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" Men have been buying my women's coats for years. "
Issey Miyake
Women
Years
Coats
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" If you look back throughout history from the ancient Egyptians onwards, most cultures started making clothing from a very basic premise: a single piece of cloth. "
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" In the Eighties, Japanese fashion designers brought a new type of creativity; they brought something Europe didn't have. There was a bit of a shock effect, but it probably helped the Europeans wake up to a new value. "
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" Clothes have become more personal, more a matter of very individual taste. "
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" I am very interested in the culture of paper. "
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" By the way, Marilyn Monroe was a size 14. "
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Size
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" Many people will say, well, clothes should be worn; but I think people can look at them in public, like seeing a film. I think museum exhibitions are very important. "
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" Designers must be increasingly sensitive to our Earth's dwindling resources. It is our responsibility. "
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" I have worked with several dance companies. "
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Several
Companies
Dance
" When I close my eyes, I still see things no one should ever experience: a bright red light, the black cloud soon after, people running in every direction trying desperately to escape - I remember it all. "
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Eyes
Experience
Red
" One of my assistants found this old German machine. It was originally used to make underwear. Like Chanel, who started with underwear fabric - jerseys - we used the machine that made underwear to make something else. "
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Made
Old
Used
" I tried never to be defined by my past. "
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I Tried
Defined
Tried
" I sent 200, 300 of the clothes that I had made, and the dancers chose what they liked. "
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Dancers
Sent
Made
" I feel it is urgently necessary to train people who are capable of tackling the various problems we face today in regards to environmental turmoil and the relevancy of clothing. "
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Face
People
Feel
" Clothing is the closest thing to all humans. "
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Closest
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Humans
" We yearn for the beautiful, the unknown, and the mysterious. "
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Beautiful
Mysterious
Unknown
" I try to be free. The women also must be free. "
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Women
Try
Must
" All of my work stems from the simplest of ideas that go back to the earliest civilizations: making clothing from one piece of cloth. It is my touchstone. "
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Work
Back
Clothing
" I am most interested in people and the human form. "
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I Am
People
Most
" When I first began working in Japan, I had to confront the Japanese people's excessive worship for foreign goods and the fixed idea of what clothes ought to be. I wanted to change the rigid formula of clothing that the Japanese followed. "
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Clothes
Change
Working
" Paris is an old and traditional place; it needs new blood. "
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Needs
Blood
Old
" A great thing happening now in art is that artists are using the figure, the body, clothing, life. "
Issey Miyake
Now
Life
Art
" A-POC respects that there is a fine balance between the value of the human touch, which can be called artisanal, and the abilities of technology. I like to think of it as poesy and technology. "
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Value
Touch
Think
" I always wanted to create clothing that was universal - easy to wear, to care for, and that was also beautiful. As such, I became interested in polyester, and its potential, from the beginning of my career. "
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Beginning
Potential
Care
" Well, what I'm doing is really clothing. I'm not doing sculpture. "
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Sculpture
Really
Doing
" My fascination has been the space between cloth and the body, and using a two-dimensional element to clothe a three-dimensional form. "
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Body
Been
Element
" I started to work with cotton fabrics. I used cotton because it's easy to work with, to wash, to take care of, to wear if it's warm or cold. It's great. That was the start. "
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Great
Take Care
Care
" I love to be free to explore, research, and evolve. "
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Explore
Evolve
Free
" To be honest, I think we should find first the possibility to make it. Research is first - if you're not interested, you never can find something. Many things happen from forgotten machines - ones that are no longer used. "
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Things Happen
Research
You
" Paul Poiret did wonderful things because he was so influenced by motifs, but Vionnet really understood the kimono and took the geometric idea to construct her clothes - and that brought such freedom into European clothes in the 1920s. "
Issey Miyake
1920s
Clothes
Freedom
" I am not really interested in clothing as a conceptual art form. "
Issey Miyake
Interested
Really
I Am