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All Quotes by author - Lynn Nottage
" African American women in particular have incredible buying power. Statistically, we go to the movies more than anyone. We have made Tyler Perry's career. His films open with $25 million almost consistently. "
Movies
American
Career
" All of my plays are about people who have been marginalized... erased from the public record. "
People
Public
Who
" A lot of the factories that had been the bedrock of many small cities were being shut down, which led me to investigate what I'm calling the 'de-industrial revolution.' "
Small
Revolution
Me
" American audiences very rarely deal with material outside their borders. "
Deal
American
Borders
" As a woman of color, slowly and with some coercing, the not-for-profit theaters around the country are beginning to recognize and embrace the power of our stories, but with regards to Broadway and other commercial venues, we remain very much marginalized and excluded from that larger creative conversation. "
Beginning
Woman
Power
" Before I start, I create a set list that I listen to while I'm writing. For 'Intimate Apparel,' I loaded Erik Satie, Scott Joplin, klezmer music, and the American jazz performer and composer Reginald Robinson. "
Start
Writing
Music
" Broadway is a closed ecosystem. "
Ecosystem
Broadway
Closed
" Broadway's never my end goal because of the plays I write. These are tough plays. Of course there's a lot of humor, but my goal is just to reach as wide an audience as possible, however that happens. "
Audience
Reach
Humor
" By and large, the theatre establishment is run by a white majority. "
Run
Large
White
" By the sheer act of writing, we are trying to place value on the stories that we're invested in. "
Writing
Stories
Value
" By the time I reached 50, I'd accumulated many unresolved fears and desires. "
Many
Time
Unresolved
" Each play I write has its own unique origin story. "
Unique
Own
Play
" Even in Congo, where conflicts are happening, people have births, weddings, deaths, and celebrations. "
Even
People
Where
" For me, playwriting is sharing my experiences, telling my stories. "
Experiences
Sharing
Me
" For me, the first thing is to tell a good story. "
Story
Good Story
Me
" Growing up in New York City, I'd flirted with the idea of driving, but between the subway and the sidewalks, I'd never needed to learn. "
Growing Up
New
Driving
" Here's the dilemma of the modern age: There used to be actions that workers could take, in the form of a strike. But now, that's being pre-empted by lockouts. They don't even have that leverage to protect their jobs. "
Now
Protect
Used
" I always describe race as the final taboo in American theatre. There's a real reluctance to have that conversation in an open, honest way on the stage. "
Conversation
Theatre
Race
" I always thought of my mother as a warrior woman, and I became interested in pursuing stories of women who invent lives in order to survive. "
Mother
Warrior
Woman
" I am a storyteller by trade. "
Am
Storyteller
Trade
" I am a Tony voter; it is an honor that I take seriously. Each season, I enter the process with a degree of enthusiasm and optimism, which dissipates as I slowly plow through show after show. "
Season
Honor
I Am
" I am interested in people living in the margins of society, and I do have a mission to tell the stories of women of colour in particular. I feel we've been present throughout history, but our voices have been neglected. "
People
Women
I Am
" I can't quite remember the exact moment when I became obsessed with writing a play about the seemingly endless war in the Democratic Republic of Congo, but I knew that I wanted to somehow tell the stories of the Congolese women caught in the cross-fire. "
Women
Remember
War
" I don't think any of us could predict Trump. Trump is the stuff of nightmares. But in talking to people, I knew there was a tremendous level of disaffection and anger and sorrow. I know people felt misrepresented and voiceless. "
People
Talking
Us
" I do see myself as an old-fashioned storyteller. But there's always a touch of the political in my plays. "
Myself
Touch
See
" I feel like 'Sweat' arrived on Broadway at the moment that it needed to. I feel like a commercial audience was not prepared for 'Ruined' or 'Intimate Apparel' for many different reasons. "
Moment
Broadway
Sweat
" I find my characters and stories in many varied places; sometimes they pop out of newspaper articles, obscure historical texts, lively dinner party conversations and some even crawl out of the dusty remote recesses of my imagination. "
Party
Imagination
Dinner
" If the Tony Awards want to remain relevant in the American theater conversation, then they need to embrace the true diversity of voices that populate the American theater. "
True
American
Conversation
" If you lead with the anger, it will turn off the audience. And what I want is the audience to engage with the material and to listen and then to ask questions. I think that 'Ruined' was very successful at doing that. "
Questions
Anger
Doing
" If you're looking at the people who head the institutions, there are very few African Americans or people of colour. I'm talking about the major theatres that position themselves as serving all audiences. What you find is, by and large, people who are shaping what we see, and the people who are the tastemakers are white. "
Looking
White
You
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