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All Quotes by author - Dee Rees
" Actors need to know why they're saying what they're saying, more than just learning their lines. "
Learning
More
Saying
" A producer has to want you. And if the producer trusts you and asks for your vision, it frees you up so much, not having to explain or fight for every decision. You're allowed to create. "
Create
Decision
Fight
" Art makes you see people as individual, unique human beings. Art, in that way, allows us to see each other in particulate, as opposed to in aggregate. "
Way
People
Art
" As long as you tell the best story possible, you can trust that people will be able to connect to it. "
People
Trust
You
" Before Charlottesville, it might have been easy to dismiss the plot of 'Mudbound' as no longer relevant. Now, I feel like audiences will be more receptive to the material - and to interrogating their personal histories after watching it. "
Now
Personal
Easy
" Both grandfathers fought in different wars. My mother's father fought in World War II, and then my father's father fought in Korea. And they're both these country boys, one from rural Tennessee and one from rural Louisiana - and they never went back home. "
War
Home
Father
" Coming-of-age stories, people roll their eyes. "
Roll
Stories
People
" Contemporarily, we struggle with people worried about representation sometimes. It's a burden, as artists, that we take on that limits the work. It limits the characters people play. It limits the roles they want to do. "
Play
People
Struggle
" Creatively, I just like interesting characters. So straight, gay, or whatever - like, whatever, wherever the characters are coming from or their lifestyle. "
Lifestyle
Gay
Interesting
" Creatively, most of my influences come from the literary world: Alice Walker, Toni Cade Bambara. Writers are my heroes. "
Creatively
Most
Come
" Culture - art, music, literature - is the long game, because it's the way to change people's ideas in a more personal way. "
Change
Art
Culture
" Each moment is defined by a multitude of histories, the past constantly converging upon us, perpetually decaying and reforming itself on the steady pulse of now, now, now, now. "
Us
Moment
Pulse
" Filmmaking in general is my second career. I thought that writing wasn't practical, so I went to business school and got an MBA, and I worked three years in grant management. "
Business
Management
School
" Filmmaking was the way I could write characters and not have to give them up to anybody. "
Filmmaking
Give
Them
" For each character, I try to understand what is driving them. "
Try
Character
Driving
" For kids who are struggling, who are of faith, just reconciling yourself to the fact that God loves you, accepts you for who you are, is a big step in the healing, especially when your biological family is unaccepting of you. "
Family
God
Step
" For me, books were my source of affirmation. Alice Walker, Audrey Lord - it was these authors who wrote about their experiences. It was this weird thing where I was censored in terms of what I could watch but not in terms of what I could read. "
Weird
Books
Watch
" For me, like, obviously, I want to see myself onscreen. "
Me
Myself
Like
" For me, 'Pariah' is very much about that inner churn. It's about this person's emotional inner life, and that's really what I wanted to bring to 'Bessie.' "
Person
Bring
Emotional
" For me, Sundance always felt big. It's not the only way to make your way, but for me, it was definitely that critical link between struggling artist, kind of working on my own, to actually working professionally and being connected and being seen. "
Artist
Own
My Own
" For 'Pariah,' people were surprised Kim Wayans was there, but comedians have a dark streak; they're comedians for a reason. "
Reason
People
Dark
" Going into a room and saying, 'I'm a black lesbian' - it's a strike against you. "
Saying
You
Room
" Growing up, I was very aware that there weren't many people like me on the screen. "
People
Me
Like
" Having to stake out your identity and have people question whether or not you're being yourself was a tension that I could relate to. "
Tension
Identity
Yourself
" History informs where we are and how we got here. "
Where
History
Got
" I can't put anything out that's not me. "
Me
Out
Anything
" I definitely felt the desire to, like - I definitely knew there was an elsewhere. I definitely knew that, like, if I were going to be free, I needed to be away from, kind of, like, Nashville and kind of get out of the South and get out of the country. "
Country
Nashville
Desire
" I'd go to lesbian parties. I felt like I wasn't hard enough to be butch, but I wasn't wearing heels and a skirt - I wasn't femme - so I felt like I was sort of invisible. "
Hard
Heels
Like
" I feel a lot of folks, like teenagers, can feel like outcasts. "
Lot
Feel
Like
" If I can go three grandmothers back and find a slave, that means someone else can go three grandmothers back and find a slave owner. When you interrogate your histories, it forces you to rethink who you are and where you are. "
Find
I Can
Three
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