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" The family I grew up in was very inflexible and harsh. It left me with the feeling that if you do let somebody down badly, then even if they tell you it's all right, it cannot be all right. "
Michel Faber
Family
Down
Feeling
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" When answering questions over the years about film and TV adaptations of my books, I have always maintained that no movie or TV series could ever change or damage my work. "
Michel Faber
Work
Questions
Film
" Really good books need a chaos element: something weird or inexplicable. "
Michel Faber
Good
Weird
Need
" I strive to use references that may still make some kind of sense once our age has passed into history. That robs my writing of a certain connectedness to my time, but potentially might allow it to make sense to people who are not in this time. "
Michel Faber
History
May
People
" When we ask bureaucrats to identify who is responsible for fixing anything, they reassure us that there are 'procedures in place.' "
Michel Faber
Anything
Ask
Place
" I tend to process emotional stuff very, very slowly. "
Michel Faber
Emotional
Very
Slowly
" When I was a kid, it was thought I would do something in the visual arts because I was always drawing, but when we emigrated to Australia from Holland when I was seven, I learnt the English language, and I fell in love with it. "
Michel Faber
Love
Always
Drawing
" History proves that most writers get forgotten anyway. That's very likely to happen to my books, and if I'm extremely lucky, maybe one of my books will survive. "
Michel Faber
Survive
Will
Forgotten
" Total oblivion is the fate of almost everything in this world. I'm very likely to suffer that same fate; my work will probably not be remembered, and if any of it is, if any of those novels is fated to be one of those novels that is still being read 50 or 100 years after it was written, I've probably already written it. "
Michel Faber
Will
World
Fate
" I think that if you are a serious writer, you are almost obligated to provide the intelligent average reader with something that they can relate to and care about. If you are writing only for a tiny elite, then that surely should sound alarm bells. "
Michel Faber
Writing
Think
Care
" I had been attempting novels since I was 14 but always ran out of steam. High hopes, poor craftsmanship. "
Michel Faber
Craftsmanship
High
Poor
" A text may be superbly written, exquisitely subtle, deeply meaningful, but still seem like a luxury extra, something we add to the already well-stocked store of our reading experience. "
Michel Faber
Reading
Experience
Luxury
" When the person you love has cancer, they are, in a sense, living on Planet Cancer. They are in a place where you are not. And you can't follow them. "
Michel Faber
You
Place
Person
" I get increasingly respectful of people who have faith and increasingly creeped out by them. "
Michel Faber
Who
Respectful
Out
" I am open-eyed about what poverty does to people. "
Michel Faber
People
I Am
Does
" The privileged Victorians who did most to improve the lives of the poor were not ashamed of their pious intent: they were superiors seeking to help inferiors. "
Michel Faber
Ashamed
Help
Improve
" At university, one of my areas of study was Victorian literature, so I decided to see if I could write a novel as carefully planned and constructed as those of George Eliot, but with the narrative energy of Dickens. "
Michel Faber
Literature
Planned
See
" 'The Crimson Petal and the White' is a book, and it will win or lose the trust of each reader when they begin reading its pages. That relationship will go on. "
Michel Faber
Trust
Reading
Relationship
" Pathos and poignancy are, to me, tactics and techniques; in my work as a writer, I fetch them from my toolbox and use them as required. "
Michel Faber
Pathos
Writer
Work
" I got fed up with the human race, really. I got a very negative feeling about human potentials. And for a while, I thought I might write a book without any human beings in it whatsoever. "
Michel Faber
Book
Feeling
Race
" The mere fact of my novel being filmed means very little to me. For a long while after 'The Crimson Petal's publication in 2002, it looked as though Hollywood was going to adapt it. "
Michel Faber
Long
Adapt
Fact
" I don't remember my childhood very well for one reason or another, possibly childhood trauma or possibly just a very bad memory. My early life has sort of been erased from my memory banks. "
Michel Faber
Memory
Remember
Life
" If someone's a cartoon villain, you can dismiss them, but if they behave despicably but you kind of like them, they really get under your skin. "
Michel Faber
Like
Kind
You
" By recycling pre-existing material, Shakespeare seemed to endorse a view common in his time, which has become even more entrenched in the 400 years since: that all the truly essential stories are already in the bag. "
Michel Faber
Time
Recycling
More
" Modern politicians like Cameron dream of exerting paternal influence without being seen as paternalistic, of fostering moral behaviour without being considered moralistic. "
Michel Faber
Dream
Influence
Moral
" I never, ever want to be in a position where people are sitting round a table, saying, 'We've got this book. I don't really get it, but we paid for it, so we've got to sell it.' I'm not Tony Parsons; that's not right for me. "
Michel Faber
Me
Saying
Sitting
" I'm a loner and always have been. "
Michel Faber
Always
Been
Loner
" For years, I was quite a militant atheist. I wanted to burn down all the churches or turn them into second-hand record emporiums. "
Michel Faber
Years
Atheist
Burn
" I'm still tremendously proud of 'Crimson Petal.' I'm still very emotionally involved with these characters. I still care about them. "
Michel Faber
Involved
Proud
Still
" My energies get used up quite quickly, and the psychic space I'm in when I write is a very lonely one, so I found that harder and harder to get back to. "
Michel Faber
Lonely
Back
Used
" One of the things my success as an author has forced me to face is how dysfunctional... Maybe that's a strong word, but how obsessive I am. "
Michel Faber
I Am
Things
Success