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All Quotes by author - Laura van den Berg
" A collection is, by my lights, a chance to build a universe, an overarching ecosystem. But it's common enough to encounter a hodgepodge instead, where flashes of brilliance are undercut by clunkers. "
Enough
Build
Lights
" America loves a good comeback story! "
Comeback
Story
Good
" Anxiety and doubt are among my biggest struggles as a writer. "
Struggles
Doubt
Anxiety
" As a genre, the best horror poses central human questions - Who can you trust? What is the cost of our secrets? What is our relationship to history? What are we blind to? What evils are lurking under the smooth surface of the self? - through radical dislocations. "
Relationship
History
Best
" As a reader, I appreciate a world that feels unsettled and also visceral, inhabitable, so that's a quality I try and bring to my own work. In this way, dislocation and precision make total sense to me as a unit. "
Work
Quality
Me
" As a teenager, I struggled a lot, had several major depressive episodes, and ended up dropping out of high school and getting a GED. "
High
Lot
Out
" As a young writer, I was sort of sailing around trying to 'find my voice' - for lack of a better term - and I was really chafing against the very minimal brand of domestic realism that I'd read so much of in college. "
Voice
Trying
College
" A sense of play is important when I'm writing, and so messing around with, say, a magic routine can feel like play, at least initially. "
Play
Magic
Important
" As for me, I was a lonely kid, with few close friends until I was an adult - even when I might have been perceived as being on the inside, I felt like I was on the outside, kind of like viewing the world through a sheet of glass. "
Kid
World
Me
" As we know all too well, our early years are formative in ways it can takes us a lifetime to grasp. Those years leave deep marks; in that way, the stakes of childhood are inherently very high. "
Way
Leave
Childhood
" Being scared by a movie offers a safe catharsis, because the terror is confined to the screen. It's an adrenalin spike, and when I come back down, I feel a bit more leveled. "
More
Back
Down
" Children exist in the worlds that adults create for them, both locally and globally, and their options are, by virtue of age, often painfully limited. "
Options
Create
Age
" Children tell themselves stories, engage in self-delusion and fantasy, but those narratives are more evolving than calcified - and with that malleability comes both freedom and danger. "
Children
Tell
Fantasy
" Culturally, there is often the expectation that women should be repelled by anything too ugly, too violent. "
Anything
Ugly
Expectation
" Early influences included Lorrie Moore, Amy Hempel, Charles Baxter, Richard Ford, Alice Munro, Denis Johnson - writers who are important to me still and who I discovered through my teachers. "
Teachers
Through
Me
" Ever since I started writing in college, I have, save for a few short breaks here and there, been working away on something. I love it, I need it, and so it never occurred to me to put writing on the back burner. "
Love
Me
Need
" Fiction accesses a certain kind of truth through artifice. I love to create worlds that operate on their own terms. "
Truth
Create
Kind
" 'Find Me' I think, is brooding in a very literal sense of the word in that you have all of these sort of interior storm that's growing within Joy over the course of the book and leading her to her moment. And certainly, I think there's an aspect of the supernatural. "
Storm
Book
Joy
" Florida is a most unusual place. It can feel at once stifling and like anything is possible there. "
Anything Is Possible
Place
Like
" Florida is a very idiosyncratic place in a lot of ways - as are many parts of our fine country, but one could say Florida is particularly idiosyncratic. "
Ways
Country
Place
" For three years, I lived in a miniscule apartment on Beacon Street, less than a mile from the Boston Marathon explosions. "
Street
Boston
Lived
" Havana is a uniquely complicated city and contains a great many histories. "
Complicated
City
Many
" Here's something a little more personal: In my teens, I was having a hard time and ended up in a therapy group of young women, some of whom had endured terrible childhood traumas. "
Time
Childhood
Young
" Holy cow - everything about writing a novel is hard for me. "
Holy
Cow
Everything
" I always tell my students that, in fiction, the opening is a clue to the work's DNA: not only what it is, but what it will become, where it will lead you. "
Always
You
Work
" I am an incorrigible eavesdropper, so I am very much influenced by what I hear. "
Hear
I Am
Am
" I am a pretty omnivoracious reader in respect to prose style, but if the prose doesn't have its own music, if the relationship to the sentence seems unconsidered or superficial, I have a really hard time reading the work. "
Music
Respect
Work
" I am temperamentally drawn to work that shoves the strange and normal against one another, it's true, although I don't see the 'strange' and the 'normal' as being two separate categories of experience; for me, they are intertwined, hard to separate. "
True
Experience
I Am
" I can't write anything if I don't know where it's set, where the events are happening - even if the details of setting are minimal. "
Anything
Events
Know
" I do not work well when I am in living in a cyclone of panic. I reject actively seeking out destabilization and suffering as a creative model. "
Living
Creative
Work
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