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" You can understand why good publicists go on to run distribution companies: because the creativity involved is complex and nuanced. "
Ira Sachs
You
Creativity
Understand
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" I've been hiding crucial events in my life since I was 13. "
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Hiding
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Life
" I could not - and I still cannot - see a sustainable career as a filmmaker in which I focus fully on our gay stories. "
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Focus
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" By 1988, I was living in New York myself. "
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York
New York
New
" Everything encourages you not to tell stories of gay lives. There is no economy yet for that kind of cinema. "
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Gay
Cinema
Economy
" For gay people, we learned about our lives in secrecy and a lot of fear. "
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Learned
Gay
Our
" I conveniently was not accepted to film school, which I applied to in 1987, and so I decided I would become a filmmaker instead of a student. "
Ira Sachs
Film
Student
School
" You can be aware of the passing of time without being nostalgic. "
Ira Sachs
Time
You
Passing
" I've been close to two or three couples, gay and straight, who have been together for 45 years. "
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Been
Gay
Two
" What's interesting to me is the distinction between my old life and my present life. "
Ira Sachs
Old
Present
Me
" By 15, I was lucky enough to find the theater. "
Ira Sachs
Theater
Lucky
Find
" I've always been interested in how the individual comes to know and accept him or herself, which I think has been hard for me. "
Ira Sachs
Think
Know
Hard
" I have been very influenced by the director Maurice Pialat, who I continue to be in conversation and conflict with and get inspiration from. "
Ira Sachs
Director
Been
Conflict
" Capturing intimacy is pretty much the only thing I'm interested in. That's what excites me and what I find beautiful in movies personally - that almost obscene sense that we shouldn't be this close to these people. I find that very inviting and meaningful as an audience member. "
Ira Sachs
Me
Movies
People
" As independent filmmakers, we are actually deeply dependent on each other. The Spirit Awards are a public expression of those bonds, the intricate set of relationships and histories that we filmmakers depend on to make our most personal work. "
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Work
Spirit
Relationships
" What I loved about 'Goodfellas' is that it's a film about bad behavior - but told with great energy and without judgment - but it doesn't actually shy away from the consequences of that behavior in the characters' lives, which I think is similar in 'Keep the Lights On.' "
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Think
Loved
Great
" Why do people stay in relationships that are tough from almost the very beginning? "
Ira Sachs
Tough
People
Beginning
" Being an artist is in part an act of rupture. "
Ira Sachs
Artist
Being
Act
" I like a film that makes the audience feel like they are in the middle of life as it is moving, and in a way, they are catching up. They are thrown into things. "
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Film
Way
Moving
" Fighting bitterness can be a full-time job. "
Ira Sachs
Bitterness
Job
Fighting
" Seeing the road show of 'A Chorus Line' in 1977 at the Orpheum Theater in downtown Memphis was a life-changing event for me: there were gay people, on the stage, and they all lived in New York. "
Ira Sachs
Me
People
Gay
" I grew up in the 1960s in Memphis, and my father was a member of the American Civil Liberties Union. I was born three years before Martin Luther King was killed, and I think that history of civil action was something that I had in my blood. "
Ira Sachs
History
American
Father
" I don't think I'd ever start making a film until I had both the intimacy with the subject and the distance to make it live in a certain way. "
Ira Sachs
Way
Think
Start
" Intimacy is something to be cherished, and intimacy is not something to be afraid of. "
Ira Sachs
Cherished
Something
Afraid
" I don't rehearse with my actors... the first rehearsal is the first time we turn the camera on... Sydney Pollack never rehearsed his actors, and I found out that's allowed... so you film reactions; you don't create them. "
Ira Sachs
Camera
Create
You
" My films might have been queer - because I was - but they were not gay. "
Ira Sachs
Gay
Been
Because
" I started making movies in the early '90s, a few years after I discovered 'the cinema' during a three month stay in Paris during which I watched 100s of films. "
Ira Sachs
Early
Paris
Cinema
" I grew up thinking there was something called 'independent film,' which I wouldn't necessarily have had access to if there wasn't Sundance. "
Ira Sachs
Access
Film
Independent
" I remember being a teenager and seeing Seymour Cassel across a crowded room and being incredibly star struck, and not having the courage to say, 'Hello.' "
Ira Sachs
Courage
Hello
Remember
" I always hope that people feel less alone when they see a movie that I make. That some part of the story played out on the big screen will resonate for individuals in the audience in a way that gives them comfort. "
Ira Sachs
Story
See
People
" I got into filmmaking in order to tell very personal stories, and in this day and age, the opportunity seems all the more precious. "
Ira Sachs
Day
Opportunity
Tell