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" It's gratifying to hear something familiar and challenging at the same time. "
Kelela
Time
Familiar
Something
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" Anyone who understands anti-racist work, a white person specifically, understands that it is not black people's responsibility, or any person of color's responsibility, to dismantle the structures that keep white people in positions of power. We do our job to thrive, to survive. To protect ourselves, to sit together and feel better and to heal. "
Kelela
People
Job
Responsibility
" As a black woman, there's so much pride and communication through hair. It's naturally something that you are excited to embellish on and be creative about. "
Kelela
Black
Communication
Hair
" I guess the bottom line is I don't make music that is consumed en masse. "
Kelela
Bottom
Line
Make
" We don't want it to be obscure music. We're not trying to be indie. We want to be popular. "
Kelela
Popular
Obscure
Trying
" It definitely feels different to perform to people who know your music. Because people's feedback is not just, 'Oh my God, that was amazing. Who are you?' "
Kelela
You
God
Know
" I like to try out different methods to get to good songs. "
Kelela
Good
Different
Like
" Fog and one blue light is all I need in life at the club. Just a dark room and loud music. I'm into that. "
Kelela
Music
Blue
Dark
" I really do like Solange, sincerely. I'm down for her, and I trust her judgment. "
Kelela
Her
Down
Trust
" I'm finding out what part of punk culture or white indie culture I actually still want to hold onto - What are the values? What are the contributions that I actually like? - and it not coming from a place of desperation or wanting to be embraced or wanting approval, essentially. "
Kelela
Place
White
Values
" I would say Tracy Chapman was the first time I obsessed over an entire record. I knew every song; I knew the exact amount of seconds between each song. That's the level of obsession that I had. "
Kelela
Time
First Time
Obsession
" As it pertains to my black womanhood, there's just a lot of ground to cover. There's a lot of stuff to say. "
Kelela
Just
Say
Lot
" I do like things the way that I like them. But I'm trying not to be - I don't wanna be that way. I'm not a control freak; I wanna protect my agency. It's a weird question as a black woman. "
Kelela
Black
Control
Trying
" I'm pushing back against the white, misogynistic, heterosexual establishment in the music industry. Like, literally, in all its forms. "
Kelela
Against
Music
Like
" I want to soundtrack people's layered feelings. "
Kelela
Soundtrack
Feelings
People
" The whole thing about 'progressive R&B' blows my mind. Black music has always been progressive. "
Kelela
Always
Black
Mind
" I'm quite scrutinous when it comes to who I put myself in the room with. "
Kelela
Quite
Room
Myself
" I would say there is a zone of R&B that hadn't been quite innovative. "
Kelela
Quite
Would
Zone
" Most of my friends, growing up, were upper-middle-class white kids, so it was a different reality at home both culturally and linguistically. It created a lot of insecurities for me, but it also did a lot of amazing things that I didn't know were happening at the time. "
Kelela
Growing Up
Time
Reality
" In Maryland, I didn't grow up around poor white people. Where I grew up, the white people were middle class or upper-middle class. It's interesting how screwed up it is in reality, because most people who receive assistance from the government are white, but not in my head or in my experience. "
Kelela
Reality
Government
Experience
" I would love to do an album of standards! "
Kelela
Love
Standards
Would
" There are no black women geniuses that are being named in canons. I could name a bunch, but it's not part of common knowledge. It's not how the world is taught to think about black women. "
Kelela
World
Black
Women
" For those of us who make music together, I think it's important to realize that generosity on both sides is actually going to produce the biggest possibility. "
Kelela
Think
Us
Music
" You can never have enough reinforcements, resources for black women to thrive in the world. The topic has been addressed a million times before, but it will never end because what we're up against keeps morphing, and we have to figure out how to beat it. "
Kelela
World
You
Women
" I have something stupid, like, 12 credits, to graduate. "
Kelela
Stupid
Like
Something
" Sounding like I have agency in a song is important to me. I want to feel empowered by the music. "
Kelela
Important
Feel
Me
" It's been hard for me to nail visual language and personal style because I like so many different things. "
Kelela
Personal
Language
Me
" When I called 'Cut 4 Me' a mixtape, I was thinking about a few elements: One is used instrumentals. The project is more centered around introducing you to an artist; it's not meant to be seminal. It's 'Hi,' 'Hello,' a thing that you first hear. "
Kelela
Thinking
You
Meant To Be
" I want to speak in the tradition of rhythm and blues and soul music, but also push how it's dressed and how it's delivered to the audience. And hopefully that gets embraced by as many people as possible, but the goal isn't necessarily to speak to everyone. The goal is to get it out as exact as it is in my head. "
Kelela
Goal
Soul
Speak
" Growing up, Missy Elliot and Janet Jackson were definitely major references. "
Kelela
Growing
Major
Up
" I'm definitely seeking to challenge tropes. "
Kelela
Challenge
Seeking
Definitely