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" My father is an expatriate American; he fell in love with New Zealand in his youth and never went home. "
Eleanor Catton
Father
American
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" Long historical books get written by women, but not contemporary experiments, which still seems to be a very male-dominated field. "
Eleanor Catton
Books
Historical
Field
" It is less fun to talk about what I am feeling rather than what I am thinking. Saying 'I feel awesome' isn't really interesting or enquiring. "
Eleanor Catton
I Am
Saying
Thinking
" I would draw a really sharp distinction between creating and producing. I think that they're very different things. "
Eleanor Catton
Think
Creating
Different
" I highlight everything I find interesting, and then type out everything I've highlighted, and then print out everything I've typed, and reread these printed notes as often as possible. "
Eleanor Catton
Find
Interesting
Possible
" Money doesn't transform a person - the only thing that can is love. "
Eleanor Catton
Person
Money
Love
" The nice thing about the zodiac as a system is it is quite comprehensive as a range of impulses and psychological states it can speak about. "
Eleanor Catton
Nice
System
States
" It's very brave going from a position of authority to one where you are an apprentice. "
Eleanor Catton
You
Authority
Brave
" I have always loved reading books for children and young adults, particularly when those books are mysteries. "
Eleanor Catton
Loved
Always
Children
" My mum was a children's librarian, so I spent a lot of time in the library. My reading life, because of my mum's work, was evenly split between American, Canadian, Australian and British authors. "
Eleanor Catton
Work
Children
Life
" There are a lot of people of my generation in New Zealand literature, young writers on their first or second books, that I'm just really excited about. There seems to be a big gap between the generation above and us; it seems to be quite radically different in terms of form and approach. "
Eleanor Catton
Generation
Young
People
" I have written ever since I knew mechanically how to do it. "
Eleanor Catton
How
Ever
Knew
" The books that really made an impact on me were not set in New Zealand. Some were New Zealand novels, but the New Zealandness of them was not what carried me or excited me. "
Eleanor Catton
Me
Zealand
New
" My second novel, 'The Luminaries,' is set in the New Zealand gold rushes of the 1860s, though it's not really a historical novel in the conventional sense. So far, I've been describing it as 'an astrological murder mystery.' "
Eleanor Catton
Sense
Far
Zealand
" I see disappointment as something small and aggregate rather than something unified or great. With a little effort, every failure can be turned into something good. "
Eleanor Catton
Great
See
Good
" Often I listen to songs on repeat for days and days at a time. There's something hypnotic or meditative, and it mirrors the way that I am putting the sentence together, going back over the same phrases again and again. "
Eleanor Catton
Together
Time
I Am
" The readership of Victorian novels, when they were published, was much less diverse. People were probably white, and had enough money to be literate. Very often, there are phrases in Italian, German and French that are left untranslated. "
Eleanor Catton
Left
White
People
" What I wanted to create with 'The Luminaries' is a book that had structural patterns built in that didn't matter, but if you cared about them, you could look into the book and see them. "
Eleanor Catton
You
Look
Create
" The way that I see astrology is as a repository of thought and psychology. A system we've created as a culture as way to make things mean things. "
Eleanor Catton
Mean
See
System
" I think that, in principle, a workshop is such a beautiful idea - an environment in which writers who are collectively apprenticed to the craft of writing can come together in order to collectively improve. "
Eleanor Catton
Writing
Think
Together
" As an artist, you need to be not at all entitled in your relation with the work. So money is kind of worrying. You can start to expect things if you're used to a certain level of comfort. "
Eleanor Catton
Money
You
Comfort
" From the very beginning, I had an ambition for 'The Luminaries': a direction - but not a real idea. "
Eleanor Catton
Beginning
Direction
Real
" We throw at female artists this expectation that their work has to speak to the female experience. And if it doesn't, you're letting the side down. Throwing this stumbling block in the way of female artists is counterintuitive. "
Eleanor Catton
Speak
Way
Experience
" I think that writers of literary fiction would do well to read more books for children. "
Eleanor Catton
Books
Well
Children
" In improvising, you've got your scale; you've got the notes that are going to sound good with other notes, the intervals that are going to sound good. But you've also got all the chromatic possibilities, the possibilities of sounding dissident, of being unexpected. "
Eleanor Catton
Possibilities
You
Good
" It seems pretentious to assume that we are not creatures of action. I think often it takes a situation of extreme absurdity, extreme action, to push us to the limits of what our character is, and to change us as people. "
Eleanor Catton
People
Limits
Character
" I think that you have to keep the reader front and centre if you're going to write something that people are going to love and be entertained by. "
Eleanor Catton
People
Going
You
" I think that's what fiction writing is actually all about. It's about trying to solve problems in creative ways. "
Eleanor Catton
Ways
Creative
Problems
" Margaret Atwood was the author who took me out of children's literature and guided me towards adult literature. "
Eleanor Catton
Literature
Adult
Children
" I think the adverb is a much-maligned part of speech. It's always accused of being oppressive, even tyrannical, when in fact it's so supple and sly. "
Eleanor Catton
Always
Think
Speech
" I don't feel like literature has the power to alienate. I think that's something people feel if they don't connect with a work of art. But I don't think a work of art can actively reject the person who's looking at it or reading it. "
Eleanor Catton
Work
Art
People