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" I am an incorrigible eavesdropper, so I am very much influenced by what I hear. "
Laura van den Berg
Hear
I Am
Am
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" For three years, I lived in a miniscule apartment on Beacon Street, less than a mile from the Boston Marathon explosions. "
Laura van den Berg
Street
Boston
Lived
" Children exist in the worlds that adults create for them, both locally and globally, and their options are, by virtue of age, often painfully limited. "
Laura van den Berg
Options
Create
Age
" To a certain degree, I think both self-narrativizing and selective memory are essential survival skills. "
Laura van den Berg
Memory
Think
Degree
" Ever since I started writing in college, I have, save for a few short breaks here and there, been working away on something. I love it, I need it, and so it never occurred to me to put writing on the back burner. "
Laura van den Berg
Love
Me
Need
" I teach fiction in my workshops, and some of the readings could be classified as horror. For example, 'House Taken Over,' a short story by Julio Cortazar, is a work I regularly teach. "
Laura van den Berg
Teach
House
Horror
" If you're working on a novel, whatever you do, don't say, 'I am almost finished with my novel.' It's worse than chanting Bloody Mary three times in front of a mirror. "
Laura van den Berg
You
I Am
Mirror
" I'm such a first-person writer. "
Laura van den Berg
First-Person
Writer
" I'm pretty sure that I've never confessed in an interview my weakness for McDonald's Filet-O-Fish. The cheese is fake. Who knows what that 'fish' really is. It is gross. It is amazing. "
Laura van den Berg
Amazing
Fake
Fish
" I tend to be drawn to characters who are not rule followers, who behave in unexpected and unusual ways. "
Laura van den Berg
Unexpected
Rule
Followers
" I think we're often guilty of gravitating towards the familiar. Even if we recognize that certain patterns are unsatisfying and destructive, there can still be a comfort in the familiar recognition of a cycle repeating itself. "
Laura van den Berg
Think
Recognition
Guilty
" In terms of specific cinematic influences, certainly I'd recommend 'Juan de los Muertos,' and I also really love this French zombie movie - 'Les Revenants' - where the dead reanimate for no apparent reason. "
Laura van den Berg
Love
Dead
Where
" I've always been most drawn to fiction that wrestles with that death-fear. Sometimes I joke with my students, 'If no one is in danger of dying, I'm not interested,' but of course I'm not really joking. "
Laura van den Berg
Dying
Students
Always
" I was born and raised in Orlando, where the economy and culture has been powerfully shaped by tourism, and so I've long been interested in how we narrate the places we visit, how the gap between what we see and what we know manifests when we're traveling. "
Laura van den Berg
Culture
Born
Know
" When I was in grad school, my husband and I used to house sit for a couple in Harvard Square, so we have these amazing memories of great Cambridge summers. "
Laura van den Berg
Great
House
Memories
" As a genre, the best horror poses central human questions - Who can you trust? What is the cost of our secrets? What is our relationship to history? What are we blind to? What evils are lurking under the smooth surface of the self? - through radical dislocations. "
Laura van den Berg
Relationship
History
Best
" As for me, I was a lonely kid, with few close friends until I was an adult - even when I might have been perceived as being on the inside, I felt like I was on the outside, kind of like viewing the world through a sheet of glass. "
Laura van den Berg
Kid
World
Me
" If we can think of a place, the physicality of a place, as a kind of 'material,' I would say the landscape of Florida in particular was especially important while writing 'Isle.' "
Laura van den Berg
Landscape
Place
Writing
" Children tell themselves stories, engage in self-delusion and fantasy, but those narratives are more evolving than calcified - and with that malleability comes both freedom and danger. "
Laura van den Berg
Children
Tell
Fantasy
" I think that one thing about teaching is you're trying to communicate your thoughts about a work to a group of people who may or may not share that sentiment. This has forced me to become a lot more articulate about what I respond to and what I don't respond to in fiction. "
Laura van den Berg
Me
You
Work
" Early influences included Lorrie Moore, Amy Hempel, Charles Baxter, Richard Ford, Alice Munro, Denis Johnson - writers who are important to me still and who I discovered through my teachers. "
Laura van den Berg
Teachers
Through
Me
" Sometimes we talk about memory as though it's firm and fixed, but of course, memory is highly fluid and subjective and thus highly subject to manipulation. "
Laura van den Berg
Talk
Memory
Manipulation
" It's not easy to craft a novel that gradually erodes the reader's comprehension of the world, of reality and identity and the passage of time. "
Laura van den Berg
Time
Easy
Identity
" On my first trip to Havana, I was stopped by a woman who turned out to be a Canadian tour guide and who had mistaken me for a woman who had been part of one of her tour groups. "
Laura van den Berg
Woman
First
Havana
" To me, in general, something that's really rich in terms of identity about transit spaces is that they're so intimate. Especially thinking about long international flights when we're trying to sleep on the plane - we're total strangers, but we're sleeping next to each other. "
Laura van den Berg
Me
Identity
Rich
" The moment when my husband and I clasped hands and turned from our officiant, newly wed, was the most light-filled of my life. "
Laura van den Berg
My Life
Life
Moment
" In August 2008, I moved with the man who would become my husband from Boston to a cabin in rural North Carolina. "
Laura van den Berg
Man
Husband
Cabin
" Like many American readers, I was first introduced to Magda Szabo's work when New York Review Books reissued the Hungarian master's profound and haunting novel 'The Door.' "
Laura van den Berg
New York
American
Door
" I am temperamentally drawn to work that shoves the strange and normal against one another, it's true, although I don't see the 'strange' and the 'normal' as being two separate categories of experience; for me, they are intertwined, hard to separate. "
Laura van den Berg
True
Experience
I Am
" Being scared by a movie offers a safe catharsis, because the terror is confined to the screen. It's an adrenalin spike, and when I come back down, I feel a bit more leveled. "
Laura van den Berg
More
Back
Down
" In 'The Third Hotel,' my narrator, Claire, is wrestling with this sense of perpetual unfinishedness. She's trying to make sense of her husband's death, how someone's life can just stop and not continue, and of the lack of resolution in her own inner life. "
Laura van den Berg
Hotel
Trying
She