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" A producer has to want you. And if the producer trusts you and asks for your vision, it frees you up so much, not having to explain or fight for every decision. You're allowed to create. "
Dee Rees
Create
Decision
Fight
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" I'd go to lesbian parties. I felt like I wasn't hard enough to be butch, but I wasn't wearing heels and a skirt - I wasn't femme - so I felt like I was sort of invisible. "
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Hard
Heels
Like
" When I first started going out to lesbian clubs, I felt a very binary recreation of hetero culture. There are butches and femmes, and I felt like I was neither of those things. I'm in a turtleneck and jeans and just learning to be comfortable in that space. I realized I don't have to be a certain way. "
Dee Rees
Jeans
Culture
Way
" For me, 'Pariah' is very much about that inner churn. It's about this person's emotional inner life, and that's really what I wanted to bring to 'Bessie.' "
Dee Rees
Person
Bring
Emotional
" I think art breaks down otherness. "
Dee Rees
Art
I Think
Think
" You don't get to hand footnotes to the audience or explain what you were trying to do and what it's supposed to be. Everything has to be on the screen, and it has to be clear. "
Dee Rees
Audience
Trying
You
" Shooting on film is great because it imparts discipline: What do you need to see so you're not finding it in the camera. When I'm shooting, I have the scene in mind, where I'm going to have certain lines. I learned to overlap and to shoot more than I think I need. That was the learning curve. "
Dee Rees
Discipline
Think
Mind
" My dad was a cop, you know, and I grew up three houses down from people who used Confederate flags as curtains. "
Dee Rees
Used
You
Know
" My ultimate dream was just to be an auteur. "
Dee Rees
Dream
Just
Ultimate
" The enemy is the system. And the system is made up of people, and we have a choice in that. "
Dee Rees
Enemy
System
Up
" When I'm on set, I know what I want. "
Dee Rees
Set
Want
Know
" I thought that marketing was a way to be creative in business but quickly learned all creative stuff happens at the ad agency. "
Dee Rees
Creative
Way
Agency
" With friendship, it's hard sometimes - you don't outgrow your friends, but you do question how people are friends to you in different ways and how it's okay to cultivate other relationships outside of that. "
Dee Rees
Okay
People
Friends
" With 'Pariah,' at the time, I had just come out. I had a coming out experience, and I was writing about it, transposing my experience as an adult: What would it have been like if I had been a teenager in Brooklyn? The funny thing was people thought I was from Brooklyn. I had to be like, 'No, I'm from Nashville.' "
Dee Rees
People
Funny
Time
" I want people to get from 'Pariah' that it's okay to be you and not to check a box as a parent or child. "
Dee Rees
Child
Okay
Parent
" Each moment is defined by a multitude of histories, the past constantly converging upon us, perpetually decaying and reforming itself on the steady pulse of now, now, now, now. "
Dee Rees
Us
Moment
Pulse
" We have to create a range, and we have to let there be possibilities. And basically, by showing there are different types of people, you write down the monolith. You stop having to represent for all black people when you allow there to be different types represented. "
Dee Rees
People
You
Create
" For kids who are struggling, who are of faith, just reconciling yourself to the fact that God loves you, accepts you for who you are, is a big step in the healing, especially when your biological family is unaccepting of you. "
Dee Rees
Family
God
Step
" Having to stake out your identity and have people question whether or not you're being yourself was a tension that I could relate to. "
Dee Rees
Tension
Identity
Yourself
" My first job was at Proctor and Gamble in Cincinnati, my second job was at a pharmaceutical company in Berkeley Heights, New Jersey. My third job was at Palmolive. And I realized, three jobs in three years, maybe it wasn't the job. It had to be me. "
Dee Rees
Heights
Three
New
" History informs where we are and how we got here. "
Dee Rees
Where
History
Got
" Before Charlottesville, it might have been easy to dismiss the plot of 'Mudbound' as no longer relevant. Now, I feel like audiences will be more receptive to the material - and to interrogating their personal histories after watching it. "
Dee Rees
Now
Personal
Easy
" To have a simultaneous global audience as an artist is more than you could ever hope for. "
Dee Rees
You
Artist
Audience
" I was going to study business administration at Florida A&M, at the height of Reaganomics. "
Dee Rees
Going
Study
Florida
" I just want to tell stories that are meaningful and have inspiration to them; people can watch it and take away something, or maybe they'll just think about themselves differently or think about the world differently. I just want to create characters that live on. "
Dee Rees
People
Live
Create
" I was interested with exploring the idea of who gets to be in possession of the land - how it's sometimes impossible to go back home, how family can be the thing that drags you down. "
Dee Rees
Home
Family
Impossible
" You don't have to make your life look like anybody else says it should look. "
Dee Rees
Your
You
Look
" I think 'Mudbound' reveals the interconnectiveness of our stories. You can't separate out threads of history and race as economic construct. 'Mudbound' makes it very plain. Race is about commerce; it's not an actual thing. It's a fiction that was created to basically divide resources unequally. "
Dee Rees
Resources
You
History
" I definitely felt the desire to, like - I definitely knew there was an elsewhere. I definitely knew that, like, if I were going to be free, I needed to be away from, kind of, like, Nashville and kind of get out of the South and get out of the country. "
Dee Rees
Country
Nashville
Desire
" We shouldn't be discriminating against each other. The whole 'light skin versus dark skin' is an idea we need to break down. "
Dee Rees
Light
Down
Skin
" I feel a lot of folks, like teenagers, can feel like outcasts. "
Dee Rees
Lot
Feel
Like