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" One of the things I've always loved about queer culture is the openness and passionate curiosity about love, desire and the myriad forms of affectionate ties. "
Stacey D'Erasmo
Love
Desire
Curiosity
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" One of the first times that I went into a book store and saw a bunch of my books, my impulse was to put them all under my coat and run away so that no one else could see them, even though, of course, I wanted everyone to see them. "
Stacey D'Erasmo
First
Books
See
" As lightly toned by reality as the women on 'Sex and the City,' the bold, soigne characters on 'The L Word' suggest that L is also for limerence, that rapturous state of early love when the entire world is glowing and delectable. "
Stacey D'Erasmo
Women
World
Reality
" Readers, like writers, are essentially amoral. Arm's length will never do. We want to get closer. "
Stacey D'Erasmo
Arm
Like
Never
" You can get anything online, including things that don't even exist. We've invented our own collective unconscious. The normal rules of time and space don't apply. It's held together by some other force than gravity. It's endless. It's like some unimaginably huge, messy novel that's writing itself both with and without us. "
Stacey D'Erasmo
Space
Together
Rules
" A bit of a theory, more a corner of the eye noticing than an airtight argument: in the course of long artistic careers, women are more likely than men to change form and style, Proteus-like. "
Stacey D'Erasmo
Eye
Change
Long
" One of the many pleasures of 'Versailles' is the way in which it seems to emanate not only from the vexed inner being of Marie Antoinette but from the interstices between what we imagine of her and what she was. "
Stacey D'Erasmo
She
Only
Imagine
" That feeling of being part of a group moving together is very powerful. It feels like it opens up a zone of possibility, a place for another self to form, also a place for a new world to form. "
Stacey D'Erasmo
Together
Moving
Self
" A performer needs and craves a live audience. "
Stacey D'Erasmo
Live
Audience
Craves
" Royalty mostly seem like members of some anachronistic faith, like the Amish, peculiar in gilded buggies. "
Stacey D'Erasmo
Amish
Some
Seem
" If we are indeed nostalgic for the weight of clock time, it is worth remembering that the standardized time that most of us know has only been around since the mid-nineteenth century. It was invented for the railroads. "
Stacey D'Erasmo
Clock
Know
Remembering
" A lot of times, really wonderful things that have come my way have come basically out of the blue. "
Stacey D'Erasmo
Wonderful
Way
Things
" The songs in 'Wonderland' don't have a melodic life for me - I'm not a musical person - but they have an emotional life, an emotional echo perhaps. "
Stacey D'Erasmo
Person
Songs
Echo
" In each medium - popular music, literature, and visual art, respectively - the woman has broken form, shed a skin, with each phase of her career, whereas the man has returned to ever-deepening iterations of the sound or sentence or imagery with which he began. "
Stacey D'Erasmo
Career
Art
Broken
" What interests me are the complexities and contradictions and struggles and joys of messy human beings. "
Stacey D'Erasmo
Struggles
Human
Interests
" As for me, I've been in love with women and men. I get how people fall in love with different kinds of people, but to fall in love with God: I didn't get that. "
Stacey D'Erasmo
God
Love
Men
" A lot of first novels are coming-of-age stories. A lot are autobiographical. "
Stacey D'Erasmo
Autobiographical
First
Stories
" In my family, we were on again off again Unitarians, partly because my father, raised Roman Catholic, had had enough of church. "
Stacey D'Erasmo
Family
Off
Father
" I never thought much about God, certainly never wondered whether God was thinking about me, until I fell in love with a Zen Buddhist priest. "
Stacey D'Erasmo
Thought
Thinking
Never
" 'The Girls' tells the story of Rose and Ruby Darlen, who are not only literally but spiritually attached for eternity. Born joined at the head in 1974 to a feckless teenage mother who abandons them, and reared by a delightfully open-minded adoptive couple, the Darlen girls are darling girls, indeed. "
Stacey D'Erasmo
Head
Born
Story
" The spirits of Havelock Ellis, Magnus Hirschfeld and Richard Freiherr von Krafft-Ebbing waft through the text to lend 'The Third Sex' an air of scientific authority. "
Stacey D'Erasmo
Authority
Air
Spirits
" 'The Girls,' by Lori Lansens, is a ballad, a melancholy song of two very strange, enchanted girls who live out their peculiar, ordinary lives in a rural corner of Canada. "
Stacey D'Erasmo
Song
Canada
Corner
" Prior to the institutionalization of standard time, clocks were set using local meridians or local mean time, and they varied widely. "
Stacey D'Erasmo
Set
Mean
Local
" A touring band is a family and a workplace at the same time, and you're living with people you didn't necessarily choose every day for up to a year. "
Stacey D'Erasmo
Family
Living
Time
" Visibility is a tricky thing; is someone visible when you can point her out in a crowd, or when you understand what her life feels like to her? "
Stacey D'Erasmo
Her
Life
Out
" Shelley Jackson's 'Half Life' is the textual equivalent of an installation, a multivocal, polymorphous, dialogic, dystopian satire wrapped around a murder mystery wrapped around a bildungsroman. "
Stacey D'Erasmo
Wrapped
Half
Life
" For the Supreme Court, the right for everyone to say 'I do' is where the story ends, but for artists, it's where the story just starts to get interesting. "
Stacey D'Erasmo
Interesting
Supreme Court
Story
" I write things in my house, and hopefully there's a reader out there who enjoys it and has an experience with it, but that's very different than a performer on stage, where there's an immediate dance with the audience. It's incredibly powerful. "
Stacey D'Erasmo
Powerful
Dance
Experience
" I'm embarrassed to reveal that I never went to CBGB's in the '80s. I was never cool enough to be a punk, and I wouldn't have had the stamina, or the discipline, for straight-edge. "
Stacey D'Erasmo
Punk
Cool
Never
" The deeper changes wrought by the end of a particular outlaw culture: something will come of that ... and it won't be what we expect. "
Stacey D'Erasmo
Will
Expect
End
" You can conclude from the glossy surfaces of 'The L Word' that L stands for latte or Lexus and stop there. Or you can notice that in some of its less flashy moments, the show has staked a claim on Large - as in a larger, denser, more ambivalent imaginary world, populated by imperfect and riveting citizens of all sexual stripes. "
Stacey D'Erasmo
You
World
Stripes