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" Usually music is used to hide a film's problems. "
Michael Haneke
Problems
Hide
Film
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" It's harder to write a story with just two people in a room than with 50 characters. "
Michael Haneke
Write
Two
People
" I've never let producers tell me what to do. Even when I was making television, I always did what I wanted to do, and if I couldn't, I didn't do it. It was a freedom that, these days, young directors starting out don't have. "
Michael Haneke
Television
Me
Always
" I give the spectator the possibility of participating. The audience completes the film by thinking about it; those who watch must not be just consumers ingesting spoon-fed images. "
Michael Haneke
Audience
Watch
Film
" To me, it's far more efficient to mobilize the imagination. It's far more efficient to hear a creaking step, for example, than to see the face of a monster, which usually looks ridiculous, and where you know that the blood is ketchup. "
Michael Haneke
Me
You
Know
" Awards are important for all directors because they improve your working conditions. You're only as good as your last film, so if you get prizes or large audiences, then you get more money for your next film. "
Michael Haneke
Film
You
Good
" You can use your means in a good and bad way. In German-speaking art, we had such a bad experience with the Third Reich, when stories and images were used to tell lies. After the war, literature was careful not to do the same, which is why writers began to reflect on the stories they told and to make readers part of their texts. I do the same. "
Michael Haneke
Experience
Bad
Art
" I want to make it clear: it's not that I hate mainstream cinema. It's perfectly fine. There are a lot of people who need to escape, because they are in very difficult situations, so they have the right to escape from the world. But this has nothing to do with an art form. "
Michael Haneke
People
Art
Cinema
" At its best, film should be like a ski jump. It should give the viewer the option of taking flight, while the act of jumping is left up to him. "
Michael Haneke
Like
Flight
Film
" As a private person, professionally I am invisible. "
Michael Haneke
Person
I Am
Invisible
" When I first envisioned 'Funny Games' in the mid-1990s, it was my intention to have an American audience watch the movie. It is a reaction to a certain American cinema, its violence, its naivety, the way American cinema toys with human beings. In many American films, violence is made consumable. "
Michael Haneke
Violence
Funny
Cinema
" Films that are entertainments give simple answers but I think that's ultimately more cynical, as it denies the viewer room to think. If there are more answers at the end, then surely it is a richer experience. "
Michael Haneke
Simple
Think
Answers
" It's unbearable when someone changes around you. Just imagine that your life partner changes, then it is difficult to cope with. Or your mother. Or your father. They were strong and now they're like a baby - it's not so funny. "
Michael Haneke
Funny
Mother
You
" And if there was one title that could be applied to all my films, it would be 'Civil War' - not civil war in the way we know it, but the daily war that goes on between us all. "
Michael Haneke
Us
War
Civil War
" To be perfectly honest, I think that as I'm growing older, I'm just growing more impatient. I'll be very happy if at some point people say, 'Michael's grown wiser and softer in his old age.' But we'll have to wait and see what my next project is. "
Michael Haneke
People
Think
Old Age
" I'm not someone who enjoys long talks, long rehearsals. I'm very technical: I tell my actors, you come in, you sit down, you pick up a coffee, you look here, you say the line. We try it with the cameras rolling, and if it doesn't work, we adjust it until it does. It's very simple. "
Michael Haneke
Work
Simple
Look
" On the set I make jokes I can't get too involved, or it turns into sentimental soup. I try to keep it light. "
Michael Haneke
Keep
Light
Soup
" It's a fact that people who are in a weakened position, whether physically or mentally, have this perception of the outer world as threatening. Everything that is unexpected or unknown is seen as a potential danger. "
Michael Haneke
Unexpected
Perception
People
" I learned my business in the theater and in television, particularly working with the actors. You can learn much more in the theater than directing a movie, because then you have no time when you are shooting a movie to really work with the actors. You have to learn this craft somewhere else. "
Michael Haneke
You
Television
Work
" There are really two types of laughter on the part of the spectator. There is the laughter of recognition - which means seeing things you're familiar with and laughing at yourself. But there's also hysterical laughter - a way of dealing with the things we see that upset us. "
Michael Haneke
Recognition
Laughter
Yourself
" Films for TV have to be much closer to the book, mainly because the objective with a TV movie that translates literature is to get the audience, after seeing this version, to pick up the book and read it themselves. My attitude is that TV can never really be any form of art, because it serves audience expectations. "
Michael Haneke
Never
Expectations
Book
" You'll see more violence in any television crime series than you will in my films... Art is there to have a stimulating effect, if it earns its name. You have to be honest, that's the only thing. "
Michael Haneke
Violence
Name
Television
" All movies assault the viewer in one way or another. "
Michael Haneke
Assault
One Way
Way
" An artist is someone who should raise questions rather than give answers. I have no message. "
Michael Haneke
Answers
Questions
Who
" Drama lives on conflict. If you're trying to deal with social issues seriously, there's no way of avoiding violence, which is so present in society. "
Michael Haneke
Violence
You
Trying
" Of course, we avoid death. To know something is inevitable is one thing. To accept, to truly feel it... that's different. "
Michael Haneke
Inevitable
Know
Feel
" 'The White Ribbon' had to be in German because of the subject matter, that was clear. But in the case of 'Amour,' it could have taken place in any country. "
Michael Haneke
Matter
Place
White
" I'm lucky enough to be able to make films and so I don't need a psychiatrist. I can sort out my fears and all those things with my work. That's an enormous privilege. That's the privilege of all artists, to be able to sort out their unhappiness and their neuroses in order to create something. "
Michael Haneke
Enough
Work
Privilege
" I never suffered from the absence of a father. On the contrary, as a child I was more inclined to see men as a disturbing factor. It made things difficult for me when I started working as a director. "
Michael Haneke
Child
See
Men
" Classicism becomes avant-garde when everyone else is doing their utmost to develop new stylistic forms. I think it's healthy to return to classical forms. "
Michael Haneke
New
Healthy
Everyone
" My father and I had a good relationship, it was very relaxed. He had a lot of humour. He looked a little bit like me, although he had no beard. He had the appearance of a very elegant British-looking man. "
Michael Haneke
Father
Relationship
Me