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" The diversity of content is now offered from streaming and downloading, so young people are really not going to theaters because they don't see any particular benefit. "
Douglas Trumbull
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" I learned a lot on '2001.' "
Douglas Trumbull
Lot
Learned
" We're not that far from being able to plant images, memories, and emotional states directly into the brain. "
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Emotional
Brain
Plant
" I meet astrophysicists almost every week who say that they went into their line of work because of '2001.' "
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Meet
Work
Week
" Working on '2001' was my film school. Stanley Kubrick was my mentor. "
Douglas Trumbull
Film
Kubrick
Mentor
" I wouldn't apply high frame rates to a love story or a thriller or a film noir or a mystery. "
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High
Film
Story
" My first job on 2001 was to make all of the HAL readouts: the 16 screens that surround HAL's eyes. "
Douglas Trumbull
Job
Eyes
Surround
" I'm fearless when it comes to engineering and motors and gears and pulleys and glass and artwork. "
Douglas Trumbull
Fearless
Engineering
Glass
" Movies used to be called the 'flicks' because they flickered badly: because 16 or 18 frames a second - which was those hand cranked movies on a single-bladed shutter - was really badly flickering. "
Douglas Trumbull
Because
Hand
Movies
" I'd rather have fewer spectacular theaters than tons of cheap little multiplexes. "
Douglas Trumbull
Than
Cheap
Little
" I'd formed a research and development company under the banner of Paramount Pictures back in about 1975, and its mandate was to explore advanced forms of entertainment, not just movies. "
Douglas Trumbull
Movies
Just
Back
" Clearly, if we'd had the kind of computer graphics capability then that we have now, the Star Gate sequence would be much more complex than flat planes of light and color. "
Douglas Trumbull
Color
Gate
Kind
" But as far as the concept of HAL, who HAL was, his character - I had no role in creating him. "
Douglas Trumbull
Role
Far
Him
" '2001' used a lot of what's called 'front projection.' You project an image onto this giant reflective screen, and the image bounces back and comes back to the lens and seems to be in the background behind the actors. The whole 'dawn of man' sequence in '2001' was projected eight-by-ten photographs of the African savannah. "
Douglas Trumbull
Dawn
Lens
You
" The technology of the time dictated the way things looked. "
Douglas Trumbull
Technology
Way
Time
" There's a consistency in my work that pops up independent of the limitations of the technology. "
Douglas Trumbull
Up
Work
Pops
" If you want people to come to theaters, you better do something different. "
Douglas Trumbull
People
Want
Better
" There's been a bit of confusion about Showscan. The basic problem was, it was film and it was 70 mm and it was a lot of it, so the negative cost was very high, the print costs were very high, and it also required conversion of the projectors and theaters and a lot of costs. I just couldn't get any traction in the theatrical movie industry to do it. "
Douglas Trumbull
Negative
Problem
High
" I honestly believe that the next big leap in immersive technology will be very much like Brainstorm. "
Douglas Trumbull
Technology
Like
Leap
" When I was a young man in school, I used to read science fiction and really liked it. And as I became a young artist, I was filling up my portfolio with alien planets and spacecraft and things like that. "
Douglas Trumbull
School
Artist
Alien
" It's not appropriate to a love story, or - there are a million stories you could think of that don't need 3D. A lot of movies don't even need color! "
Douglas Trumbull
Story
Movies
Color
" My personal feeling is that ultra-high frame rates and ultra-vivid giant screen movies can be like a window onto reality. And if you recognize it as such, you can write your screenplay, direct your movie, edit it, and present it as a live experience - not like a movie. "
Douglas Trumbull
Experience
Live
Reality
" I'm developing some high-frame-rate 3-D processes that are going to be, I hope, indistiguishable from reality. This will be quite an unusual cinematic event - you don't just tell an ordinary story, it's more of a first-person experience where the melodrama doesn't get in the way. Being inside the movie rather than looking at the movie. "
Douglas Trumbull
Story
Experience
Looking
" I have the deepest respect for Terrence Malick and greatly enjoyed helping him on 'Tree of Life.' I consider him to be a good personal friend and professional contemporary. "
Douglas Trumbull
Him
Respect
Tree
" When I worked on 2001 - which was my first feature film - I was deeply and permanently affected by the notion that a movie could be like a first-person experience. "
Douglas Trumbull
Like
First
Film
" There were IBM logos designed for the film, and there were IBM design consultants working with Kubrick on the layout of the controls and computer screens. "
Douglas Trumbull
Logos
Film
Design
" Peter Jackson is a real big hero of mine because he had the nerve to make 'The Hobbit' at 48 frames per second. "
Douglas Trumbull
Hero
Big
Because
" I like the unknown. That's what Terry Malick has always really liked. He's always looking for the unexpected. "
Douglas Trumbull
Unknown
Unexpected
Looking
" It was the point where things became much more abstract and less literal than in the bulk of the film, which was hardcore rockets and space and planets - all a fairly straightforward evolution from what I had been doing before. "
Douglas Trumbull
Film
Evolution
Doing
" There was every reason to honestly say that 3D was a gimmick. And it's largely true. And it's largely pretty bad. When you put a filter in front of the projector, and you put on your glasses and cut the light in half again, the movies are dim as hell, and they give you headaches and eye strain, and it's terrible. "
Douglas Trumbull
Glasses
You
Movies
" Every movie presents unusual challenges, and I like solving the problems with a combination of artwork and engineering. "
Douglas Trumbull
Problems
Challenges
Like