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" You know what happened, you know, in 1938: France, England, you know, just sold out Czechoslovakia to Hitler. "
Milos Forman
France
You
Out
Related Quotes:
" You know, 20 years... the films of television when it started, the literature, radio in communist countries, they're clean as a whistle; there was no violence, no sex, no drugs, nothing. "
Milos Forman
Know
Sex
Violence
" I remember in 1968 when we were in Cannes, in the festival, and we were supposed to be there 10 days, and the second day the festival collapsed because the French, you know, film-makers raised the red flag in the festival and ended the festival. "
Milos Forman
Day
Flag
Know
" And also they were absolutely brilliant in one way, you know: they knew how effective is not to punish somebody who is guilty; what Communist Party members could afford to do was mind-boggling: they could do practically anything they wanted - steal, you know, lie, whatever. "
Milos Forman
You
Know
Lie
" People must not think that all bad in man which is unleashed, the moment you impose censorship disappears from man. "
Milos Forman
Think
Bad
Man
" If it weren't for 'Cuckoo's Nest,' it would be very difficult for me. It gave me a cushion to live at my artistic pace and not fear I wouldn't have money to live on. "
Milos Forman
Nest
Fear
Live
" I can say, with a little arrogance, that I could be an actor, a cameraman, a writer, but composers are the most mysterious people. "
Milos Forman
Say
I Can
Arrogance
" I think if I tried very hard, I could do a novel or a play, a poem. I could possibly paint a picture, but I know I can't write music. And still, it is the most accessible of all arts, as you know when you hear a tune. "
Milos Forman
Think
Know
Picture
" Because I just loved to spend two years of my life in the company of Andy Kaufman and other characters. "
Milos Forman
Loved
Company
Two
" Individuals fighting or rebelling against the status quo, the establishment, is good for drama. "
Milos Forman
Quo
Good
Fighting
" Now, after the communist take-over in 1948, the amount of feature films produced dwindled to three a year, while the school was, you know, every year another three, four, five students. "
Milos Forman
Now
Students
School
" I worked with Jack Nitzsche for 'One Flew Over the Cuckoo's Nest,' and we'd booked a symphony orchestra. He dismissed them and came with a little man who poured water into glasses of different sizes to make a glass harmonica. And most of the music for the film was that - with some Indian flutes and some drums. "
Milos Forman
Man
Music
Nest
" Milan Kundera was my literature professor. He's a Francophile, so he made us read French novels like 'Les Liaisons Dangereuses,' which I made a version of many years later as 'Valmont.' "
Milos Forman
Like
Literature
Made
" It's not a lighthearted decision to change your language, your country, your citizenship, and come to a world where you don't know anybody, to leave a place where you've had opportunities to build friendships from childhood. That's quite a big decision to make. "
Milos Forman
Know
Change
Childhood
" Definitely, it would be foolish to try and make my Czech films here in America, as foolish as it is when some Czech filmmakers try to make movies of America in Czechoslovakia. "
Milos Forman
Here
Foolish
Movies
" Memories are doing funny things to us. "
Milos Forman
Memories
Things
Doing
" And everything is controlled and everybody is a member of some committee, because then their watchdogs placed in the committees can control everything, what this person says or how this person think(s), you know. "
Milos Forman
You
Control
Everything
" A modern hero is very ambiguous. I went through some very rough times in Czechoslovakia - the occupation by the Germans at the end of the war. We had people going against their tanks with brooms. Are they nuts, or are they heroes? "
Milos Forman
Hero
Heroes
Nuts
" When I entered the film school at the Prague Academy in the '50s, it was the hardest time in the Communist countries. The ideological control of the society was almost absolute. "
Milos Forman
Time
School
Control
" First of all, to defend my work, I had to believe that I am doing a totally silly, stupid, innocent comedy. "
Milos Forman
Believe
Work
Stupid
" Technically, you can learn everything on the set as an assistant director, and rather quickly. "
Milos Forman
Director
Everything
Learn
" I am absolutely against any violence. "
Milos Forman
Violence
I Am
Against
" So I left with Jean Claude and went to Paris, so when the Russians came to Prague, I was in Paris. "
Milos Forman
Came
Russians
Paris
" Humor was not important only for me, humor was important for this nation for centuries, to survive, you know. "
Milos Forman
Important
Humor
Know
" When you make a film, you realize that the audience will be powerless to stop it or flip back to refresh their memories or skip the boring parts. They are at the mercy of your storytelling. "
Milos Forman
You
Mercy
Boring
" I was born in a small town. My parents, my father was a teacher. My mother was a housewife. "
Milos Forman
Mother
Father
Parents
" You think you can do anything, and then you slowly learn how wrong you are. "
Milos Forman
You
Wrong
Learn
" Because if you lived, as I did, several years under Nazi totalitarianism, and then 20 years in communist totalitarianism, you would certainly realize how precious freedom is, and how easy it is to lose your freedom. "
Milos Forman
You
Precious
Lose
" We have funny ideas about how people in mental institutions act. We think of drooling and people going booga-booga and climbing the wall. These are exceptional cases. "
Milos Forman
Think
Ideas
People
" I tell you, in my opinion, the cornerstone of democracy is free press - that's the cornerstone. "
Milos Forman
Opinion
Free
You
" The way one perceives a book and a film are totally different. You read a book in the privacy of your room. You are the boss; you set the pace and rhythm of your reading. In the movie house, you can't do that. "
Milos Forman
Boss
House
Privacy