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" When you make a film you usually make a film about an idea. "
Sydney Pollack
Film
You
Movies
Related Quotes:
" At some point during the filmmaking process, you lose objectivity, and you need the eyes of someone who understands the process and has been in the trenches. "
Sydney Pollack
Process
Lose
Eyes
" People ask me over and over how is it that I work with stars. How do you work with Barbra Streisand, with Paul Newman, with Al Pacino, with Sally Field, Jane Fonda, you work with all these people. Isn't this a problem? And it isn't a problem at all. It's terrific. It's great fun. And I don't know what the answer is. "
Sydney Pollack
Me
Fun
Great
" I'm not a writer myself, so I'm forced to try to get what's a sort of an odour or a colour or something I feel in my head from a writer, and that's a... I don't have a recipe for that process. I don't know what it is... it's different every time. "
Sydney Pollack
Process
Myself
Feel
" Stars are like thoroughbreds. Yes, it's a little more dangerous with them. They are more temperamental. You have to be careful because you can be thrown. But when they do what they do best - whatever it is that's made them a star - it's really exciting. "
Sydney Pollack
Star
You
Yes
" If you list the qualities that we consider feminine, they are patience, understanding, empathy, supportiveness, a desire to nurture. Our culture tells us those are feminine traits, but they're really just human. "
Sydney Pollack
Empathy
Patience
Culture
" No, I never went to college. Always regretted it, always envied people who did. "
Sydney Pollack
College
Who
People
" Making a movie is a network of decisions that keep multiplying as you go. You leave a trail of decisions behind you, and that's how you start to see the shape of what you've done. When you get far enough, you turn around and say, 'Ha, that's the movie.' It's only then that you find out if it's going to work or not. "
Sydney Pollack
Enough
Decisions
You
" For reasons which I can't logically explain, in all of the films I've done, I've ended up doing love stories of one kind or another, and it seems to me that love stories are extremely dependent on the obstacles you can place between the lovers. There is no love story without it. "
Sydney Pollack
Obstacles
Love
Me
" I'm 47 years old, and I have to accept the fact that I'm probably not going to set the world on fire... If I was going to do that, I would have done it by now. "
Sydney Pollack
World
Now
Done
" My strength is with actors. I think I'm good at working with them to get the best performances, at seeing what it is that they have and that the story needs. "
Sydney Pollack
Strength
Good
Think
" It's a terrible mistake when it gets to be a contest of egos. The actor is always going to win. If a director gets into a control situation and is overbearing, it's deadly. "
Sydney Pollack
Situation
Win
Control
" You hope that the responsibility of making movies will fall into the hands of essentially moral people. "
Sydney Pollack
You
Responsibility
Fall
" I remembered myself as an unpopular and rather sad kid. "
Sydney Pollack
Remembered
Myself
Kid
" It's my job to motivate the audience to believe. I have to get them to suspend their judgment in favor of involvement. "
Sydney Pollack
Audience
Believe
Favor
" When you first start out, you want to be Fellini, or you want to be Bergman. "
Sydney Pollack
Out
Bergman
Start
" Before I saw 'Tootsie' with an audience, I thought, 'No one is going to believe this could convince anyone he's a woman.' "
Sydney Pollack
Thought
Audience
Believe
" With a movie you're creating from the beginning this particular work, let's not call it work of art, because very few movies are works of art, let's just call them bits of popular culture, whatever they are, sometimes very rarely by accident a movie becomes a work of art. "
Sydney Pollack
Movies
Work
Culture
" I mean, I don't know anything else that I would try to do, but it's a very frustrating thing to do, because you are trying to take what's a fantasy in your head and make it live through the minds of 200 people. "
Sydney Pollack
People
Minds
You
" Kubrick and I were pretty good friends. "
Sydney Pollack
Pretty
Friends
Good
" Every single art form is involved in film, in a way. "
Sydney Pollack
Movies
Way
Single
" The terrible tragedy for every director is to watch an actor do what you want and not have the camera rolling - and never get it back again. So I always try to roll the camera before anybody's really ready. "
Sydney Pollack
Camera
You
Want
" There aren't rules in a romance, so they can be played any number of ways. "
Sydney Pollack
Rules
Played
Ways
" This thing called chemistry, which I can't define and wouldn't know how to, either works or it doesn't. Sometimes a love story can involve very talented actors, but we are not invested emotionally in whether they end up together. "
Sydney Pollack
End
Love
Know
" I fly an aeroplane, and I think a lot about how much I do not want ever to run into an optimistic air traffic controller. I just don't. I want a guy down there who's just waiting for the worst crash possible and petrified that it's going to happen on his watch. And then I feel safe flying into his territory. "
Sydney Pollack
Fly
Flying
Feel
" What makes architecture extraordinary is that you're looking at the building, but your peripheral vision is also seeing how it fits within a space. And it's seeing more than one part of the building at one time. "
Sydney Pollack
Space
You
Time
" Good actors aren't enough. You need charisma. Can you imagine 'Casablanca' without Bogart and Bergman? "
Sydney Pollack
Need
You
Without
" Audiences want to feel something intense, quickly, without wasting a lot of time. "
Sydney Pollack
Intense
Feel
Without
" If I'm lucky, in my wildest dreams I can make a picture every three years. "
Sydney Pollack
I Can
Picture
Dreams
" We talked about Tootsie, the idea in Tootsie is that a man becomes a better man for having been a woman. "
Sydney Pollack
Better Man
Woman
Been
" I don't care much about acting. "
Sydney Pollack
Acting
About
Much