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" I've learned that I really want to shoot short films on a short schedule. There can be very good films that run 110 minutes, but 90 minutes is beautiful. "
Whit Stillman
Beautiful
Good
Short
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" I was in Paris for nine years, starting in '98. One of the great things when I was first there were these wonderful CD collections, selling for almost nothing. For ten euros, you'd get three CDs of all the Gershwin songs. "
Whit Stillman
Paris
Nothing
Years
" I'm anti-verite. I think the verite style is a completely false thing. Most things are false to arrive at a truth; verite is falsity without acknowledging its falsity. "
Whit Stillman
Without
Style
Truth
" When you're trying to force things in a script, it seems like it's getting somewhere, but it isn't real or interesting. All the bad material you've written becomes an albatross around your neck. So I really don't like writing a lot of bad stuff, I prefer to just keep narrowing it down to stuff I think is solid. "
Whit Stillman
Interesting
You
Trying
" The thing that was most harmful was that there was always something that was about to happen. So I found myself indulging in the writer's luxury of doing another draft, another idea. If this project isn't happening, then I'll shelve one script and start writing another. And in that way, the years go by, and there's very little money coming in. "
Whit Stillman
Start
Luxury
Writing
" A brief experience with a Radcliffe girl got very bad very quickly. I was so destroyed by it that I left and went to Mexico for a semester, where I have cousins. I learned how to speak Spanish, which was really important for my life. It was wonderful going to Mexico, learning another culture and a language. "
Whit Stillman
Culture
Girl
My Life
" Oddly, in a sense, I still have more confidence as a director than my ability as a writer. Somehow, directing is just really easy. It's just about being really honest about how you feel about what you're seeing. "
Whit Stillman
Easy
You
Seeing
" The great thing for me is how Hitchcock uses guilt so well. He implicates the spectator in the character's field, and you really feel it, and there's incredible relief when it comes out right - if it does come out right. "
Whit Stillman
Great
Feel
Guilt
" There's the right person, or right people, for each other. There is that order that's searching to be found but, I think, it's not as if everything is going to be automatic. So, people could really be meant for each other and its goes awry; or they could have to learn or develop and grow up together. Grow to be right together. "
Whit Stillman
Together
Think
Right Person
" The worst thing is the blank page at the start. Then the horrible things written on the blank page. Then deciding whether or not to throw out those horrible things: lame scenes, lame characters, bad ideas. "
Whit Stillman
Worst
Page
Start
" Paris is a Roach Motel for top American journalists: They check in, having won the plum foreign posting, but never leave. "
Whit Stillman
Leave
Paris
Plum
" My biggest false steps have actually been when I tried to do very different projects. I found I was getting people saying, 'Why does Whit Stillman think he can do a film about blacks in early '60s Jamaica? Or the Chinese and the cultural revolution?' Those were the two biggest failures I had getting off the ground. "
Whit Stillman
People
Saying
Think
" Some critic complained about how many small films are released in New York... it annoyed me. Those small films that are lucky to get two weeks are often my favorite films of the year. "
Whit Stillman
Year
New
Lucky
" I remember trying to write at 1, 1:30 A.M., and just sort of falling asleep. And I think that was actually a good creative state for weird ideas. I shifted to a morning schedule once I had two kids, and I still found that if I slept badly, I actually had better ideas. "
Whit Stillman
Ideas
Think
Creative
" I'm not sure what my material would have been if I'd have started earlier. I probably would have started with 'Damsels in Distress' kinds of films because that's the kind of comedy I was writing in college. So I didn't really have any life experience to work off of. "
Whit Stillman
College
Writing
Work
" I can fake decent penmanship, but generally, it's really just terrible. And, unfortunately for me, maybe fortunately for the reader, it's very often illegible. If I get an idea, and if I do remember to write it down, which is rare, I write in such a way that I can't read a letter. "
Whit Stillman
Way
Down
Fake
" I think one of the saving illusions of the film business is everything seems like it's about to happen. It's always about to happen. It's only looking back that you see the wasteland. "
Whit Stillman
Business
Looking
Think
" What I like and find liberating in dialogue comedy is that the characters, and what they say, are not me. These are fleeting thoughts and observations and not presented as truths but as something that illuminates the character and the dynamic between the characters. This kind of dialogue is thesis and antithesis - and we never get to a synthesis. "
Whit Stillman
Me
Thoughts
Character
" Oscar Wilde was sort of my first love as a young reader. And then I went on to love Jane Austen's wonderful - this sort of comedy coming from her. I mean, all of her books are comic. "
Whit Stillman
Mean
Young
Comedy
" I don't think there's anything cliche feminine about Jane Austen. And, anyway, her earliest champions were Sir Walter Scott and the Prince Regent. "
Whit Stillman
Think
Prince
Her
" I always wanted to direct and write a movie, but I thought that I didn't really have it in me. I tried to write fiction and humorous short stories, and some were considered successful, but it was always a huge effort for a small reward. I was always intimidated by the process. "
Whit Stillman
Short
Small
Thought
" I don't think you change from the time you're 16 until you die. Maybe your body changes, and you have different experiences, but I think you become a fully conscious soul with full abilities. Souls are eternal, and if you keep your marbles until you croak in your 90s or your 100s, you're the same. "
Whit Stillman
Changes
Time
Change
" I'm a late bloomer. Even in high school, everyone else was charging ahead, and I didn't come into my own until very late. I feel that's true in cinema, too. I didn't even start 'Metropolitan' until I was 37. "
Whit Stillman
High School
Late
School
" When people are telling stories on screen, you can show the reactions of people, play it off those reactions, and it can be fun. But when it's someone just giving an opinion on things, even if the opinion is kind of interesting, that is potentially deadly. It has to be really quick. "
Whit Stillman
You
Interesting
People
" A lot of people in the film industry are fatalists who think a worthwhile film will always achieve its destiny, and the films that aren't worthwhile won't. It's all sort of pre-determined, etc. And I don't think that's true at all. "
Whit Stillman
True
Achieve
Think
" Making a show is such a long process. You go through a TV production house that will commission scripts, and if they like what you've written, they take it to a network and sell it to them. It has always felt very far away from something that's actually real. "
Whit Stillman
You
House
Go
" When I'm writing fiction, I read nonfiction or biographies. Now I'm watching very old movies or old foreign films. I don't immerse myself in whatever's going on in whatever area I'm working in. "
Whit Stillman
Myself
Watching
Now
" I kind of put people from the past up on a pedestal; I don't think, in a lot of ways, that we're at their level. "
Whit Stillman
Level
Past
People
" In Mexico, wealth and poverty live next to each other and are cordial with each other - in my experience. "
Whit Stillman
Experience
Next
Live
" What frustrates me a lot about some aspects of filmmaking is people thinking everyone is really dumb and that we have to make everything really obvious. "
Whit Stillman
Me
Thinking
People
" The cinema I particularly love is the cinema of the golden age of the studios in the 1930s. One of the really nice things about it was the way teams of actors and directors and crew people worked together again and again. "
Whit Stillman
People
Age
Love