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" I feel like 'Sweat' arrived on Broadway at the moment that it needed to. I feel like a commercial audience was not prepared for 'Ruined' or 'Intimate Apparel' for many different reasons. "
Lynn Nottage
Moment
Broadway
Sweat
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" Women are standing up and leaning forward and asserting their power. "
Lynn Nottage
Power
Standing
Up
" My grandfather was a Pullman porter, and my father put his way through college by cleaning floors at night in the libraries. I understand that working people are in some way the bedrock of my existence and the existence of many people here. "
Lynn Nottage
Cleaning
Father
People
" Like Alice Walker and Toni Morrison, I try to balance reality with how we'd like the world to be. "
Lynn Nottage
Balance
How
World
" I wrote 'Ruined' and 'Vera Stark' at the same time. That's just how my brain functions - when I'm dwelling someplace very heavy, I need a release. "
Lynn Nottage
Brain
Time
Same
" A lot of the factories that had been the bedrock of many small cities were being shut down, which led me to investigate what I'm calling the 'de-industrial revolution.' "
Lynn Nottage
Small
Revolution
Me
" Even in Congo, where conflicts are happening, people have births, weddings, deaths, and celebrations. "
Lynn Nottage
Even
People
Where
" The stage is the last bastion of segregation. "
Lynn Nottage
Segregation
Last
Stage
" People probably have different philosophies about this, but I think that when you're first shaping the play and trying to find a character, the initial actors that develop it end up imprinting on it - you hear their voices; you hear their rhythms. You can't help but to begin to write toward them during the rehearsal process. "
Lynn Nottage
End
Think
You
" I try to be led by my curiosity. "
Lynn Nottage
Try
Curiosity
Led
" I wouldn't say I see my work as having a political ideology. Lynn Nottage certainly has a political ideology. I think that the work is an extension of who I am, but I don't think that when I write the play I'm looking to push the audience one way or another. "
Lynn Nottage
I Am
Think
Looking
" Ultimately, we're incredibly resilient creatures. People really do get on with the business of living. "
Lynn Nottage
Living
Business
Creatures
" If you're looking at the people who head the institutions, there are very few African Americans or people of colour. I'm talking about the major theatres that position themselves as serving all audiences. What you find is, by and large, people who are shaping what we see, and the people who are the tastemakers are white. "
Lynn Nottage
Looking
White
You
" We need to diversify the people who are backstage and producing and marketing these shows. It's the limitations of these people that are holding Broadway back. "
Lynn Nottage
Back
Broadway
Marketing
" By and large, the theatre establishment is run by a white majority. "
Lynn Nottage
Run
Large
White
" I'm interested in people who are dwelling outside the mainstream. And very often, those people happen to be woman of color. "
Lynn Nottage
Outside
Happen
Woman
" If the Tony Awards want to remain relevant in the American theater conversation, then they need to embrace the true diversity of voices that populate the American theater. "
Lynn Nottage
True
American
Conversation
" In senior year at college, Paula Vogel was my playwriting teacher; she is the first person to introduce me to the notion that a woman could actually forge a career in the theatre. Up until then, the possibility seemed remote and inaccessible, as I had very few role models who directly touched my life. "
Lynn Nottage
Life
Teacher
Theatre
" For me, the first thing is to tell a good story. "
Lynn Nottage
Story
Good Story
Me
" Saying, 'I'm going to create jobs' is great, but before you create jobs, something has to be offered to alleviate some of the suffering now. "
Lynn Nottage
Suffering
Great
Saying
" I am a storyteller by trade. "
Lynn Nottage
Am
Storyteller
Trade
" Broadway is a closed ecosystem. "
Lynn Nottage
Ecosystem
Broadway
Closed
" I think folks who are resistant to engaging in art become less so once they encounter art that really reflects them. "
Lynn Nottage
Think
Engaging
Become
" I do see myself as an old-fashioned storyteller. But there's always a touch of the political in my plays. "
Lynn Nottage
Myself
Touch
See
" Each play I write has its own unique origin story. "
Lynn Nottage
Unique
Own
Play
" I see procrastination and research as part of my artistic process. "
Lynn Nottage
Process
Procrastination
See
" I love Twitter. "
Lynn Nottage
I Love
Love
Twitter
" Here's the dilemma of the modern age: There used to be actions that workers could take, in the form of a strike. But now, that's being pre-empted by lockouts. They don't even have that leverage to protect their jobs. "
Lynn Nottage
Now
Protect
Used
" My interest in theatre and storytelling began in my mother's kitchen. It was a meeting place for my mother's large circle of friends. "
Lynn Nottage
Mother
Kitchen
Friends
" The more you go to a theatre and the more you hear stories you aren't necessarily familiar with, the more open you become. "
Lynn Nottage
You
Become
Go
" When I sat in rooms with middle-aged white men, I heard them speaking like young black men in America. They had been solidly middle class for the majority of their working careers, but now they were feeling angry, disaffected, and in some cases, they actually had tears in their eyes. "
Lynn Nottage
Men
America
Angry