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All Quotes by author - Brian Ferneyhough
" Actually, most things I say in public lead more or less directly to my own compositional practice, so I should be careful about generalizing lest they come back to haunt me. "
Practice
Say
My Own
" Certainly being in California has encouraged a sustained commitment to rethinking the nature, purposes, and relevance of the contemporary arts, specifically music, for a society which by and large seems to manage quite well without them. "
Society
Nature
Music
" Composers dialogue - and obsessively, bitterly argue - with other composers, often over the span of several centuries. "
Argue
Composers
Dialogue
" Hence my obstinate emphasis on stylistic continuity from work to work rather than specific sibling relationships between the individual work and other members of its stylistic 'family' in the world outside. "
Outside
Sibling
Work
" I am certainly not arguing for the de facto autonomy of the individual work, even though there is much to be said for making the attempt to see it in that light as one facet of the reception process. "
I Am
Process
Said
" If nothing is at risk, nothing is established. "
Risk
Established
Nothing
" I frequently compose out the entire metric structure of a piece in modified cyclic form, where each cyclic revolution undergoes some form of 'variation' much as if measure lengths were concrete musical 'material.' "
Concrete
Structure
Revolution
" If the work of art is to continue pursuing the vision of both being in and of the world but nevertheless in some fashion being more than just one more object to the mounting clutter, this is the specific point, I think, where this must be assured. "
World
Art
Fashion
" I'm perplexed, though, by your application of the term 'negative' to my figural imagery. "
Your
Though
Term
" In my model, important interference phenomena arise when individual strata come into contact. These chaotic fluctuations are, I suppose, what my music is really 'about.' "
Contact
Music
Individual
" In my own recent String Trio I attempt to superimpose two quite different sets of formal strategies, both of which, ultimately, refer back to historical precedent. "
Back
Two
Trio
" I suppose that the scope and implications of such forces have rendered my personal accounting ritual pretty much obsolete. That's how things sometimes go. "
How
Accounting
Sometimes
" My own position is, that it is largely up to the work itself to suggest the nature of these referential points without dimensions in and through the processes by which the distance between them is maintained. "
My Own
Work
Distance
" Naturally enough, I couldn't have foreseen the vast sea change which has come upon that scene as a result of German reunification and associated events. "
Change
Result
Sea
" Other composers have taken this particular technique much further than I in the meantime, with the result that the Law of Diminishing Returns has begun to apply. "
Other
Result
Than
" Questioning the nature and implications of liminal instances necessarily involves failure, if only in the specifically technical sense of entering spaces where prevailing criteria of success scarcely apply. "
Sense
Success
Failure
" Sometimes one can be so closely involved with things that the larger context is lost to view. "
Context
Involved
Lost
" So: we're all tired. Now what? Manuscripts written in Club Med? "
Now
Manuscripts
Written
" The idea of 'machine assemblage' is, especially, very alien to my sensibility, since it suggests a relative indifference of the strata to one another during the process of construction. "
Construction
Alien
Process
" The past nine years in San Diego have represented such a period of questioning. "
San Diego
Past
Questioning
" There would seem to be a limit, even for an art preoccupied with boundaries and transgressions, beyond which a work reaches its breaking point and becomes an actual failure, a mere experimentation. "
Art
Work
Point
" This was possible only by dint of extended periods of frequently quite painful reflection and digestion. "
Painful
Reflection
Only
" What makes a specific quality or quantity of innovation retain its intense newness over the years? "
Over
Quantity
Quality
" When I left Europe in 1987 I did so with the thought that my relevance as a composition teacher would benefit from a certain cool distance to certain tendencies I had been observing for several years with increasing disquiet. "
Distance
Cool
Years
" When I speak of 'cycles,' I am referring to lengthy intervals of relative homogeneity, if not in the resolving of problems, than at least with respect to the consistency of their capacity to productively irritate. "
Respect
Am
Consistency
" Why, in such a case, should the performer essay any sort of considered approach at all? "
Case
Why
Approach
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