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" Self-care is a requirement. "
Kelela
Requirement
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" I am your homegirl, at the end of the day, but I also feel very... outside. So if you're finding solace in feeling outside with me, then we're good to go. "
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" When it comes to melodies, production, and sound in pop music, people try to be formulaic and solely concerned with what's resonant in a way that is so cheap and ugly. It actually just devolves culture, ultimately. "
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People
Ugly
Try
" For those of us who make music together, I think it's important to realize that generosity on both sides is actually going to produce the biggest possibility. "
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" I'm quite scrutinous when it comes to who I put myself in the room with. "
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Quite
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Myself
" Growing up in an Ethiopian household allowed me to feel like I had an audience before I had an audience. "
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Feel
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Growing Up
" It means so much to be able to share myself with the world. "
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Myself
World
Share
" I'm interested in bridging and filling in space that hasn't already been filled, so when it comes to making music, I've just always wanted to be able to reference things that producers in the big pop major label context do, without compromising the entire sound of the record. "
Kelela
Without
Sound
Always
" I try to make it a sonic experience so that when you put your earbuds in or when you're in your room, it sounds like an enveloping feeling. I think that is the most important thing, that wherever you are, it is wrapping you up and making you feel safe and comfortable. "
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Think
You
Experience
" I'm coming from the zone of Faith Evans, but with weird production. "
Kelela
Production
Zone
Coming
" The assumption is simply that I hit on all the things I've hit on so far by accident, that my talent is just this raw thing that pours out of me, and then white people feel like they have to come in and contain it, refine it, and bring it to the place where it can been released. "
Kelela
People
Place
Feel
" I would love to do an album of standards! "
Kelela
Love
Standards
Would
" I don't write lyrics. I hear the track and sing in gibberish over it, then I try and fit words into the phrasing and melody that I already have set. Everything is left to chance. "
Kelela
Words
Try
Over
" That's pretty much how every song of mine works - I start with gibberish and melody and phrasing. I speak it naturally first. And then I think about lyrics that fit into that. "
Kelela
First
Start
Think
" Sometimes I learn by someone giving me warnings and giving me advice about what to do next. And other times, a lot of times, I have to put my hand into the fire. "
Kelela
Learn
Giving
Fire
" I'm just tryna be honest about all the things that I dig in my music. It's not just this over here, it's also that over there. "
Kelela
Music
Dig
Here
" Something that I think extends to a lot of African cultures is that the line between performer and audience is blurry. My mom would lead the wedding song regularly, and she isn't a professional singer. Even as an audience member, you're expected to clap and sing the response to the lead. "
Kelela
Mom
Wedding
Think
" Music in the U.K. is not racialised in the same way as it is in the U.S. In the U.S.. it's more rigid and conservative. And white people in the U.K. have more close proximity with black people and people of colour in general. "
Kelela
Way
White
People
" There is this feeling among black artists that you have to be really careful. We're not inclined to talk about this stuff because, if we do, we put ourselves in a position where we're not marketable or where we can't win. "
Kelela
Position
Black
Win
" You can never have enough reinforcements, resources for black women to thrive in the world. The topic has been addressed a million times before, but it will never end because what we're up against keeps morphing, and we have to figure out how to beat it. "
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World
You
Women
" Sounding like I have agency in a song is important to me. I want to feel empowered by the music. "
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Important
Feel
Me
" I like to try out different methods to get to good songs. "
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Good
Different
Like
" Most of my friends, growing up, were upper-middle-class white kids, so it was a different reality at home both culturally and linguistically. It created a lot of insecurities for me, but it also did a lot of amazing things that I didn't know were happening at the time. "
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Growing Up
Time
Reality
" I have something stupid, like, 12 credits, to graduate. "
Kelela
Stupid
Like
Something
" We are - as artists, we are racialized through genre and called black - without being called black - through genre. "
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Artists
Without
Through
" I think I'm taking risks and putting myself out there. "
Kelela
Out
Risks
Myself
" It's been hard for me to nail visual language and personal style because I like so many different things. "
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Personal
Language
Me
" I think the Internet is more layered and complex than just hating it or liking it. I find it to be more purposeful to talk about the way that it's conducive for relationships and making connections. "
Kelela
Think
Connections
Talk
" 'Seat at the Table' has expressed real adversity, struggle, and also triumph and joy. "
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Struggle
Triumph
Real
" I don't care about the underground, even if that's where I'm currently residing sonically. "
Kelela
Underground
Where
Even
" As a black person on the outside, because there's so much black art and so much of black people's work circulating, so many people imitating what black people do, you would think that there'd be more black people on the business side. It didn't cross my mind that every label head, for the most part, is a white guy. "
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Art
Mind
Business