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" We yearn for the beautiful, the unknown, and the mysterious. "
Issey Miyake
Beautiful
Mysterious
Unknown
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" I am very interested in the culture of paper. "
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I Am
Culture
" I was always interested in making clothing that is worn by people in the real world. "
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Real
People
Clothing
" I'd rather look to the future than to the past. "
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Look
Future
Rather
" Men have been buying my women's coats for years. "
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Women
Years
Coats
" The combination of human skills with technology will always be at the root of any solution to the future of making clothes. "
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Future
Solution
Technology
" I am not really interested in clothing as a conceptual art form. "
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Interested
Really
I Am
" I am always looking to the future of making things. "
Issey Miyake
Always
Looking
Things
" The important thing is to make something. In reality, it's not important that a designer be known by name - you can remain anonymous. Even the status of a designer will undergo changes, I believe. "
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You
Name
Changes
" I became a fashion designer to make clothes for the people, not to be a top couturier in the French tradition. "
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People
Top
Clothes
" Clothing has been called intimate architecture. We want to go beyond that. "
Issey Miyake
Architecture
Beyond
Clothing
" The purpose - where I start - is the idea of use. It is not recycling, it's reuse. "
Issey Miyake
Purpose
Where
Recycling
" When I first began working in Japan, I had to confront the Japanese people's excessive worship for foreign goods and the fixed idea of what clothes ought to be. I wanted to change the rigid formula of clothing that the Japanese followed. "
Issey Miyake
Clothes
Change
Working
" I realised I wanted to make clothing which was as universal as jeans and T-shirts. "
Issey Miyake
Clothing
Universal
Jeans
" Of course there are many ways we can reuse something. We can dye it. We can cut it. We can change the buttons. Those are other ways to make it alive. But this is a new step to use anything - hats, socks, shirts. It's the first step in the process. "
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Process
Step
Change
" Design is a vital component to the enrichment of our everyday lives. Japan has a very rich history and culture of design, and I feel it is a very important dialogue to open and keep evolving. "
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Design
Feel
History
" The future of fashion is light, durable clothes. "
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Clothes
Fashion
Future
" Architects always have a feel for time - the generation they live in - as we do, and they are always striving toward boundless adventure. "
Issey Miyake
Live
Feel
Adventure
" I love to be free to explore, research, and evolve. "
Issey Miyake
Explore
Evolve
Free
" Retire? Never! We are far too busy! "
Issey Miyake
Too
Busy
Far
" All of my work stems from the simplest of ideas that go back to the earliest civilizations: making clothing from one piece of cloth. It is my touchstone. "
Issey Miyake
Work
Back
Clothing
" Many people repeat the past. I'm not interested. I prefer evolution. "
Issey Miyake
Past
Many
Repeat
" I suppose there are many, but I cannot imagine ever having a more perfect collaboration than that which Penn-san and I shared. It was based upon mutual trust, respect, and a desire to have our own work pushed to new places. And it always resulted in delight. "
Issey Miyake
Work
Trust
Respect
" I am not sentimental about the past. I like to think about what is next. "
Issey Miyake
I Am
Like
Past
" If Mr. Obama could walk across the Peace Bridge in Hiroshima - whose balustrades were designed by the Japanese-American sculptor Isamu Noguchi as a reminder both of his ties to East and West and of what humans do to one another out of hatred - it would be both a real and a symbolic step toward creating a world that knows no fear of nuclear threat. "
Issey Miyake
Peace
World
Walk
" When I close my eyes, I still see things no one should ever experience: a bright red light, the black cloud soon after, people running in every direction trying desperately to escape - I remember it all. "
Issey Miyake
Eyes
Experience
Red
" Design is not for philosophy it's for life. "
Issey Miyake
Life
Design
Philosophy
" There are no boundaries for what can be fabric. "
Issey Miyake
Fabric
Boundaries
No Boundaries
" Technology allows us to do many things, but it is always important to combine it with traditional handcrafts and, in fact, use technology to replicate dying arts so that they are not lost. "
Issey Miyake
Technology
Important
Dying
" I always wanted to create clothing that was universal - easy to wear, to care for, and that was also beautiful. As such, I became interested in polyester, and its potential, from the beginning of my career. "
Issey Miyake
Beginning
Potential
Care
" A few of the influences on my career so far have been Isamu Noguchi, Irving Penn, and seeing the riots of 1968 in Paris. "
Issey Miyake
Been
Seeing
Career