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" You don't get to hand footnotes to the audience or explain what you were trying to do and what it's supposed to be. Everything has to be on the screen, and it has to be clear. "
Dee Rees
Audience
Trying
You
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" I was always going to direct. I wasn't going to hand my characters over to anyone else. "
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Direct
Always
Going
" I think Charlottesville was shocking for some, but it wasn't for me or for my family, I mean, because I grew up in 1980s Nashville. "
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Family
Me
Think
" When I'm on set, I know what I want. "
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Set
Want
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" I just want to tell stories that are meaningful and have inspiration to them; people can watch it and take away something, or maybe they'll just think about themselves differently or think about the world differently. I just want to create characters that live on. "
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People
Live
Create
" Before Charlottesville, it might have been easy to dismiss the plot of 'Mudbound' as no longer relevant. Now, I feel like audiences will be more receptive to the material - and to interrogating their personal histories after watching it. "
Dee Rees
Now
Personal
Easy
" Both grandfathers fought in different wars. My mother's father fought in World War II, and then my father's father fought in Korea. And they're both these country boys, one from rural Tennessee and one from rural Louisiana - and they never went back home. "
Dee Rees
War
Home
Father
" For me, 'Pariah' is very much about that inner churn. It's about this person's emotional inner life, and that's really what I wanted to bring to 'Bessie.' "
Dee Rees
Person
Bring
Emotional
" For each character, I try to understand what is driving them. "
Dee Rees
Try
Character
Driving
" New York offers people the anonymity to be themselves without judgment. "
Dee Rees
Without
New York
New
" Each moment is defined by a multitude of histories, the past constantly converging upon us, perpetually decaying and reforming itself on the steady pulse of now, now, now, now. "
Dee Rees
Us
Moment
Pulse
" If I can go three grandmothers back and find a slave, that means someone else can go three grandmothers back and find a slave owner. When you interrogate your histories, it forces you to rethink who you are and where you are. "
Dee Rees
Find
I Can
Three
" My ultimate dream was just to be an auteur. "
Dee Rees
Dream
Just
Ultimate
" Shooting on film is great because it imparts discipline: What do you need to see so you're not finding it in the camera. When I'm shooting, I have the scene in mind, where I'm going to have certain lines. I learned to overlap and to shoot more than I think I need. That was the learning curve. "
Dee Rees
Discipline
Think
Mind
" I think art breaks down otherness. "
Dee Rees
Art
I Think
Think
" I thought that marketing was a way to be creative in business but quickly learned all creative stuff happens at the ad agency. "
Dee Rees
Creative
Way
Agency
" With friendship, it's hard sometimes - you don't outgrow your friends, but you do question how people are friends to you in different ways and how it's okay to cultivate other relationships outside of that. "
Dee Rees
Okay
People
Friends
" Culture - art, music, literature - is the long game, because it's the way to change people's ideas in a more personal way. "
Dee Rees
Change
Art
Culture
" In some communities it is - like, for me, coming out with my parents, they were not accepting; they were not understanding. So it depends. For kids in New York and L.A., maybe it's different, but for kids in Iowa, for kids in Tennessee, it's still something that's not really talked about. "
Dee Rees
New York
Parents
Me
" History informs where we are and how we got here. "
Dee Rees
Where
History
Got
" Actors need to know why they're saying what they're saying, more than just learning their lines. "
Dee Rees
Learning
More
Saying
" For 'Pariah,' people were surprised Kim Wayans was there, but comedians have a dark streak; they're comedians for a reason. "
Dee Rees
Reason
People
Dark
" I want more images onscreen because when I was growing up, I think, like, that one kiss in 'The Color Purple' was the one thing that I had. Or 'The Watermelon Woman.' "
Dee Rees
Kiss
Growing Up
Think
" Filmmaking was the way I could write characters and not have to give them up to anybody. "
Dee Rees
Filmmaking
Give
Them
" To me, if you can do the Wicked Witch live, you can play anybody. "
Dee Rees
You
Play
Me
" I was going to study business administration at Florida A&M, at the height of Reaganomics. "
Dee Rees
Going
Study
Florida
" The enemy is the system. And the system is made up of people, and we have a choice in that. "
Dee Rees
Enemy
System
Up
" When I first came out, holidays were hard. I reached a point where I didn't go home anymore. I constructed my own, kind of like, family group around Christmas. "
Dee Rees
Home
Christmas
Family
" There's a lot of power in saying no to big things that you don't want to do in order to say yes to the kind of things that really inspire you. "
Dee Rees
Saying
Inspire
Say
" I had this thing where I only wanted to work on original material, no adaptations, and obviously, that changed. I really wanted to have the resources and have the space and the time to tell stories that I've really cared about. I've kind of changed my approach, but I've gotten to do that, to tell stories that I really care about. "
Dee Rees
Care
Kind
Tell
" You don't have to make your life look like anybody else says it should look. "
Dee Rees
Your
You
Look