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" I've never thought of myself in terms of an identity. I'm always baffled when I encounter someone who gives the impression about being confident about a particular defined identity. "
Hisham Matar
Confident
Thought
Myself
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" One of the frustrations of prison life, which is also one of its intended consequences, is that the prisoner is made ineffective. He is unable to be of much use. The aim is to render him powerless. "
Hisham Matar
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He
" I used to believe that it was not possible to lose someone I loved without sensing it somehow, without feeling something shift. But it's not true. People can die, sometimes the closest people to us, without us noticing a thing. "
Hisham Matar
Die
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" Great writing fills me with hopeful enthusiasm and never envy. "
Hisham Matar
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" From before I was born, we Arabs have been caught between two forces that, seemingly, cannot be defeated: our ruthless dictators, who oppress and humiliate us, and the cynical western powers, who would rather see us ruled by criminals loyal to them than have democratically elected leaders accountable to us. "
Hisham Matar
Loyal
Cynical
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" To be okay with not knowing is a sign of a mature person and a mature society. "
Hisham Matar
Society
Mature
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" When a dictatorship imprisons someone or makes them disappear, it's actually a very strategic move. We forget that. It's not as senseless as it seems. It's a way to silence someone, but also it's a way to silence their family as well, out of fear, and society by extension. "
Hisham Matar
Fear
Silence
Society
" Grenfell, the building set on fire with the help of its own face, is a scene of a complex injustice: one that is moral, economic, political, and aesthetic. Not only was the cladding unsafe, it was ugly; not only was it ugly, it was untrue both to the architecture of the building it covered and untrue to its responsibility to human safety. "
Hisham Matar
Architecture
Responsibility
Fire
" Gaddafi's ability to have survived so long rests on his convenient position in not being committed to a single ideology and his use of violence in such a theatrical way. "
Hisham Matar
Violence
Way
Single
" There's something very bizarre about having a father who has disappeared. It's very hard to articulate. "
Hisham Matar
Father
Something
Hard
" In 2006, I published my first novel, 'In the Country of Men.' The publication of the book gave me a bigger platform to speak about my father's abduction and Libya's human-rights record. "
Hisham Matar
Men
Father
Country
" My parents were fairly laid-back, but there were certain things about which they were very strict. My brother and I were told never to turn away a person in need. And it didn't matter what we thought of their motives, whether they were truly in need or not. "
Hisham Matar
Brother
Need
Person
" To me, writing is like singing in the most inappropriate place, singing as beautifully as you can on a bus or in a bank, where people least expect it, and trying to get them to want to listen. "
Hisham Matar
Me
Place
Singing
" I am, by instinct, wary of revolutions. The gathering of the masses fills me with trepidation. "
Hisham Matar
Gathering
I Am
Instinct
" Over the centuries, close-knit tribes have played an important part in the cohesion of Libyan society. "
Hisham Matar
Society
Cohesion
Important
" One of the dark truths about dictators - and it applies to Gaddafi - is that on some level, they love their people. But it is a strange love. It says, 'I love you for me; I don't love you for you.' That rhymes with a certain kind of Libyan father who was always certain about what was good for those around him. Those fathers lose in the end. "
Hisham Matar
People
Father
Good
" I've never been particularly interested in genre distinctions. They seem to me more useful to a librarian than to a writer. "
Hisham Matar
Me
Been
Never
" In the same way that Egypt and Libya conspired to 'disappear' my father and silence writers such as Idris Ali, they made me, too, to a far lesser extent, feel punished for speaking out. "
Hisham Matar
Egypt
Silence
Way
" We got rid of Muammar Gaddafi. I never thought I would be able to write these words. "
Hisham Matar
Never
Thought
Write
" All great art allows us this: a glimpse across the limits of our self. "
Hisham Matar
Self
Art
Great
" Nothing we read can import new or foreign feelings that we don't, in one form or another, already possess. "
Hisham Matar
Foreign
Feelings
Nothing
" There is a tendency to over-exaggerate and over-romanticise the place of a writer in a revolution. That bothers me. I think it's inappropriate. "
Hisham Matar
Me
Place
Revolution
" Civil war is a national crisis and also a private trauma: We suffer it collectively and in isolation. "
Hisham Matar
Isolation
War
Suffer
" I've very aware of my rootlessness. "
Hisham Matar
Aware
Very
" It is easy to underestimate the demands of an open heart. "
Hisham Matar
Easy
Heart
Open
" Throughout my entire life, I have lived in the shadow of the dictatorship. It denied me safety and security. "
Hisham Matar
Life
Security
Safety
" Language is not just a code; you are writing into its history, into its tides. "
Hisham Matar
Just
History
You
" Political dictatorships take possession not just of money and belongings but of narrative. "
Hisham Matar
Just
Take
Political
" Gaddafi tried to give a masterclass to men like the Syrian dictator, Bashar al-Assad, on how to crush a civilian uprising. "
Hisham Matar
Crush
Give
Like
" One of the reasons why Gadafy's dictatorship has managed to remain in power for so long is not just because it has shown itself to be able to exact a great deal of violence, both psychological and physical, on its people, but because it has been very successful at imposing a narrative, a story. "
Hisham Matar
Great
People
Power
" For an overwhelming majority of my life, my country has been a source of pain, fear, and embarrassment. "
Hisham Matar
Country
Been
Pain