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" Everything encourages you not to tell stories of gay lives. There is no economy yet for that kind of cinema. "
Ira Sachs
Gay
Cinema
Economy
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" Everyone wants to belong, and everyone needs to belong in order to make a career on some level. "
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" New York grabbed me too hard, as did adulthood. "
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" Capturing intimacy is pretty much the only thing I'm interested in. That's what excites me and what I find beautiful in movies personally - that almost obscene sense that we shouldn't be this close to these people. I find that very inviting and meaningful as an audience member. "
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" I've been hiding crucial events in my life since I was 13. "
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" It's easy to make a film, but it's hard to make a career of being a filmmaker. "
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" Suspense films are often based on communication problems, and that affects all of the plot points. It almost gives it kind of a fable feeling. "
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" My father moved out to Park City in in the mid-'70s and lived in a Winnebago behind a hippie joint called Utah Coal & Lumber that was one of only two or three restaurants at that time. Park City was a sleepy little mining town, with not a condo in sight. "
Ira Sachs
Three
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" By 15, I was lucky enough to find the theater. "
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Theater
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Find
" What I loved about 'Goodfellas' is that it's a film about bad behavior - but told with great energy and without judgment - but it doesn't actually shy away from the consequences of that behavior in the characters' lives, which I think is similar in 'Keep the Lights On.' "
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Think
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" I have been very influenced by the director Maurice Pialat, who I continue to be in conversation and conflict with and get inspiration from. "
Ira Sachs
Director
Been
Conflict
" I don't think I'd ever start making a film until I had both the intimacy with the subject and the distance to make it live in a certain way. "
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Way
Think
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" Every film is hard to fund. "
Ira Sachs
Every
Hard
Fund
" I could not - and I still cannot - see a sustainable career as a filmmaker in which I focus fully on our gay stories. "
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See
Focus
Career
" You can only begin to share life well when you think well of yourself. "
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Think
Well
You
" Every time you make a film, you create a world. You make decisions about sets and costumes, and you create a universe connected to reality, but not reality itself. "
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You
Decisions
World
" You can understand why good publicists go on to run distribution companies: because the creativity involved is complex and nuanced. "
Ira Sachs
You
Creativity
Understand
" A lot of what I think I do as a director is try to give everything over to the actor. So I disappear. "
Ira Sachs
Try
Actor
Director
" Music Box has proven itself in a few short years to be a cutting edge distributor with a sophisticated understanding of both the market and cinema. "
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Short
Understanding
Box
" You can be aware of the passing of time without being nostalgic. "
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Time
You
Passing
" As a filmmaker, you realize that places have character based on their history as much as a face does or an actor does. "
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You
History
Face
" As independent filmmakers, we are actually deeply dependent on each other. The Spirit Awards are a public expression of those bonds, the intricate set of relationships and histories that we filmmakers depend on to make our most personal work. "
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Work
Spirit
Relationships
" I find the stuff that is exciting to me are the films coming out of Taiwan and Iran and France. So I have the feeling I'm not making the films that American distributors want to make. "
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Find
Want
Out
" I don't rehearse with my actors... the first rehearsal is the first time we turn the camera on... Sydney Pollack never rehearsed his actors, and I found out that's allowed... so you film reactions; you don't create them. "
Ira Sachs
Camera
Create
You
" Secrets make for good drama, and revealing the hidden truths and contradictions of life is, for me, one of the most exciting aspects of making movies. "
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Movies
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Life
" Movies are romantic fantasies. "
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Movies
Romantic
Fantasies
" For gay people, we learned about our lives in secrecy and a lot of fear. "
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Learned
Gay
Our
" I conveniently was not accepted to film school, which I applied to in 1987, and so I decided I would become a filmmaker instead of a student. "
Ira Sachs
Film
Student
School
" I realize I have strength as an artist and professional by embracing my difference instead of what makes me the same. "
Ira Sachs
Strength
Same
Professional
" I think there's a fear of difference in American cinema. "
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Think
I Think
Fear
" Intimacy is something to be cherished, and intimacy is not something to be afraid of. "
Ira Sachs
Cherished
Something
Afraid