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" I never thought much about God, certainly never wondered whether God was thinking about me, until I fell in love with a Zen Buddhist priest. "

Stacey D'Erasmo

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" In her previous novels, Maggie O'Farrell has often measured the distance between intimates and the unexpected intimacy of distance - geographic, temporal, cultural. In 'The Hand That First Held Mine' and 'The Distance Between Us,' characters separated by many miles or many years turn out to be joined in ways they never anticipated. "

Stacey D'Erasmo

" The second time is the one we remember, where memory begins. Putting the moments in order is only half the story. What matters is the weight of the moments as they accumulate. "

Stacey D'Erasmo

" There is no such thing as a natural fit between form and content. Seamless elegance would be tantamount to erasure. "

Stacey D'Erasmo

" The much-lauded visual artist Roni Horn got her Master's in Sculpture from Yale in the Seventies, but in the course of her career she has moved, among other media, from watercolors to photographs to floor-sized installations and mats of poured gold. "

Stacey D'Erasmo

" Of course, a secret is no good if it doesn't need to be a secret. "

Stacey D'Erasmo

" Readers, like writers, are essentially amoral. Arm's length will never do. We want to get closer. "

Stacey D'Erasmo

" In each medium - popular music, literature, and visual art, respectively - the woman has broken form, shed a skin, with each phase of her career, whereas the man has returned to ever-deepening iterations of the sound or sentence or imagery with which he began. "

Stacey D'Erasmo

" 'The Girls' tells the story of Rose and Ruby Darlen, who are not only literally but spiritually attached for eternity. Born joined at the head in 1974 to a feckless teenage mother who abandons them, and reared by a delightfully open-minded adoptive couple, the Darlen girls are darling girls, indeed. "

Stacey D'Erasmo

" For the Supreme Court, the right for everyone to say 'I do' is where the story ends, but for artists, it's where the story just starts to get interesting. "

Stacey D'Erasmo

" The spirits of Havelock Ellis, Magnus Hirschfeld and Richard Freiherr von Krafft-Ebbing waft through the text to lend 'The Third Sex' an air of scientific authority. "

Stacey D'Erasmo

" Historians of European royalty have written of the king's 'two bodies' : one mortal and corrupt; the other divine, abstract and timeless. "

Stacey D'Erasmo

" The ambition of 'Ten Thousand Saints,' Eleanor Henderson's debut novel about a group of unambitious lost souls, is beautiful. In nearly 400 pages, Henderson does not hold back once: she writes the hell out of every moment, every scene, every perspective, every fleeting impression, every impulse and desire and bit of emotional detritus. "

Stacey D'Erasmo

" I don't know if my faith stems from what I'd call unconditional love, but the energy certainly feels boundless. "

Stacey D'Erasmo

" On a deeper level, there's a level of privacy that I need in order to work, and if there's been a time when there's been a lot of publicness in my life, it can be a little bit difficult to sort of rebuild that private space. "

Stacey D'Erasmo

" Fiction, at its best, is a radical act of intimacy. It seeks to join, to merge, to know deeply; and, as with intimacy, there is a way in which it cannot be faked. "

Stacey D'Erasmo

" If we are indeed nostalgic for the weight of clock time, it is worth remembering that the standardized time that most of us know has only been around since the mid-nineteenth century. It was invented for the railroads. "

Stacey D'Erasmo

" One of the many pleasures of 'Versailles' is the way in which it seems to emanate not only from the vexed inner being of Marie Antoinette but from the interstices between what we imagine of her and what she was. "

Stacey D'Erasmo

" Writers and musicians are very similar in that the chances of making a life in either field are so infinitesimal. And once you're in, the chances of staying viable are difficult. But there is something incredibly different about performing in front of a live audience, as opposed to sitting at your desk typing. "

Stacey D'Erasmo

" The songs in 'Wonderland' don't have a melodic life for me - I'm not a musical person - but they have an emotional life, an emotional echo perhaps. "

Stacey D'Erasmo

" As readers, we sense when the game is being played for real and when something else is afoot: pride, showmanship, the pursuit of power, self-aggrandizement, revenge, making money. Not that there's anything wrong with any of that, but I dislike closing a book with the sense that I've been had. "

Stacey D'Erasmo

" What is the distance between here and there, between now and then, between right and wrong? In Greg Baxter's pellucid first novel, 'The Apartment,' it may be simply the length of a day - but a day in which one travels surprisingly far, literally and figuratively. "

Stacey D'Erasmo

" A lot of times, really wonderful things that have come my way have come basically out of the blue. "

Stacey D'Erasmo

" You can get anything online, including things that don't even exist. We've invented our own collective unconscious. The normal rules of time and space don't apply. It's held together by some other force than gravity. It's endless. It's like some unimaginably huge, messy novel that's writing itself both with and without us. "

Stacey D'Erasmo

" All writers are magpies, right? We're always stealing bits from different places and then weaving them into our little nest. "

Stacey D'Erasmo

" I'm a huge fan of San Francisco. And I was out here for a couple years in the mid-'90s when I was a Wallace Stegner Fellow at Stanford. "

Stacey D'Erasmo

" Reading 'The Third Sex' feels a bit like flying in a veering helicopter over a rain forest that is disappearing before one's eyes. "

Stacey D'Erasmo

" I don't go online when I'm writing - that's the devil's workshop - but in general, I'm on there as much as any other global citizen. "

Stacey D'Erasmo

" A performer needs and craves a live audience. "

Stacey D'Erasmo

" As for me, I've been in love with women and men. I get how people fall in love with different kinds of people, but to fall in love with God: I didn't get that. "

Stacey D'Erasmo

" My books - I kid you not - are very often shelved between DeLillo and de Sade. Which not only completely cracks me up, but it seems like an encouraging message from the universe: between those two, there's a lot of wiggle room. I feel just fine there. "

Stacey D'Erasmo