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" Sometimes I struggle with being American. "
Debra Granik
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" There's all these costs of war, and they're huge and long-lasting. It's not just the numbers CNN broadcasts. And we never want to pay the VA bill; we never want to pay the bill to take care of these warriors after we applaud their sacrifice. "
Debra Granik
" The challenge for me is to make sure I've done my work. To make sure not every scene is quiet, that other scenes rise up, that there's different tension. "
Debra Granik
" You can't make movies without known names, and unknowns can't become known, because they can't get work. "
Debra Granik
" I'm reaching for emotion and drama, the drama of the everyday: what happens when you don't have shelter, food, and clothing. There are some stakes. If you're displaced or evicted, there's a suspense: How will you solve that? "
Debra Granik
" I love to champion some of the hardworking actors where, it's been said to me, they don't bring money. But to me, they bring everything. They bring their wonderful selves. "
Debra Granik
" We're always on the search for a novel or a source or an existing screenplay, or writing something ourselves that turns us on. But because films cost a lot of money to make and a huge amount of effort to get the people to rally, you have to really like it; you can't just semi-like it. Getting to 'really like' is the part that takes the minute. "
Debra Granik
" The protagonist in 'Winter's Bone' was a really good role for a female. She was strong; she didn't have to conform to something or be a sidekick to any man. That's part of what you're responding to; it's a woman-centric situation. Her value in the film was not reliant on any man. "
Debra Granik
" No one has a green light when they start a documentary - not ever. "
Debra Granik
" I think, in some ways, that is the balm of stories, of fables, of tales: it's the way we're wired. We have always needed to distill what we're going through and try to understand it by looking either backwards or forwards. And the hardest is to look in the now. "
Debra Granik
" History has shown that there needs to be some agora, or public spaces, and I think that we already live a lot of our life on a laptop, or even smaller devices that we hold in our hands. "
Debra Granik
" I find it so hard to make films about my own region, but it could happen. "
Debra Granik
" Some of the subject matters that I like to make stories about are definitely not inherently commercial. So I have to look for a very special kind of financing and go down a very gentle path in order to make my films, as do basically all social-realist filmmakers. It's a long process. "
Debra Granik
" We need cultural awareness and a cooperative approach with other countries versus a dominating approach. "
Debra Granik
" I'd love to do a comedy - something where a character has to use humor to navigate the absurdities of life. "
Debra Granik
" It's funny: your happiness is contingent on a bigger picture besides just yourself. "
Debra Granik
" People need meeting places. You need places where ideas get exchanged and you see each other's faces once in a while. "
Debra Granik
" What I would love is for people to see some of the stories I want to tell. "
Debra Granik
" Stereotypes are convenient. And yet within them, everyone will say there's something that - you know, they don't come for no reason. It's just that it takes time to explore complexity. "
Debra Granik
" For whole swaths of people, that map of, 'Come along this way, come to college, do this and that,' isn't offered. "
Debra Granik
" You can't just pill away injuries that go deep in someone. They don't just stop those feelings from existing. "
Debra Granik
" The Oscars have always been an arena in which very commercial films are recognised, and I don't mean that in a bitter way; I just didn't ever look in that direction. "
Debra Granik
" In Hollywood, only a female who's massively damaged is interesting. "
Debra Granik
" I like to make films about how people survive living in the United States. "
Debra Granik
" My first narrative films developed out of a documentary process - finding someone who was willing to be filmed, watching, listening, taking copious notes and many hours of video footage. "
Debra Granik
" What does it really mean to have something change in you very late in your life, after you've structured your life in a different way? What does it mean to be someone who has had a history of sometimes reckless living, and then to really want to change yourself? "
Debra Granik
" I swing with a lot of torque from non-fiction to fiction, and I really like that place in between. "
Debra Granik
" There's a period where you feel very hinky and low about yourself, like, 'That was a lot of time, and there's nothing to show for it.' I've tried to tell myself that if you're going to be a filmmaker, you can't really talk like that about time, because you'll hate yourself or feel very worthless. "
Debra Granik
" When I read Daniel Woodrell's novel 'Winter's Bone,' I was drawn to the characters, the setting, and the sound of the dialog. "
Debra Granik
" A big part of the equation for 'Winter's Bone' was making it for so little that we owe nobody. We had a guaranteed loan and were able to pay it back. "
Debra Granik
" I have, obviously, a very complex relationship with the more industrial side of filmmaking and the machinery that can take an actor or an actress and create something so bamboozling and monumental and fathomless in terms of publicity hits. "
Debra Granik