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" Our lives aren't prepackaged along narrative lines and, therefore, by its very nature, reality-based art - underprocessed, underproduced - splinters and explodes. "
David Shields
Nature
Narrative
Along
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" Your art is most alive and dangerous when you use it against yourself. That's why I pick at my scabs. "
David Shields
Yourself
Dangerous
Art
" Basically, I really love work that puts the reader into a kind of vertigo, into a real doubt, and a beautiful way to convey that, a really perfect metaphor for that, is to make the reader also experience doubt. "
David Shields
Doubt
Experience
Love
" Every writer from Montaigne to William S. Burroughs has pasted and cut from previous work. Every artist, whether it's Warhol or, you know, Dangermouse or whoever. "
David Shields
Work
Cut
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" In a way, it's taken me 25 years to acknowledge that I am from the West Coast. I was always sort of pretending I was bicoastal or that I really belonged on the East Coast. "
David Shields
Me
Pretending
Years
" The novel is an artifact, which is why antiquarians cling to it so fervently. "
David Shields
Cling
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" I'm obviously aware that most people don't agree with me, that people like to escape into a coherent world that is apart from their own. "
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Me
Like
World
" The 'Times' is understood to be almost the unofficial biographer of the country, in some strange way to be printing a kind of quasi-neutral truth or even, in some people's minds, slightly center-left version of reality. "
David Shields
Country
Truth
Strange
" Centenarians tend to be assertive, suspicious, and practical. "
David Shields
Assertive
Practical
Suspicious
" I hope readers will think that 'The Thing About Life' is beautifully patterned, a tapestry. "
David Shields
About
Life
Tapestry
" The trajectory of nearly all technology follows this downward and widening path: by the time a regular person is able to create his own TV network, it doesn't matter anymore that I have or am on a network. "
David Shields
Create
Own
Path
" People like Ian McEwan and Jonathan Franzen completely bore me. "
David Shields
People
Bore
Like
" Gerald Jonas's book about stuttering is called 'The Disorder of Many Theories.' Back theory seems to suffer from the same 'Rashomon' effect: as with almost every human problem, there is no dearth of answers and no answer. "
David Shields
Book
Back
Problem
" I'm not super-polite or civil - I try to be civil, but I'm not into Seattle's niceties, and I'm not hugely wired into Seattle's natural beauty. "
David Shields
Natural Beauty
Beauty
Try
" One of my clearest, happiest memories is of myself at fourteen, sitting up in bed, being handed a large glass of warm buttermilk by my mother because I had a sore throat, and she saying how envious she was that I was reading 'The Catcher in the Rye' for the first time. "
David Shields
Time
Myself
Mother
" We've been appropriating in art since Duchamp, and we've been appropriating in music since the first person was banging on drums. "
David Shields
Drums
Been
Art
" I used to feel that everything I know I learned through my lifelong struggle with stuttering; I now feel this way about my damn back. "
David Shields
Now
Know
Struggle
" Sports - especially the NBA - function as a place where American society pretends to discuss and pretends to solve questions and historical agonies that can't possibly be solved within the realm of sports. "
David Shields
American
Place
Within
" I've always liked this idea that writing should comfort the afflicted, and afflict the comfortable to create trouble. The value of a work of art can be measured by the harm spoken of it. If you're not feeling that, then absolutely, why bother? "
David Shields
You
Work
Writing
" The real impulse of most books is to tell a story to keep the reader lashed to the page. I don't get why that's a proper use of an adult's time. "
David Shields
Page
Time
Why
" Good poets borrow; great poets steal. "
David Shields
Steal
Poets
Great
" We're completely confused about the boundaries between fiction and non-fiction. To me, the moment you compose, you're fictionalising; the moment you remember, you're dreaming. It's ludicrous that we have to pretend that non-fiction has to be real in some absolute sense. "
David Shields
You
Confused
Remember
" I'm really drawn toward work that is trying to capture what it's like to think now and to live now. "
David Shields
Live
Capture
Work
" I just can't read, the way other people can, these tediously elaborated books. "
David Shields
Read
Other
Just
" As a work gets more autobiographical, more intimate, more confessional, more embarrassing, it breaks into fragments. "
David Shields
Work
Breaks
Embarrassing
" I think of sports writers as mediating between two worlds. Athletes probably think of sports writers as not macho enough. And people in high culture probably think of sports writers as jocks or something. They are in an interestingly complex position in which they have to mediate the world of body and the world of words. "
David Shields
Words
Culture
Think
" Life, in my view, is simple, tragic, and frighteningly beautiful. "
David Shields
Simple
Life
Beautiful
" Immanence, or complicity, allows the writer to be a kind of shock absorber of the culture: to reflect back its 'whatness,' refracted through the sensibility of his consciousness. "
David Shields
Reflect
Kind
Through
" I began as a fiction writer - I had written three novels in my 20s and 30s. But as my work has gravitated towards literary nonfiction, or lyric essay or poetic essay, whatever you want to call it, I'm constantly beating my head against the wall 'cause I'm teaching a genre that's no longer that exciting to me and that I'm no longer practicing. "
David Shields
Me
Three
Want
" To be honest, there are parts of 'How Literature Saved My Life' that began as interviews. Someone was telling me that they think the book sounds very phonic: that it sounds like me speaking. And I don't think it's a coincidence that there are six to ten passages that I cadged from various interviews that I did post-'Reality Hunger'. "
David Shields
My Life
Someone
Me
" I'm very fond of this phrase: 'Collage is not a refuge for the compositionally disabled.' If you put together the pieces in a really powerful way, I think you'll let a thousand discrepancies bloom. "
David Shields
Together
Think
Bloom