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" My earliest memory of books is not of reading but of being read to. I spent hours listening, watching the face of the person reading aloud to me. "
Hisham Matar
Face
Listening
Me
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" Language is not just a code; you are writing into its history, into its tides. "
Hisham Matar
Just
History
You
" I sometimes wonder if I would have become a writer if what happened to my father hadn't happened. "
Hisham Matar
Father
Wonder
Sometimes
" Over the centuries, close-knit tribes have played an important part in the cohesion of Libyan society. "
Hisham Matar
Society
Cohesion
Important
" I get a lot of energy from making things up, which is why I feel I'm a novelist. "
Hisham Matar
I Feel
Feel
Why
" Growing up in the Libya of the 1970s, I remember the prevalence of local bands who were as much influenced by Arabic musical traditions as by the Rolling Stones or the Beatles. But the project of 'Arabisation' soon got to them, too, and western musical instruments were declared forbidden as 'instruments of imperialism.' "
Hisham Matar
Project
Growing Up
Growing
" For an overwhelming majority of my life, my country has been a source of pain, fear, and embarrassment. "
Hisham Matar
Country
Been
Pain
" I used to believe that it was not possible to lose someone I loved without sensing it somehow, without feeling something shift. But it's not true. People can die, sometimes the closest people to us, without us noticing a thing. "
Hisham Matar
Die
Believe
People
" There's always a problem when you write, something you're trying to resolve, and sometimes a view can be inspiring. "
Hisham Matar
Sometimes
Problem
You
" My parents left Libya in 1979, escaping political repression, and settled in Cairo. I was nine. "
Hisham Matar
Left
Escaping
Parents
" I ultimately write for myself and the people I love. "
Hisham Matar
Myself
Write
People
" I used to be a keen rider. Sometimes I could sense what a horse liked or preferred to do. "
Hisham Matar
Rider
Sometimes
Used
" To be okay with not knowing is a sign of a mature person and a mature society. "
Hisham Matar
Society
Mature
Person
" To me, writing is like singing in the most inappropriate place, singing as beautifully as you can on a bus or in a bank, where people least expect it, and trying to get them to want to listen. "
Hisham Matar
Me
Place
Singing
" One of the reasons why Gadafy's dictatorship has managed to remain in power for so long is not just because it has shown itself to be able to exact a great deal of violence, both psychological and physical, on its people, but because it has been very successful at imposing a narrative, a story. "
Hisham Matar
Great
People
Power
" One of the dark truths about dictators - and it applies to Gaddafi - is that on some level, they love their people. But it is a strange love. It says, 'I love you for me; I don't love you for you.' That rhymes with a certain kind of Libyan father who was always certain about what was good for those around him. Those fathers lose in the end. "
Hisham Matar
People
Father
Good
" My best hope is that Libya turns into a peaceful, sensible country that has all the things my father and lots of others have been calling for: independence of the courts and press, a protected and democratic constitution, with different parties involved in a healthy and open debate. "
Hisham Matar
Hope
Best
Debate
" Throughout my entire life, I have lived in the shadow of the dictatorship. It denied me safety and security. "
Hisham Matar
Life
Security
Safety
" My family settled in Cairo in 1980. I was nine. I missed Libya terribly, but I also took to Cairo. I perfected the accent. People assumed I was Egyptian. "
Hisham Matar
Family
Accent
Missed
" Being my father's son is a kind of privilege. "
Hisham Matar
Father
Being
Son
" Grenfell, the building set on fire with the help of its own face, is a scene of a complex injustice: one that is moral, economic, political, and aesthetic. Not only was the cladding unsafe, it was ugly; not only was it ugly, it was untrue both to the architecture of the building it covered and untrue to its responsibility to human safety. "
Hisham Matar
Architecture
Responsibility
Fire
" The Arab Spring, with all of its failings and failures, exposed the lie that if we are to live, then we must live as slaves. It was an attempt to undermine not only the orthodoxy of dictatorship but also an international political orthodoxy where every activity must be approved by the profit logic of the 'ledger.' "
Hisham Matar
Live
Lie
Logic
" Gaddafi tried to give a masterclass to men like the Syrian dictator, Bashar al-Assad, on how to crush a civilian uprising. "
Hisham Matar
Crush
Give
Like
" Gaddafi's ability to have survived so long rests on his convenient position in not being committed to a single ideology and his use of violence in such a theatrical way. "
Hisham Matar
Violence
Way
Single
" There is a tendency to over-exaggerate and over-romanticise the place of a writer in a revolution. That bothers me. I think it's inappropriate. "
Hisham Matar
Me
Place
Revolution
" I think, ultimately, I am a sensualist and an aesthete. "
Hisham Matar
Ultimately
I Am
Am
" It is easy to underestimate the demands of an open heart. "
Hisham Matar
Easy
Heart
Open
" My parents were fairly laid-back, but there were certain things about which they were very strict. My brother and I were told never to turn away a person in need. And it didn't matter what we thought of their motives, whether they were truly in need or not. "
Hisham Matar
Brother
Need
Person
" I've never thought of myself in terms of an identity. I'm always baffled when I encounter someone who gives the impression about being confident about a particular defined identity. "
Hisham Matar
Confident
Thought
Myself
" Like most dictators, Col Gaddafi detests the metropolis. His vision of Libya is a kind of Bedouin romantic medievalism, suspicious of universities, theatres, galleries and cafes, and so monitors the cities' inhabitants with paranoid suspicion. "
Hisham Matar
Vision
Dictators
Kind
" I've very aware of my rootlessness. "
Hisham Matar
Aware
Very