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" It's very brave going from a position of authority to one where you are an apprentice. "
Eleanor Catton
You
Authority
Brave
Related Quotes:
" I think that's what fiction writing is actually all about. It's about trying to solve problems in creative ways. "
Eleanor Catton
Ways
Creative
Problems
" The challenge that I set for myself was to see whether or not plot and structure could coexist, and why it was that we had to always privilege one above the other. "
Eleanor Catton
Privilege
Always
Challenge
" What I feel is that true creation happens when you're making something out of nothing - like it's divine, you know. Creation is a completely divine concept. "
Eleanor Catton
You
True
Nothing
" I went to a state school in Christchurch, New Zealand, and then straight on to the University of Canterbury. But I worked part-time all the way through high school: first with a paper round, then at a fast-food outlet, a video store and a hardware store. "
Eleanor Catton
New
High School
Way
" I don't see that my age has anything to do with what is between the covers of my book, any more than the fact that I am right-handed. It's a fact of my biography, but it's uninteresting. "
Eleanor Catton
Book
More
Fact
" Margaret Atwood was the author who took me out of children's literature and guided me towards adult literature. "
Eleanor Catton
Literature
Adult
Children
" I believe really strongly in imitation, actually: I think it's the first place you need to go to if you're going to be able to understand how something works. True mimicry is actually quite difficult. "
Eleanor Catton
Think
Place
Believe
" In researching 'The Luminaries,' I did read quite a lot of 20th-century crime. My favourites out of that were James M. Cain, Dassiell Hammett, Raymond Chandler and Graham Greene and Patricia Highsmith. "
Eleanor Catton
Did
Lot
Out
" I have always loved reading books for children and young adults, particularly when those books are mysteries. "
Eleanor Catton
Loved
Always
Children
" The books that really made an impact on me were not set in New Zealand. Some were New Zealand novels, but the New Zealandness of them was not what carried me or excited me. "
Eleanor Catton
Me
Zealand
New
" What I wanted to create with 'The Luminaries' is a book that had structural patterns built in that didn't matter, but if you cared about them, you could look into the book and see them. "
Eleanor Catton
You
Look
Create
" The nice thing about the zodiac as a system is it is quite comprehensive as a range of impulses and psychological states it can speak about. "
Eleanor Catton
Nice
System
States
" In improvising, you've got your scale; you've got the notes that are going to sound good with other notes, the intervals that are going to sound good. But you've also got all the chromatic possibilities, the possibilities of sounding dissident, of being unexpected. "
Eleanor Catton
Possibilities
You
Good
" I don't feel like literature has the power to alienate. I think that's something people feel if they don't connect with a work of art. But I don't think a work of art can actively reject the person who's looking at it or reading it. "
Eleanor Catton
Work
Art
People
" I really wanted to write an adventure story, a murder-mystery that was set during the gold-rush years in New Zealand. "
Eleanor Catton
Story
Zealand
Years
" I think it's more optimistic about human nature to acknowledge that people are the products of their time but then to see that they have moments of grace and dignity that everybody has. "
Eleanor Catton
Nature
Time
See
" I highlight everything I find interesting, and then type out everything I've highlighted, and then print out everything I've typed, and reread these printed notes as often as possible. "
Eleanor Catton
Find
Interesting
Possible
" My parents took me to the Bronte parsonage in England when I was a teenager. I had a fight with my mum, burst into tears, jumped over a stile and ran out into the moors. It felt very authentic: A moor really is an excellent place to have a temper tantrum. "
Eleanor Catton
Fight
Temper
Tears
" My mum was a children's librarian, so I spent a lot of time in the library. My reading life, because of my mum's work, was evenly split between American, Canadian, Australian and British authors. "
Eleanor Catton
Work
Children
Life
" One of the things I really like about Victorian novels is the close anatomisation of character. People's gestures and mannerisms and the quality of their thought is very closely identified and analysed. "
Eleanor Catton
Character
People
Quality
" Writing is exhilarating, but reading reviews is not. I've been really devastated by 'good' reviews because they misunderstand the project of the book. It can be strangely galvanising to get a 'bad' one. "
Eleanor Catton
Good
Reading
Book
" Sometimes I'll read something on Twitter, and I'll just be in the darkest of moods for the rest of the day or the rest of the week sometimes. "
Eleanor Catton
Darkest
Sometimes
Rest
" I loved 'Middlemarch,' I think that's one of my favourite books of all time, actually. "
Eleanor Catton
Think
Time
I Think
" My second novel, 'The Luminaries,' is set in the New Zealand gold rushes of the 1860s, though it's not really a historical novel in the conventional sense. So far, I've been describing it as 'an astrological murder mystery.' "
Eleanor Catton
Sense
Far
Zealand
" Astrology's a moving system that depends on where you're looking at it from on Earth. My horoscope here in London would be completely different to down in New Zealand. "
Eleanor Catton
Looking
Earth
Down
" When I was writing 'The Luminaries,' I read a lot of crime novels because I wanted to figure out which ones made me go, 'Ah! I didn't know that was coming!' "
Eleanor Catton
Know
Writing
Because
" 'The Luminaries' is such a different book to 'The Rehearsal.' There are only a couple of things that link the two books: there's a certain preoccupation with looking at relationships from the outside, being shut out of human intimacy; and then there's patterning. "
Eleanor Catton
Two
Book
Human
" We throw at female artists this expectation that their work has to speak to the female experience. And if it doesn't, you're letting the side down. Throwing this stumbling block in the way of female artists is counterintuitive. "
Eleanor Catton
Speak
Way
Experience
" I am a New Zealander, but I don't want to swallow New Zealand identity in one gulp. "
Eleanor Catton
Am
New
Want
" I had never read Victorian novels before going overseas. I read a handful of authors, but I had not immersed myself in the literature of the 19th century. "
Eleanor Catton
Literature
Myself
Never