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" I'm perpetually interested by living in places as an artist confronting challenges I've never confronted before and approaching them with as much craft and humanity as I can. "
George C. Wolfe
Challenges
Living
Humanity
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" I personally am a very big fan of 'Romeo + Juliet.' It had a visceral power to it that I thought was just exhilarating. It was a very arresting and very disturbing and deeply compelling version of the play. "
George C. Wolfe
Play
Thought
Just
" Broadway was very vital back in the '20s. There were probably close to hundreds of productions that opened up through the course of the year and through the course of a Broadway season. "
George C. Wolfe
Through
Year
Season
" To want to come to New York, you have to have a sense of wonder about the world and a foolish sense of worth about yourself. And I, too, had both of those things. "
George C. Wolfe
Wonder
You
World
" If I hadn't told stories, I would've been a historian. "
George C. Wolfe
Been
Stories
Historian
" When 'Jelly's' went out on tour, no one really wanted it. It was undersold. And I knew if I gave 'Noise' to someone else, they would sell it as 'Stomp' with little dancing black boys. "
George C. Wolfe
Noise
Dancing
Black
" Musicals spring forth from minstrelsy, vaudeville, melodramas; it was all these things combined to create the form. "
George C. Wolfe
Spring
Things
Create
" A musical is what happens when text collides with motion collides with song collides with spectacle. And spectacle can be the human heart; it doesn't necessarily have to be a helicopter crashing. "
George C. Wolfe
Song
Heart
Helicopter
" I absolutely love working on musicals, but anytime I finish a project, I want to move on to something completely different. "
George C. Wolfe
Finish
Love
Want
" When I was on dialysis, I willed myself to do 'On the Town.' It accesses my most childlike, joyful love of theater. "
George C. Wolfe
Myself
Most
Love
" My first play, 'The Colored Museum,' was done in '86 at the Public Theater. "
George C. Wolfe
First
Museum
Play
" I think I am the first person of color to direct a major white play on Broadway. In 1993? That's astounding to me. And horrifying to me. "
George C. Wolfe
White
Color
I Am
" I viewed black musicals before 'Jelly' as a form of cultural strip mining. The exterior remained, but all the culture that signified where the people had come from and their connection to the earth was absent. "
George C. Wolfe
Mining
Black
Earth
" When you're writing, in theory, everybody is serving you. When you're directing, you're serving everybody - in the guise of acting like everybody's serving you. But you're really serving the materials. You're serving the actors. You're in charge, but it's not free. "
George C. Wolfe
You
Free
Serving
" I was obsessed with New York early on. I was watching sitcoms that were set in or around New York, like 'The Dick Van Dyke Show.' I was always very fascinated with the people who were on 'What's My Line?' and I always had an incredible obsession with the city. "
George C. Wolfe
Always
City
New York
" I love Kabuki, Noh theater and bunraku. "
George C. Wolfe
I Love
Love
Theater
" I'm the most democratic fascist you'll ever meet. I listen to everybody, and then I make a decision. "
George C. Wolfe
You
Listen
Then
" One of the things I learned very early on was that if you cast the show correctly, and if you've created the right energy in the room, the solution is also in the room. The solution doesn't necessarily come from someone, but if everybody is working in a very steadfast and rigorous way, then everything you're looking for is in the room. "
George C. Wolfe
You
Early
Energy
" I've always tried to do shows in a filmic way. I like it when forms smack up against each other. "
George C. Wolfe
Way
Tried
Always
" You've got to make the rehearsal room very safe. You can't bully people, because if you bully people, they're going to freeze and lock up. "
George C. Wolfe
Safe
Going
People
" I'm more attracted to art that smashes than I am attracted to art that sits on a shelf and is beautiful. "
George C. Wolfe
More
Than
Am
" When I was little, I remember rehearsing starving so that when I got to New York I would know how to do it. "
George C. Wolfe
Remember
Got
How
" A lot of directors tend to manipulate actors' vulnerability to get what they want, and that can work. "
George C. Wolfe
Vulnerability
Want
Work
" As a person of color, I was trained from very early on to see 'Leave It to Beaver,' 'Gilligan's Island,' or 'Hamlet' and look beyond the specifics of it - whether it be silly white people on an island or a family living in Nowheres or a Danish person - to leap past the specifics and find the human truths that have to do with me. "
George C. Wolfe
Past
People
Me
" Theater should address the stories of its communities, or I don't know why it's here. "
George C. Wolfe
Theater
Why
Stories
" Certain things come to me; I just become intrigued by them and want to live inside them. "
George C. Wolfe
Inside
Become
Live
" Something that can be so vital at one point can be inconsequential at another. I'm just intrigued by that phenomenon. "
George C. Wolfe
Point
Something
Another
" It may take a while, but I think 'On the Town' has the potential for us to break down the boundaries between the traditional theatergoer who may have fond memories of the musical and those with a 'Broadway-is-not-for-me' agenda. "
George C. Wolfe
Memories
Down
Us
" A music serves truth up to you in a really interesting way that allows you to luxuriate in its beauty and, at the same time, to hopefully see yourself in its fragility. "
George C. Wolfe
Truth
Yourself
Time
" The hardest thing about a musical is making sure everybody is working on the same damn show. That is the monster. "
George C. Wolfe
Working
Same
Show
" The Public Theater requires one to be very public, and writing requires one to be very private. "
George C. Wolfe
Private
Theater
Very