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" We progress by leaps and bounds technologically, medically - we can live longer, we can... but you know, in the year 1230, they knew as much as we know now about the human heart. "
Sydney Pollack
Heart
Know
Live
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" I'm not a writer myself, so I'm forced to try to get what's a sort of an odour or a colour or something I feel in my head from a writer, and that's a... I don't have a recipe for that process. I don't know what it is... it's different every time. "
Sydney Pollack
Process
Myself
Feel
" By that I mean, I think that it is true that politics and political heroes have to satisfy our need to be greater than mortal in some way, and that's led them into creating illusions, sound bites, focus groups that tell you what to do. "
Sydney Pollack
Politics
Political
Think
" I love having made a movie. "
Sydney Pollack
Love
Made
Movie
" I've spent most of my life trying to make actors comfortable, which I think is 90 percent of getting a good performance. "
Sydney Pollack
Think
Performance
Life
" I learned that creativity is all about being frustrated. "
Sydney Pollack
Learned
Being
About
" What makes architecture extraordinary is that you're looking at the building, but your peripheral vision is also seeing how it fits within a space. And it's seeing more than one part of the building at one time. "
Sydney Pollack
Space
You
Time
" All the movies I've made are essentially character-driven movies about people that I'm interested in. "
Sydney Pollack
Interested
People
Movies
" I've produced my own films for twenty years now - it means I have to talk to less people. "
Sydney Pollack
Years
Talk
People
" We talked about Tootsie, the idea in Tootsie is that a man becomes a better man for having been a woman. "
Sydney Pollack
Better Man
Woman
Been
" I remembered myself as an unpopular and rather sad kid. "
Sydney Pollack
Remembered
Myself
Kid
" People ask me over and over how is it that I work with stars. How do you work with Barbra Streisand, with Paul Newman, with Al Pacino, with Sally Field, Jane Fonda, you work with all these people. Isn't this a problem? And it isn't a problem at all. It's terrific. It's great fun. And I don't know what the answer is. "
Sydney Pollack
Me
Fun
Great
" Making a movie is a network of decisions that keep multiplying as you go. You leave a trail of decisions behind you, and that's how you start to see the shape of what you've done. When you get far enough, you turn around and say, 'Ha, that's the movie.' It's only then that you find out if it's going to work or not. "
Sydney Pollack
Enough
Decisions
You
" I mean, the truth of the matter is, I like the failures as much as I like the successes, it's only the world that doesn't like the failures. "
Sydney Pollack
Mean
World
Truth
" If I want to make people moved or cry in a film, I figure out what the room looks like, what the people are wearing, what time of day it is, what the light is, how to photograph it, where to put the camera. It involves optics and costume design and set design and architecture. "
Sydney Pollack
Light
People
Time
" I do have a responsibility, but I would make the most boring films in the world if I woke up every morning worrying about my social responsibility. "
Sydney Pollack
Morning
Boring
Responsibility
" It's hard for me to fall in love with a piece of material enough to want to direct it. "
Sydney Pollack
Hard
Enough
Love
" I try not to get depressed about stuff I can't do anything about. "
Sydney Pollack
Depressed
Anything
Get
" If you have a career like mine, which is so identified with Hollywood, with big studios and stars, you wonder if maybe you shouldn't go off and do what the world thinks of as more personal films with lesser-known people. But I think I've fooled everybody. I've made personal films all along. I just made them in another form. "
Sydney Pollack
People
Wonder
Think
" I fly an aeroplane, and I think a lot about how much I do not want ever to run into an optimistic air traffic controller. I just don't. I want a guy down there who's just waiting for the worst crash possible and petrified that it's going to happen on his watch. And then I feel safe flying into his territory. "
Sydney Pollack
Fly
Flying
Feel
" I'm as much a victim of the romantic myth of 'getting away' as anyone else. My head tells me it's myth, but I don't want to believe it is. "
Sydney Pollack
Romantic
Victim
Want
" No, I never went to college. Always regretted it, always envied people who did. "
Sydney Pollack
College
Who
People
" The problem with filming something is that we struggle desperately to make three dimensions out of two dimensions. It can't be done. "
Sydney Pollack
Two
Struggle
Problem
" The marketing of anything is full of exploitation and lies and hype. "
Sydney Pollack
Marketing
Lies
Anything
" When you rehearse a play, you spend four weeks with one goal in mind - to wean the actor away from you. You want the actor to become completely independent and to understand all the emotional and psychological moves within the character. "
Sydney Pollack
Mind
You
Play
" The terrible tragedy for every director is to watch an actor do what you want and not have the camera rolling - and never get it back again. So I always try to roll the camera before anybody's really ready. "
Sydney Pollack
Camera
You
Want
" I'm 47 years old, and I have to accept the fact that I'm probably not going to set the world on fire... If I was going to do that, I would have done it by now. "
Sydney Pollack
World
Now
Done
" You can't stop traffic on Times Square. "
Sydney Pollack
You
Square
Stop
" The essence to me of all good drama is argument. "
Sydney Pollack
Good
Argument
Drama
" I don't know about liberal bias, but people of a liberal mentality are probably attracted in greater numbers to the arts than people of a conservative mentality. "
Sydney Pollack
Know
Numbers
People
" Every time I am directing, I question why in God's name I'm doing it again. It's like hitting yourself in the forehead with a hammer. "
Sydney Pollack
Name
Time
Yourself