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" Coming-of-age stories, people roll their eyes. "
Dee Rees
Roll
Stories
People
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" There's a lot of power in saying no to big things that you don't want to do in order to say yes to the kind of things that really inspire you. "
Dee Rees
Saying
Inspire
Say
" You're your own person, and it's about you. I'm my own person, and it's about me. Everyone has their own life. "
Dee Rees
Person
You
Me
" Shooting on film is great because it imparts discipline: What do you need to see so you're not finding it in the camera. When I'm shooting, I have the scene in mind, where I'm going to have certain lines. I learned to overlap and to shoot more than I think I need. That was the learning curve. "
Dee Rees
Discipline
Think
Mind
" I'm not a writer that writes every day. I just kind of have ideas. I jot them down when I have them, and when I have enough, I just start. And for me, I start more around noon, and I'm all about feeling. Once there's a theme, I can't not write. "
Dee Rees
Start
Enough
Feeling
" In an industry that's uncertain and when you're in a lot of situations that are anxiety-causing, to have someone there who has your back unconditionally and cares for you and the material and would give anything to make sure everything is OK, makes you feel so much better. It gives you a sense of security as an artist. "
Dee Rees
Feel
Security
You
" I grew up listening to Mary J. Blige's music. When I initially met her, it was like, 'Oh, wow. I'm meeting this woman whose music was the soundtrack of my college years.' "
Dee Rees
Woman
Music
Listening
" When I first started going out to lesbian clubs, I felt a very binary recreation of hetero culture. There are butches and femmes, and I felt like I was neither of those things. I'm in a turtleneck and jeans and just learning to be comfortable in that space. I realized I don't have to be a certain way. "
Dee Rees
Jeans
Culture
Way
" The enemy is the system. And the system is made up of people, and we have a choice in that. "
Dee Rees
Enemy
System
Up
" We shouldn't be discriminating against each other. The whole 'light skin versus dark skin' is an idea we need to break down. "
Dee Rees
Light
Down
Skin
" Before Charlottesville, it might have been easy to dismiss the plot of 'Mudbound' as no longer relevant. Now, I feel like audiences will be more receptive to the material - and to interrogating their personal histories after watching it. "
Dee Rees
Now
Personal
Easy
" I was never physically abused, but when I came out to my parents late in life, when I was 27, they definitely had an intervention. "
Dee Rees
Never
Life
Late
" A producer has to want you. And if the producer trusts you and asks for your vision, it frees you up so much, not having to explain or fight for every decision. You're allowed to create. "
Dee Rees
Create
Decision
Fight
" Nothing I do is didactic. I just want to hold up a mirror and say, 'This is who we are.' "
Dee Rees
Up
Want
Hold
" With friendship, it's hard sometimes - you don't outgrow your friends, but you do question how people are friends to you in different ways and how it's okay to cultivate other relationships outside of that. "
Dee Rees
Okay
People
Friends
" Knowing what you want is not a shortcoming. Let people deal with their own anxieties. "
Dee Rees
People
Deal
Knowing
" I think art breaks down otherness. "
Dee Rees
Art
I Think
Think
" With 'Pariah,' at the time, I had just come out. I had a coming out experience, and I was writing about it, transposing my experience as an adult: What would it have been like if I had been a teenager in Brooklyn? The funny thing was people thought I was from Brooklyn. I had to be like, 'No, I'm from Nashville.' "
Dee Rees
People
Funny
Time
" We have to create a range, and we have to let there be possibilities. And basically, by showing there are different types of people, you write down the monolith. You stop having to represent for all black people when you allow there to be different types represented. "
Dee Rees
People
You
Create
" I'm always choosing the hard things, the things that aren't easy. "
Dee Rees
Easy
Always
Hard
" I kept getting offered all this young adult stuff. I don't want to keep telling teen coming-of-age stories! "
Dee Rees
Adult
Keep
Teen
" I like 'Paris is Burning' by Jennie Livington. "
Dee Rees
Burning
Paris
Like
" I definitely felt the desire to, like - I definitely knew there was an elsewhere. I definitely knew that, like, if I were going to be free, I needed to be away from, kind of, like, Nashville and kind of get out of the South and get out of the country. "
Dee Rees
Country
Nashville
Desire
" 'Mudbound,' you know, is about home. 'Mudbound' is about what it means to be a citizen, and 'Mudbound,' in fact, is set in this post-reconstruction era that we haven't really explored. You know, not since 'Sounder' have we even really explored that experience. "
Dee Rees
You
Home
Experience
" I'm interested in characters and relationships. "
Dee Rees
Characters
Relationships
Interested
" I had originally written 'Pariah' as a feature, and we shot the first act as a short film, and then we used the short as a marketing tool to fundraise for the feature. "
Dee Rees
Film
Marketing
Used
" For me, like, obviously, I want to see myself onscreen. "
Dee Rees
Me
Myself
Like
" New York offers people the anonymity to be themselves without judgment. "
Dee Rees
Without
New York
New
" Each moment is defined by a multitude of histories, the past constantly converging upon us, perpetually decaying and reforming itself on the steady pulse of now, now, now, now. "
Dee Rees
Us
Moment
Pulse
" For me, 'Pariah' is very much about that inner churn. It's about this person's emotional inner life, and that's really what I wanted to bring to 'Bessie.' "
Dee Rees
Person
Bring
Emotional
" I think 'Mudbound' reveals the interconnectiveness of our stories. You can't separate out threads of history and race as economic construct. 'Mudbound' makes it very plain. Race is about commerce; it's not an actual thing. It's a fiction that was created to basically divide resources unequally. "
Dee Rees
Resources
You
History