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" It's tricky, performing the show live. Because when you're in a big auditorium, in front of 700 people, the natural tendency is to want to talk louder. You want to project. "
Ira Glass
Project
You
Want
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" I think good radio often uses the techniques of fiction: characters, scenes, a big urgent emotional question. And as in the best fiction, tone counts for a lot. But a lot of effective and interesting radio is based on one character who reacts to the world. "
Ira Glass
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" I think stories get better the more people try to amuse themselves. "
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" If you want somebody to tell you a story, one of the most easiest and effective ways is if you're telling them a story. "
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" Semiotics is really interested in the questions like, what keeps you watching something, what keeps you - you know, what keeps you listening to a story on the radio? Like, what keeps you turning the pages in a book? What's the pleasure of it that's moving you forward, that's pulling you in and grabbing you and pulling you forward? "
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" Writing is just very difficult. I'm an adequate performer. And I think I have a special talent as an editor. Editing is what I do best. "
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" I don't think I'm better than everyone else at anything, but I am very quick at organizing a big mass of interview tape into a structure. "
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" A lot of broadcasting, I think, is doing a tremendous amount of preparation and trying to act like, 'Oh, this thought is just occurring to me right now' - and speaking sincerely. "
Ira Glass
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Me
Doing
" When I say something untrue on the air, I mean for it to be transparently untrue. I assume people know when I'm just saying something for effect. Or to be funny. "
Ira Glass
Air
Know
Saying
" I didn't have any particular talent for fiction. I took a class in college. "
Ira Glass
Talent
Fiction
College
" One reason I do the live shows - and the monthly speeches at public radio stations - is to remind myself that people hear the show, that it has an audience, that it exists in the world. It's so easy to forget that. "
Ira Glass
Live
Easy
Myself
" The radio is good for taking somebody else's experience and making you understand what it would be like. Because when you don't see someone, but you hear them talking - and, uh, that is what radio is all about - it's like when someone is talking from the heart. Everything about it conspires to take you into somebody else's world. "
Ira Glass
Heart
Good
Experience
" When I started 'This American Life', one of the reactions I got was, 'When is the adult going to show up who will host the show?' At some point, people just got used to it. "
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Will
People
Used
" I can only control what I can control. "
Ira Glass
Control
Only
I Can
" I don't read novels, but my semiotics study influenced everything about the way I read and edit and write. "
Ira Glass
About
Way
Study
" I am such a do-goody, people-pleasing kid - or I was - I don't think I've ever been fired, not even from an ice cream shop, magician for kids' parties, not even in my early jobs in radio. "
Ira Glass
Kid
Ice
I Am
" It's not a terribly original thing to say, but I love Raymond Carver. For one thing, he's fun to read out loud. "
Ira Glass
Original
Fun
Loud
" At some point, all comics have to go out and be retail salesmen doing door-to-door. And this idea of somebody who totally knows their craft having to get up for free in front of a crowd to work out some stuff they're thinking in their head, still, after as much success as you can get, is really interesting. "
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Work
Success
Thinking
" I'm just not very funny. "
Ira Glass
Just
Very
Funny
" Not owning a car anymore, I feel like I'm barely an American. I miss it. And I barely ever get to listen to the radio in the car, which is the best place for radio. "
Ira Glass
Best
Listen
Feel
" One of the things I learned as a young semiotics nerd was that if you have plot moving forward, no matter how banal the facts of it, simply the fact that the plot is rolling forward makes you wonder what's going to happen next, which creates suspense. So you can control peoples' attention simply by having things move forward in a story. "
Ira Glass
Moving Forward
Control
Moving
" I think the name of the show, 'This American Life' - we named it that just because it seemed like it made the thing feel big. But we don't think about whether it's an American story or not. We happen to be Americans. I think for the stories to work, they have to be universal. "
Ira Glass
Name
Work
American
" 'Smallville' is like a Domino's pizza. While you're eating, you're thinking, 'This is good, and it reminds me of pizza, but there's not enough flavor in each bite.' That's the feeling you have the entire time with 'Smallville' - that it's just about to be good, but it never is. "
Ira Glass
Pizza
Good
Me
" You get into this situation, performing for T.V., where you have to speak with utter sincerity. It's just like the radio. You have to say it like you mean it, even though the thing you're saying is actually planned out. "
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You
Speak
Situation
" I hate dream sequences in movies and T.V. shows generally for their heavy-handed symbolism and storytelling tediousness. "
Ira Glass
Shows
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" Any story that I can consider worth telling is one that you could tell in words. "
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Tell
" I wish somebody had given me the news that ideas don't just fall on your head like fairy dust. You have to treat that like a job. You have to spend hours each day, where you're just like, 'This is the part of the day when I'm looking for an idea.' "
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Fall
" Honestly, there are so many things about structuring a story for film and telling a story for film that are really different from doing radio. "
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" I'll meet listeners who tell me what a great voice I have. But I don't have a great voice for radio. My voice is the utterly normal voice, but sheer repetition has made them think it's OK. Mick Jagger once was asked, 'What makes a hit song? He said, 'Repetition.' "
Ira Glass
Meet
Great
Voice
" I'm a cliche. "
Ira Glass
Cliche
" Any story hits you harder if the person delivering it doesn't sound like some news robot but in fact sounds like a real person having the reactions a real person would. "
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