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" People don't talk about how hard it is to make a movie. Nobody does. Ever. "
Doug Liman
How
People
Nobody
Related Quotes:
" When I'm working on a film, I think about how it will play with a tiny audience of friends whose opinions I respect - basically, a 40-bloc radius from my apartment in Manhattan. "
Doug Liman
Respect
Friends
Play
" I was a troublemaker. For a long time, I didn't fit in. "
Doug Liman
Fit
Long
Troublemaker
" I make movies for me and posterity. I'm more scared of history than I am of the studio. "
Doug Liman
More
History
I Am
" Somehow super power and hero are so synonymous that they get combined into one word, 'superhero,' whereas I'm kind of more interested in separating those two ideas out. You have characters with super powers who may or may not be heroic, because human beings aren't all heroic. I tend to be drawn to antiheros. "
Doug Liman
Kind
Hero
You
" My films are very rooted in specific people's point of view. Some film-makers give a more global point of view, like God looking down at the characters. "
Doug Liman
Down
Looking
View
" Normally in spy movies, the person that the hero deals with is at the centre of power, surrounded by video screens, and they're old and grizzled. I'm no stranger to that dynamic. "
Doug Liman
Power
Hero
Movies
" I'm really interested in real people in extraordinary situations. The detail and reality to that. "
Doug Liman
Detail
Real
Reality
" I go into a movie sort of saying what it's not going to be. "
Doug Liman
Going
Go
Movie
" When you make a war movie, the other side has to be the enemy. You're making a war movie from the point of view of a soldier fighting it. "
Doug Liman
Fighting
You
War
" 'The Wall' is a reaction to 'Edge of Tomorrow,' where I was like, 'I don't need time travel and aliens to take a hero and pin them down in an impossible situation. I can do it in a much simpler way.' And that was 'The Wall.' "
Doug Liman
Tomorrow
Hero
Impossible
" I started making Super 8-mm films when I was about six years old and just never stopped. It was always just a hobby, but it's one of the few hobbies that can actually become a career. You know what? I think it was my plan from when I was six that this is what I was going to do. "
Doug Liman
Know
Think
You
" There would be no Marvel without 'Swingers'; there would be no Jon Favreau directing 'Iron Man,' no Robert Downey Jr. playing Iron Man; no 'Avengers.' "
Doug Liman
Playing
Man
Iron
" If you look at my movies, they're pretty densely packed, such that they not only hold up to a second viewing, they're oftentimes better the second time you watch them. So I've always thought about crafting stories that could hold up to multiple viewings, and so VR obviously fits right into that. "
Doug Liman
Look
You
Time
" I went to USC film school, briefly, which is a very traditional film school. "
Doug Liman
Film
School
Which
" The system did not want me to make 'Go.' And I sort of stood up to the system and made the movie I wanted to make, and the fact that I did that and I'm proud of the movie means I'm really proud of myself when I look back on that. "
Doug Liman
Back
Look
Me
" There's no reason my films can't work as hard as VR does to hook an audience and never let them go, so I think that that it turns the volume up a little bit on storytelling. The same way when I was doing commercials and then I went and shot 'Go,' and 'Go' has a level of pace that is unlike any of my other movies. "
Doug Liman
Work
Think
Movies
" At the end of the day, the less money you have, the easier it is to make a movie. "
Doug Liman
End Of The Day
Money
End
" The one thing about reality is sometimes it gives you material that is wilder than some of your wildest imagination could come up with. "
Doug Liman
Reality
Imagination
Sometimes
" My older brother took me to Woody Allen double features when I was still teething. "
Doug Liman
Me
Double
Took
" In 'The Bourne Identity,' I wanted to give the audience the feeling of being in the car with Jason Bourne, not just watching him drive but be in the car with him, and 'The Wall' is the continuation of that immersive filmmaking style. Where you're trapped behind the wall with Aaron Taylor-Johnson - for better or worse, you're trapped there with him. "
Doug Liman
Identity
Style
Better
" Aaron Taylor-Johnson and John Cena, in 'The Wall,' are superheroes. They're very grounded, but the amount of training and stuff that soldiers bring to the field, they're like Iron Man. "
Doug Liman
Soldiers
Training
Bring
" It turns out that it's easier to do politics in a movie. People really don't want it in their TV. "
Doug Liman
People
Out
TV
" I got in trouble in film school at USC because one of my Super-8 movies there, in the first semester, involved a snowmobile chase scene. I made an action scene, and they were like, 'That wasn't what you were supposed to be doing.' "
Doug Liman
School
You
Action
" I started my career wanting to make a 'James Bond' movie, and I couldn't get hired! I made 'The Bourne Identity,' and ultimately the impact of that film was that it changed the 'James Bond' franchise. "
Doug Liman
Film
Career
Bond
" In particular, I'm drawn to the stories that have big, high concepts and real characters at their heart. And I love where those two worlds meet, and 'Edge of Tomorrow' is the perfect canvas to explore that. "
Doug Liman
Perfect
Love
Heart
" In hindsight, everything in my life looks a little rosy. But the reality is that with, say, 'Swingers,' when we finished, it was considered a total failure. "
Doug Liman
My Life
Failure
Life
" I don't necessarily think that having more money helps make you make a better film. Sometimes having less money is better. You're forced into being more original; you're forced into hearing something versus seeing it. "
Doug Liman
You
Better
Film
" I'm interested in the kind of anti-establishment ethos that goes with making an independent movie. I like to bring that to studio films - usually to the consternation of the studios. "
Doug Liman
Independent
Ethos
Kind
" My family went to the Hamptons, so I understand what happens when a slice of perfect utopia gets overdeveloped, when one way of living is replaced by another. "
Doug Liman
Way
Understand
Perfect
" So many of Spielberg's films inspired my imagination growing up. And then there are British films like 'The Full Monty' and 'Waking Ned Devine' that took me to places I really loved, with characters I just thought were amazing. But the films of Luc Besson showed me France - a really cool side of France. "
Doug Liman
Imagination
Growing Up
Cool