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" Anxiety and doubt are among my biggest struggles as a writer. "
Laura van den Berg
Struggles
Doubt
Anxiety
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" I think my favorite horror films are really grounded in human psychology, which is to say I think through sort of extreme dislocations of reality. "
Laura van den Berg
Think
Horror
Human
" Being scared by a movie offers a safe catharsis, because the terror is confined to the screen. It's an adrenalin spike, and when I come back down, I feel a bit more leveled. "
Laura van den Berg
More
Back
Down
" Like many artists, I have issues with anxiety and depression, so I try to live in a way that supports my mental health. "
Laura van den Berg
Mental Health
Depression
Health
" Normally I'm the type who wouldn't bail on a responsibility unless dead on the side of the road, and I believe deeply in the importance of continuing to follow our own paths. "
Laura van den Berg
Believe
Road
Responsibility
" I was born and raised in Orlando, where the economy and culture has been powerfully shaped by tourism, and so I've long been interested in how we narrate the places we visit, how the gap between what we see and what we know manifests when we're traveling. "
Laura van den Berg
Culture
Born
Know
" I realized that, for me, travel for work - I'm not speaking so much about travel for pleasure - had actually become a way of avoiding life. "
Laura van den Berg
Pleasure
Way
Work
" Unlike a novel, where you expect a different kind of arc that leaves us with a somber sense of resolution, I think a story in some ways as like a train window: being able to watch the landscape pass for a certain amount of time. And then your stop arrives, and you have to leave. "
Laura van den Berg
Story
Think
Time
" America loves a good comeback story! "
Laura van den Berg
Comeback
Story
Good
" In terms of specific cinematic influences, certainly I'd recommend 'Juan de los Muertos,' and I also really love this French zombie movie - 'Les Revenants' - where the dead reanimate for no apparent reason. "
Laura van den Berg
Love
Dead
Where
" There's the public self that we present to the outer world. There's the private self, which maybe takes more time to access. But ultimately, what I'm most interested in as a writer is a few notches below the private self. "
Laura van den Berg
World
More
Present
" Here's something a little more personal: In my teens, I was having a hard time and ended up in a therapy group of young women, some of whom had endured terrible childhood traumas. "
Laura van den Berg
Time
Childhood
Young
" I love many realists but very strongly resist the notion that realism presents a less stylized, more authentic version of the world. "
Laura van den Berg
Realism
Less
World
" Florida is a most unusual place. It can feel at once stifling and like anything is possible there. "
Laura van den Berg
Anything Is Possible
Place
Like
" As a reader, I appreciate a world that feels unsettled and also visceral, inhabitable, so that's a quality I try and bring to my own work. In this way, dislocation and precision make total sense to me as a unit. "
Laura van den Berg
Work
Quality
Me
" On my first trip to Havana, I was stopped by a woman who turned out to be a Canadian tour guide and who had mistaken me for a woman who had been part of one of her tour groups. "
Laura van den Berg
Woman
First
Havana
" I take a pretty expansive view of craft, which is to say I don't see craft as just being technique - it's also process; subject; ideas and feelings; visions and dreams; the words that are put down and the words that are avoided. "
Laura van den Berg
Ideas
Dreams
Words
" If I leave the fictional world for too long, it's a bit like stepping through a portal, entering another reality, and then not knowing how to get back to where you were before. "
Laura van den Berg
Not Knowing
World
Reality
" I tend to be drawn to characters who are not rule followers, who behave in unexpected and unusual ways. "
Laura van den Berg
Unexpected
Rule
Followers
" I teach fiction in my workshops, and some of the readings could be classified as horror. For example, 'House Taken Over,' a short story by Julio Cortazar, is a work I regularly teach. "
Laura van den Berg
Teach
House
Horror
" As a genre, the best horror poses central human questions - Who can you trust? What is the cost of our secrets? What is our relationship to history? What are we blind to? What evils are lurking under the smooth surface of the self? - through radical dislocations. "
Laura van den Berg
Relationship
History
Best
" In fiction, we are not bound by social convention, so the things that mystify and unsettle are allowed to rise to the surface. "
Laura van den Berg
Rise
Fiction
Social
" When I'm between projects, I keep a journal I call a 'thought log,' and it's my practice to write down whatever interests me. "
Laura van den Berg
Journal
Practice
Me
" I am a pretty omnivoracious reader in respect to prose style, but if the prose doesn't have its own music, if the relationship to the sentence seems unconsidered or superficial, I have a really hard time reading the work. "
Laura van den Berg
Music
Respect
Work
" I think writing, or any form of art-making, is a way to prepare for not being here. Not that we can. No amount of preparing can really ready us, in a meaningful way, for the great void that awaits us all. "
Laura van den Berg
Think
Way
Writing
" The past is an open wound, a life force busily shaping an increasingly bewildering present. "
Laura van den Berg
Present
Past
Wound
" I have no problem quitting things, because I have a horror of boredom. "
Laura van den Berg
Problem
Things
Boredom
" In August 2008, I moved with the man who would become my husband from Boston to a cabin in rural North Carolina. "
Laura van den Berg
Man
Husband
Cabin
" In 'The Third Hotel,' my narrator, Claire, is wrestling with this sense of perpetual unfinishedness. She's trying to make sense of her husband's death, how someone's life can just stop and not continue, and of the lack of resolution in her own inner life. "
Laura van den Berg
Hotel
Trying
She
" I think we're often guilty of gravitating towards the familiar. Even if we recognize that certain patterns are unsatisfying and destructive, there can still be a comfort in the familiar recognition of a cycle repeating itself. "
Laura van den Berg
Think
Recognition
Guilty
" I can't write anything if I don't know where it's set, where the events are happening - even if the details of setting are minimal. "
Laura van den Berg
Anything
Events
Know