh
Know
Want
Strong
" The Khmer Rouge can't destroy me. I still have my imagination and am capable of making films. I am not locked up. "
Rithy Panh
Capable
Imagination
I Am