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" When you're doing a car chase movie, you're sitting in car waiting for places or grips or stuff for quite a while. "
Edgar Wright
Doing
Car
You
Related Quotes:
" Comics have years to explain this stuff, and in a movie, you have to focus on one thing. So it's about kind of streamlining, I think. Some of the most successful origin films actually have a narrower focus. "
Edgar Wright
You
Think
Successful
" I tire of franchises, remakes, and endless sequels. "
Edgar Wright
Endless
Tire
Sequels
" I think it's good to have pressure on yourself. The worst crime is to get kind of really complacent. "
Edgar Wright
Crime
Pressure
Think
" Growing up, there were TV shows that were very funny but very traditional. Classic things like 'Fawlty Towers,' obviously, and 'Blackadder' were pretty traditionally shot. And then there were the ones that start to break the mold or be really ambitious. The ones that spring particularly to mind would be 'The Young Ones.' "
Edgar Wright
Spring
Mind
Growing Up
" When you write something, at first you might feel very defensive and protective of every single thing, but after a while, you just see what works and what doesn't. Sometimes you do test screenings, and an audience tells you that, or sometimes you eventually just go, 'Let's cut the joke out.' "
Edgar Wright
Test
You
Audience
" We were shooting 'Hot Fuzz' in my hometown of Wells, Somerset, and I remember looking at the dailies and going, 'Wait, there's a Starbucks in the shot. I don't remember that being there!' We had to digitally remove it; the same thing happened with a McDonald's in another scene. I had this sensation of, 'What's going on here? Where am I?' "
Edgar Wright
Remember
Wait
Hot
" By the time I got to Bournemouth Art College, I'd been so inspired by Sam Raimi and Robert Rodriguez and their tiny, no-budget films that I decided to do a feature-length version of 'Fistful Of Fingers.' "
Edgar Wright
Been
Art
Inspired
" Mel Brooks is an interesting one because he started out making films about stuff that he was totally affectionate about, like musicals, westerns, horror films, Hitchcock films. And then, as they get further on, and you get to 'Spaceballs,' then it's just kind of contrived. "
Edgar Wright
Horror
You
Like
" Once people realized that, 'Hey, we're going to be left on Earth here, and everything is going to hell quickly,' sci-fi soon became about our own self-destruction. "
Edgar Wright
Hell
People
Own
" We need to make more original movies, and audiences would do well to support original movies for the future of the medium. "
Edgar Wright
Future
Movies
Need
" When I am not working, I try to watch more than one film a day if I can. "
Edgar Wright
Film
Try
I Can
" The man-child in American comedies is always glorified; they never really show the darker side. "
Edgar Wright
Show
Side
Always
" I used to stay up all night playing 'Resident Evil 2,' and it wouldn't stop until the sun came up. Then I'd walk outside at dawn's first light, looking at the empty streets of London, and it was like life imitating art. It felt like I'd stepped into an actual zombie apocalypse. "
Edgar Wright
Night
Light
Walk
" I would say 'American Werewolf in London' is like an unconventional buddy movie: even if the buddy dies 20 minutes in, he still remains throughout the picture, and their partnership is one of the best things in the movie. "
Edgar Wright
Picture
American
Partnership
" All of my films have been very dialogue-heavy, and that's great. It always makes it more of a challenge to market in other countries. "
Edgar Wright
More
Market
Great
" Every time I watch a Clint Eastwood film, I'm in touch with my feminine side, I've developed a searing man-crush on Clint Eastwood. "
Edgar Wright
Film
Feminine
Side
" I'd rather try and cram in another two gags than leave a pause to say, 'Hey, wasn't that bit funny?' "
Edgar Wright
Leave
Two
Try
" I had a chance to do 'Ant-Man' in 2011. "
Edgar Wright
Chance
Had
" I first saw Walter Hill's second film, 'The Driver,' as a teenager, late at night on the BBC, quite possibly sitting too close to the telly. Given that this 1978 slice of neo-noir takes place almost entirely in the dark streets of a deserted downtown L.A., it's really a perfect midnight movie. "
Edgar Wright
Hill
Place
Perfect
" For 120 minutes, 'Birdman' floats from comedy to surrealism to high drama to quiet brilliance. I felt so inspired by watching this movie. It reaches for the sky and never comes back down to earth. "
Edgar Wright
Down
Comedy
Drama
" If you're on a road trip, you need driving music. "
Edgar Wright
Music
Driving
Road
" What 'Shaun of the Dead' and 'Hot Fuzz' and 'World's End' do is smuggle a different movie under the guise of a zombie movie or a cop or alien invasion movie. Even though they all have action and carnage, they are really films about growing up and taking responsibility. "
Edgar Wright
End
Responsibility
World
" I loved the idea of somebody literally fighting for love. "
Edgar Wright
Fighting
Idea
Love
" Usually in TV... A TV director could be anything from a main grip to just a glorified cameraman, and sometimes a director can be the person who is hired last. It's very much a producer's medium. "
Edgar Wright
Person
Just
Director
" There are lots of films I wish stopped at installment number one. I like 'Back to the Future Part II' and 'Part III' enough, but I still like the ending of the first one better. "
Edgar Wright
Enough
Wish
Future
" If you ever watch police chases on, like, helicopter cams, they very quickly become nightmarish when you start to see the police coming in from the edge of the frame. I always find that terrifying. "
Edgar Wright
Edge
Police
Start
" Sometimes, some things have to settle, and you have to think about the intention of it. "
Edgar Wright
Sometimes
Think
Intention
" We got offers to make sequels to both 'Shaun of the Dead' and 'Hot Fuzz,' and they never really interested us because we like having these endings where it seems very final but could hint at some kind of future adventure that you'll never see. "
Edgar Wright
See
You
Kind
" Occasionally, you'll get a 'District 9,' a film that is politically charged, but there is nothing going on beneath the surface with a lot of horror films. They are not about anything. "
Edgar Wright
Film
You
Nothing
" I grew up on 'Battle of the Planets.' "
Edgar Wright
Planets
Grew
Battle