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" My absolutely favorite time of working on a project is the time I spend not knowing what it is. Because the longer you live inside that period, the likelier you are to discover something new. "
George C. Wolfe
Time
Knowing
Live
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" I love Kabuki, Noh theater and bunraku. "
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" The world doesn't see a lot of gray. The world sees black and white, and then it understands. "
George C. Wolfe
Black And White
White
Black
" Commercial theater, in its agenda to appeal to everybody, is often at the expense of the unique vision of the artist. "
George C. Wolfe
Unique
Vision
Artist
" Producing has empowered me as an artist in a specific way. It's forced a certain kind of maturity. "
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Artist
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" All the things that can happen to an artist regardless of how prepared they are and how smart they are and hard-working they are and attractive - doesn't matter. There's always somebody cuter. There just is. "
George C. Wolfe
Artist
Always
Happen
" To want to come to New York, you have to have a sense of wonder about the world and a foolish sense of worth about yourself. And I, too, had both of those things. "
George C. Wolfe
Wonder
You
World
" As a person of color, I was trained from very early on to see 'Leave It to Beaver,' 'Gilligan's Island,' or 'Hamlet' and look beyond the specifics of it - whether it be silly white people on an island or a family living in Nowheres or a Danish person - to leap past the specifics and find the human truths that have to do with me. "
George C. Wolfe
Past
People
Me
" Everybody wants to be remembered for the best of who they are. "
George C. Wolfe
Remembered
Everybody
Best
" I think I am the first person of color to direct a major white play on Broadway. In 1993? That's astounding to me. And horrifying to me. "
George C. Wolfe
White
Color
I Am
" If I hadn't told stories, I would've been a historian. "
George C. Wolfe
Been
Stories
Historian
" With actors, I have very close, intense working relationships with actors in theater. "
George C. Wolfe
Theater
Working
Intense
" One of the things I learned very early on was that if you cast the show correctly, and if you've created the right energy in the room, the solution is also in the room. The solution doesn't necessarily come from someone, but if everybody is working in a very steadfast and rigorous way, then everything you're looking for is in the room. "
George C. Wolfe
You
Early
Energy
" I'm interested in exploring how an individual maintains a sense of power in a world that tends to make individuals feel powerless. "
George C. Wolfe
Sense
Exploring
Feel
" I love working with a set designer because, in many respects, you meet the set designer before you meet the actors. So it's a chance for me as a director to figure out what I'm thinking and to explore how the space is going to actually be activated. "
George C. Wolfe
Chance
You
Me
" I'm perpetually interested by living in places as an artist confronting challenges I've never confronted before and approaching them with as much craft and humanity as I can. "
George C. Wolfe
Challenges
Living
Humanity
" I viewed black musicals before 'Jelly' as a form of cultural strip mining. The exterior remained, but all the culture that signified where the people had come from and their connection to the earth was absent. "
George C. Wolfe
Mining
Black
Earth
" I love working with actors who will just go, 'Oh O.K., let's try it and see where it goes,' and 'Let's see what we can discover.' "
George C. Wolfe
See
Working
Will
" A musical is what happens when text collides with motion collides with song collides with spectacle. And spectacle can be the human heart; it doesn't necessarily have to be a helicopter crashing. "
George C. Wolfe
Song
Heart
Helicopter
" A lot of directors tend to manipulate actors' vulnerability to get what they want, and that can work. "
George C. Wolfe
Vulnerability
Want
Work
" 1985 - That was my time in New York, and I have such poetic, fond memories. "
George C. Wolfe
Time
Memories
My Time
" I was obsessed with New York early on. I was watching sitcoms that were set in or around New York, like 'The Dick Van Dyke Show.' I was always very fascinated with the people who were on 'What's My Line?' and I always had an incredible obsession with the city. "
George C. Wolfe
Always
City
New York
" If you love theatre, do theatre wherever you can, because theatre is theatre, and you can experience it anywhere. "
George C. Wolfe
Theatre
Love
Experience
" Every single wave, when I was overwhelmed and poor and struggling in New York, there were these extraordinary people in New York who said, 'Come this way.' "
George C. Wolfe
Way
New York
Said
" I think all creative people are operating from the fear that, of the best of what they did, will anybody remember it? Will anybody tell stories about them? Will anybody keep those pictures on the mantle long after they are gone? It's why people write stories. It's peoples' grave markers. "
George C. Wolfe
Creative
Fear
Best
" Each actor, every single time you work with an actor, you have to come up with the language that's going to serve them. And that's what allows them to give the performance that you want to nurture inside of them and what you think they're capable of giving. "
George C. Wolfe
Time
Language
Performance
" In Los Angeles, wealth and poverty are separated by the freeways. In New York, they're next to each other. "
George C. Wolfe
Los Angeles
Wealth
Poverty
" There is a real affection for these human beings on these stage that O'Neill really had. Out of that affection comes a lot of humor, which is unexpected when you think of 'The Iceman Cometh.' "
George C. Wolfe
Unexpected
Affection
Humor
" I think there's an aspect of my soul, of my personality, that's very suited to directing. I like being in the room with actors; I love creating a safe space and a chaotic space for the discovery to take place. I love creating a sense of community. "
George C. Wolfe
Personality
Community
Love
" There is a strange kind of parental pride when 'Topdog' ends up on Broadway, or 'Elaine Stritch.' "
George C. Wolfe
Pride
Broadway
Ends
" Most musicals are informed by very rigid archetypes. If you get a very sophisticated mind writing them, you sense something else, but it's a folk-art form, really, at its best. At different times, I've tried to push against it as much as I possibly could, but ultimately, it is a folk-art form. "
George C. Wolfe
Writing
Best
Mind